New York New York (manga)

New York New York
Cover of the first tankōbon edition
ニューヨーク・ニューヨーク
(Nyū Yōku Nyū Yōku)
GenreDrama, yaoi
Created byMarimo Ragawa
Manga
Written byMarimo Ragawa
Published byHakusensha
English publisher
ImprintJets Comics [ja]
MagazineHana to Yume
DemographicShōjo
Original run1995 – 1998
Volumes4 (List of volumes)
Audio drama
StudioMarine Entertainment [ja]
ReleasedMay 24, 2000
Episodes2

New York New York (Japanese: ニューヨーク・ニューヨーク, Hepburn: Nyū Yōku Nyū Yōku) is a Japanese shōjo manga series written and illustrated by Marimo Ragawa. Originally serialized in the manga magazine Hana to Yume from 1995 to 1998 and adapted into an audio drama in 2000, New York New York is focused on the relationship between a police officer and a civilian.

Synopsis

Cain Walker, a police officer in New York City, is gay but remains closeted. He engages in a series of one night stands in the city's gay bars until he meets Mel Fredericks, with whom he decides to pursue a relationship. The series follows their often tumultuous relationship as they confront a variety of challenges, including sexual assault, marriage, parenting, and HIV/AIDS.

Characters

Cain Walker (ケイン・ウォーカー)
Voiced by: Kazuya Nakai[1]
A 25-year-old police officer at the New York City Police Department (NYPD). Born in Newton, Massachusetts, he moved to Queens in order to work as a police officer. He is gay, but closeted.
Mel Fredericks (メル・フレデリクス)
Voiced by: Hideo Ishikawa[1]
A 22-year-old barista born and raised in Upper Manhattan. He was raised by his aunt after his mother committed suicide, but left the home after being sexually abused by his uncle while in high school.
Daniel Howard (ダニエル・ハワード)
Voiced by: Kenji Nojima[1]
A former colleague of Cain's who became involved in smuggling heroin.
Brian Berg (ブライアン・バーグ)
Voiced by: Tomomichi Nishimura[1]
The chief of the NYPD, and Cain's boss.

Media

Manga

The series, which was developed by author Marimo Ragawa after a visit to New York City, was serialized in the manga magazine Hana to Yume from 1995 to 1998.[2][3] It was subsequently collected by Hakusensha as four tankōbon volumes in 1998,[4][5] and later re-published as two bunkoban volumes in 2003, featuring essays by manga scholar Yukari Fujimoto and author Satoru Ito.[6][7] An English-language translation of the series published by Yen Press was originally slated for release in October 2021.[8][9] However, it was delayed until March 2022.[10]

No. Original release date Original ISBN English release date English ISBN
1 March 1998[4]4-592-13178-9March 8, 2022[10]978-1-9753-2535-0
2 May 1998[11]4-592-13342-0March 8, 2022[10]978-1-9753-2535-0
3 August 1998[12]4-592-13343-9July 19, 2022[13]978-1-9753-3814-5
4 November 1998[5]4-592-13344-7July 19, 2022[13]978-1-9753-3814-5

Audio drama

An audio drama adaptation of New York New York was produced by Marine Entertainment [ja] (a subsidiary of Animate) and released on two compact discs on May 24, 2000.[14][15]

Reception and analysis

In Manga: Sixty Years of Japanese Comics, writer Paul Gravett describes New York New York as a "moving, 700-page melodrama," praising its thriller elements and its realistic depiction of gay identity.[16] Mark McLelland of the University of Wollongong similarly notes that in contrast to "pre-political" yaoi of the 1990s that typically focused on romance to the exclusion of sexual identity, New York New York is notable as among the first yaoi manga to depict social realism in its treatment of gay identity through its portrayal of homophobia, coming out, gay bashing, sexual abuse, and rape.[17] He commends the series for its attempt "to refer to the very real social problems in which same-sex desire is grounded," but writes that the sentimental and melodramatic nature of the story "works against a realistic interpretation of the narrative."[17] In a separate review, McLelland qualifies his assessment of New York New York by noting that as yaoi is "not written by or for gay men," it "should not be criticised for failing to represent their concerns accurately."[18]

McLelland further notes Cain and Mel as an archetypal example of seme and uke dynamics in yaoi. Mel assumes the role traditionally occupied by women in heterosexual romance fiction: he is physically weak, subordinated, emotional, and repeatedly the victim of crimes from which he is saved by his lover. McLelland argues that Mel consequently exists to serve as a figure of identification for the yaoi genre's largely female readership.[19]

See also

References

  1. ^ a b c d ニューヨーク・ニューヨーク (2). Commercial BL Portal Chil Chil (in Japanese). May 24, 2000. Retrieved January 27, 2021.
  2. ^ Ragawa, Marimo (March 2004). New York, New York, Tome 2 (in French). Panini Group. ISBN 978-2845381056.
  3. ^ ニューヨーク・ニューヨーク. Digital Daijisen Plus (in Japanese). Shogakukan. Retrieved April 24, 2021 – via Kotobank.
  4. ^ a b ニューヨーク・ニューヨーク 1. Media Arts Database (in Japanese). Agency for Cultural Affairs. Retrieved April 24, 2021.
  5. ^ a b ニューヨーク・ニューヨーク 4. Media Arts Database (in Japanese). Agency for Cultural Affairs. Retrieved April 24, 2021.
  6. ^ ニューヨーク・ニューヨーク 1. Hakusensha (in Japanese). Retrieved April 24, 2021.
  7. ^ ニューヨーク・ニューヨーク 2. Hakusensha (in Japanese). Retrieved April 24, 2021.
  8. ^ @yenpress (April 23, 2021). "NEW MANGA ANNOUNCEMENT: New York, New York ..." (Tweet). Retrieved April 23, 2021 – via Twitter.
  9. ^ Mateo, Alex (April 23, 2021). "Yen Press Licenses 5 Manga, 4 Light Novels for October". Anime News Network. Retrieved April 24, 2021.
  10. ^ a b c "New York, New York, Vol. 1". Yen Press. Retrieved March 10, 2022.
  11. ^ ニューヨーク・ニューヨーク 2. Media Arts Database (in Japanese). Agency for Cultural Affairs. Retrieved April 24, 2021.
  12. ^ ニューヨーク・ニューヨーク 3. Media Arts Database (in Japanese). Agency for Cultural Affairs. Retrieved April 24, 2021.
  13. ^ a b "New York, New York, Vol. 2". Yen Press. Retrieved March 10, 2022.
  14. ^ ニューヨーク・ニューヨーク 1. Oricon (in Japanese). Retrieved January 27, 2021.
  15. ^ ニューヨーク・ニューヨーク 2. Oricon. Retrieved January 27, 2021.
  16. ^ Gravett, Paul (2004). Manga: Sixty Years of Japanese Comics. Laurence King. p. 91. ISBN 978-1856693912.
  17. ^ a b McLelland, Mark J. (2005). Male Homosexuality in Modern Japan: Cultural Myths and Social Realities. Taylor & Francis. p. 66. ISBN 9781135791292.
  18. ^ McLelland, Mark J. (2006). "Why Are Japanese Girls' Comics full of Boys Bonking?". Refractory: A Journal of Entertainment Media (10). University of Melbourne. Archived from the original on April 15, 2008.
  19. ^ McLelland, Mark J. (2010). "The 'Beautiful Boy' in Japanese Girls' Manga". In Johnson-Woods, Toni (ed.). Manga – An Anthology of Global and Cultural Perspectives. Continuum Publishing. p. 86.

Further reading