List of Guggenheim Fellowships awarded in 2001

List of Guggenheim Fellowships awarded in 2001.

US and Canadian Fellows

• Geneive Abdo, independent scholar, Washington, D. C.; senior research associate, Middle East Institute, Columbia University: Faith, power, and the new Iran.
• Jeremy Adelman,[1] professor of history, Princeton University: The political economy of revolution in South America, 1750–1824.
• Catherine J. Allen, professor of anthropology and international affairs, George Washington University: Cultural patterning in Andean art.
• Fred Anderson, associate professor of history, University of Colorado at Boulder: Empire and liberty in North America, 1500–2000.
• Ray Anderson, composer, Setauket, New York; member of the guest faculty in music, State University of New York at Stony Brook: Music composition.
• Tom Andrews, poet, Athens, Greece; member of the faculty, MFA Program for Writers, Warren Wilson College: Poetry.
• Ann W. Astell, professor of English, Purdue University: Medieval asceticism, mysticism, and aesthetics.
• Cristina Bacchilega, professor of English, University of Hawaii at Manoa: Narrative and the politics of landmarks in Hawaii.
• Charlotte Bacon, writer, Lee, New Hampshire; assistant professor of English, University of New Hampshire: Fiction.
• Claude Baker, composer, Bloomington, Indiana; professor of music composition, Indiana University Bloomington: Music composition.
• John A. Bargh, professor of psychology and director, graduate program in social psychology, New York University: Nonconscious forms of self-regulation.
• James R. Bartholomew, professor of modern Japanese history, Ohio State University: Japan and the Nobel science prizes, 1901–1949.
• Harry William Bartnick, artist, Beverly, Massachusetts; associate professor of painting and color theory, New England School of Art and Design, Suffolk University: Painting.
• Frank D. Bean, professor of sociology and director, Center for Research on Immigration, Population and Public Policy, University of California, Irvine: Multiracial identification and America's color lines.
• James J. Beatty, associate professor of physics and of astronomy and astrophysics, Pennsylvania State University: Studies of the highest energy cosmic rays.
• Florence Bernault, associate professor of African history, University of Wisconsin–Madison: The invention of witchcraft in colonial and postcolonial Gabon.
• B. Douglas Bernheim, Lewis and Virginia Eaton Professor of Economics, Stanford University: The political economy of legislative institutions and policy formation.
• Jason Berry, writer, New Orleans: A history of jazz funerals in New Orleans.
• Maggie Bickford,[2] associate professor of history of art and architecture, Brown University: Auspicious visuality in China.
• Ralph Blumenthal, writer, New York City; arts and culture news reporter, The New York Times: The reforms of the Sing Sing warden Lewis E. Lawes.
• Christopher Boehm, professor of anthropology and director, Jane Goodall Research Center, University of Southern California: The evolution of conflict resolution.
• Michele H. Bogart, professor of art history, State University of New York at Stony Brook: The Art Commission and public culture in New York City.
• Natalie Bookchin, new media artist, Los Angeles; member of the faculty, California Institute of the Arts: New media art.
• Kevin Boyle, associate professor of history, University of Massachusetts Amherst: The 1925 Sweet trials and the modern civil rights movement.
• Christopher Bram, writer, New York City: Fiction.
• Martha Burgess, new media artist, Brooklyn, New York; member of the adjunct faculty in photography, Parsons School of Design, New School University: New media art.
• Charles Cajori, artist, Watertown, Connecticut; Instructor in Art, New York Studio School of Drawing, Painting and Sculpture: Painting and drawing.
• Kathleen Cambor, writer, Houston, Texas: Fiction.
• Ardis Cameron, director of American and New England studies, University of Southern Maine: Peyton Place as a social and cultural artifact.
• Alan Campion, Dow Chemical Company Professor of Chemistry and university distinguished teaching professor, University of Texas at Austin: Spectroscopic studies of molecules adsorbed on solid surfaces.
• Jem Cohen, film maker, Brooklyn, New York: film making.
• Cathy C. Cook, film maker, Brooklyn, New York; visiting assistant professor of film, Sarah Lawrence College: Film making.
• Marsha Cottrell, artist, Brooklyn, New York: Drawing.
• John E. Crowley, George Munro Professor of History, Dalhousie University: Landscape art and Anglo-American identities in North America.
• Patricia Curd, professor of philosophy, Purdue University: A translation and study of Anaxagoras of Clazomenae.
• Gregory D'Alessio, composer, Cleveland, Ohio; assistant professor of music composition, Cleveland State University: Music composition.
• Lynn Dally, choreographer, Santa Monica, California; artistic director, Jazz Tap Ensemble, Los Angeles; visiting assistant professor of world arts and cultures, University of California, Los Angeles: Choreography.
• Richard H. Davis, associate professor of religion, Bard College: Processions in medieval South India.
• Marcel Detienne, Gildersleeve Professor of Classics, Johns Hopkins University: The gods of politics in early Greek cities.
• Tom D. Dillehay, professor of anthropology, University of Kentucky: History and the identity politics of the Chilean Mapuche.
• Bruce Randall Donald, professor of computer science, adjunct professor of chemistry and Edward and Joan Foley Fellow, Dartmouth College: Algorithms for structural proteomics.
• James Drake, artist, Santa Fe, New Mexico: Visual art.
• Andre Dubus III, writer, Newburyport, Massachusetts; lecturer in English, Tufts University: Fiction.
• Marcia Lea Due, photographer, Amenia, New York; adjunct assistant professor of photography, Purchase College, State University of New York: Photography.
• Thomas L. Dumm, professor of political science, Amherst College: Loneliness and experience.
• Patricia Ebrey, professor of history and international studies, University of Washington: The Song emperor Huizong and his China.
• Geoff Eley, Sylvia Thrupp Collegiate Professor of Comparative History, University of Michigan: The German Right from Bismarck to the present.
• William F. Fagan, assistant professor of biology, Arizona State University: The challenge of addressing key problems in conservation biology with weak data.
• Michael C. Ferris, professor of computer sciences and industrial engineering, University of Wisconsin–Madison: Optimization for medical applications.
• Steve Fiffer, writer, Evanston, Illinois: A biography of the spinal cord.
• Robbert Flick, photographer, Claremont, California; professor of art, University of Southern California: Photography.
• John J. Flynn, MacArthur Curator of Geology, Field Museum, and associate chairman, Committee on Evolutionary Biology, University of Chicago: The interplay of evolution and geologic change in South America.
• Nick Flynn, poet, Provincetown, Massachusetts: Poetry.
• Mark N. Franklin, John R. Reitemeyer Professor of International Politics, Trinity College, Hartford: The voter turnout puzzle.
• Tom Franklin, writer, Galesburg, Illinois; visiting writer-in-residence, Knox College: Fiction.
• Victoria Funari, film maker, Vallejo, California: Film making.
• John Ganim, professor of English, University of California, Riverside: Theories of the origins of medieval culture.
• Joe Gibbons, film maker, Malden, Massachusetts; Instructor in Film, School of the Museum of Fine Arts, Boston: Film making.
• Simon Gikandi, Robert Hayden Professor of English Language and Literature, University of Michigan: Pan-Africanism and culture, 1860–1960.
• Rebecca Gilman, playwright, Chicago: Play writing.
• Judy Glantzman, artist, New York City: Painting.
• Daniel S. Godfrey, composer, Syracuse, New York; professor of music, Syracuse University: Music composition.
• Aníbal González-Pérez, Edwin Erle Sparks Professor of Spanish, Pennsylvania State University: The new sentimental novel in Spanish America.
• Deborah M. Gordon, associate professor of biological sciences, Stanford University: The organization of work in ant colonies.
• Joanne Greenbaum, artist, New York City: Painting.
• Daniel A. Griffith, professor of geography, Syracuse University: Scientific visualization of spatial autocorrelation.
• Sally Gross, choreographer, New York City: Choreography.
• Jessica Hagedorn, writer, New York City: Fiction.
• Joseph Y. Halpern, professor of computer science, Cornell University: Decision-making in complex systems.
• Rebecca Harris-Warrick, associate professor of music, Cornell University: Dance in French opera during the ancien regime.
• Ehud Havazelet, writer, Corvallis, Oregon; associate professor and director, Program in Creative Writing, University of Oregon: Fiction.
• Christine Heindl, artist, Chauncey, Ohio; associate professor of art, Ohio University: Painting.
• Anne Higonnet, associate professor of art history, Wellesley College: A history of private art museums, 1848–1940.
• David Hilliard, photographer, West Roxbury, Massachusetts; member of the faculty in photography, School of the Museum of Fine Arts, Boston: Photography.
• Marianne Hirsch, professor of French and comparative literature, Dartmouth College: Czernowitz and the Holocaust.
• Philip T. Hoffman, professor of history and social science, California Institute of Technology: The role of crises in economic and financial development (in collaboration with Jean-Laurent Rosenthal).
• Joseph Horowitz, Independent Scholar, New York City: Music and the Gilded Age.
• Jim Isermann, artist, Santa Monica, California; adjunct professor of art, Occidental College: Visual art.
• Anil Kumar Jain, university distinguished professor, Michigan State University: The structure of multidimensional patterns.
• Roberto Juarez, artist, New York City: Painting.
• Mehran Kardar, professor of physics, Massachusetts Institute of Technology: Statistical physics and biological information.
• Ira Katznelson, Ruggles Professor of Political Science and History, Columbia University: Liberalism and the city.
• Webb Keane, associate professor of anthropology, University of Michigan: Missionaries, Protestants, and dilemmas of "modernity" in Indonesia.
• J. Gerald Kennedy, William A. Read Professor of English, Louisiana State University: Literary nationalism in the age of Poe.
• Dale Vivienne Kent, professor of history, University of California, Riverside: Patronage and patriarchy in early Medicean Florence.
• Todd Kontje, professor of German and comparative literature, University of California, San Diego: German orientalisms.
• Daniel W. Koontz, composer, Southampton, New York; adjunct associate professor of music, Southampton College: Music composition.
• Maryanne Kowaleski, professor of history and director, Center for Medieval Studies, Fordham University: An ethnography of maritime communities in medieval England.
• Matthew H. Kramer, fellow and director of studies in law, Churchill College and university reader in legal & political philosophy, University of Cambridge: An analysis of the ideal of negative liberty.
• Arthur J. Krener, professor of mathematics, University of California, Davis: Normal forms and bifurcation of control systems.
• Michael Kubovy, professor of psychology, University of Virginia: A new approach to human pleasure.
• Joan B. Landes, professor of women's studies and history, Pennsylvania State University: Artificial life in 18th-century France.
• Dorianne Laux, poet, Eugene, Oregon; associate professor of creative writing, University of Oregon: Poetry.
• Asunción Lavrin, professor of history, Arizona State University: Masculinity and the religious orders in colonial Mexico.
• Jocelyn Lee, photographer, Cape Elizabeth, Maine: Photography.
• Ricardo Llorca, composer, New York City; member of the faculty, The Juilliard School; member of the faculty, Spanish Institute, New York: Music composition.
• Sharon Lockhart, film maker and photographer, Los Angeles; associate professor of photography, University of Southern California: Film making.
• Elizabeth Lunbeck,[1] associate professor of history, Princeton University: Psychoanalytic practice in the United States before 1920.
• Eva Lundsager, artist, New York City: Painting.[3]
• Vera Lutter, artist, New York City: Visual art.
• Stephen Malawista, professor of medicine, Yale University: Studies of chemotaxis in human blood plasma.
• Mark Maroncelli, professor of chemistry, Pennsylvania State University: Computational studies of supercritical fluids.
• Beverly McIver, artist, Chandler, Arizona; assistant professor of painting and drawing, Arizona State University: Painting.
• Cindy McTee, composer, Denton, Texas; professor of music composition, University of North Texas: Music composition.
• Susan K. Mikota, veterinarian, Sumatra, Indonesia; Consultant, World Wildlife Foundation, Indonesia: A program for Sumatran elephant healthcare and conservation.
• Susan L. Mizruchi, professor of English and American studies, Boston University: American culture, economy, and the novel, 1860–1915.
• Toril Moi, James B. Duke Professor of Literature and Romance Studies, Duke University: Ibsen's modernity.
• Dilip Mookherjee, professor of economics and director, Institute of Economic Development, Boston University: Land reforms and fiscal decentralization in the economic development of West Bengal.
• Rachel Olivia Moore, independent scholar, New York City: A study of folklore on film.
• François M. Morel,[1] professor of geosciences and director, Princeton Environmental Institute, Princeton University: The biological chemistry of sea water.
• Brian Morton, writer, New York City; member of the faculty in writing, Sarah Lawrence College; member of the adjunct faculty, graduate creative writing program, New York University: Fiction.
• John Mulvaney, artist, Philadelphia: Painting.
• Nalini M. Nadkarni, member of the faculty in tropical biology, Evergreen State College: The communication of forest-canopy research to nonscientists.
• Marilyn Nelson,[4] poet, Storrs, Connecticut; professor of English, University of Connecticut: Poetry.
• Herbert Neuberger, professor of physics, Rutgers University: Chirality in nature.
• Richard E. Nisbett, Theodore M. Newcomb Distinguished University Professor of Psychology, University of Michigan: Eastern holism and Western analysis.
• Jacki Ochs (Bio), film maker, New York City; assistant professor of film, Purchase College, State University of New York: Film making.
• Raymond J. O'Connor, professor of wildlife ecology, University of Maine: The practice of ecology.
• Julio M. Ottino, R. R. McCormick Institute Professor and Walter P. Murphy Professor, Northwestern University: Dynamics and self-organization in granular media.
• George Packer, member of the core faculty in writing, Bennington College; member of the visiting faculty in writing, Sarah Lawrence College: The human face of globalization.
• Geoffrey Parker, Andreas Dorpalen Professor of History, Ohio State University: The world crisis, 1635–1665.
• Cliffton Peacock, artist, Charleston, South Carolina; associate professor of painting and drawing, College of Charleston: Painting.
• Robert J. Penella, professor of classics, Fordham University: A study and translation of the orations of Himerius.
• Wyatt Prunty, poet, Sewanee, Tennessee; Carlton Professor of English and director, Sewanee Writers' Conference, University of the South: Poetry.
• Kevin Matthew Puts, composer, Austin, Texas; assistant professor of composition, University of Texas at Austin: Music composition.
• Ronald T. Raines, professor of biochemistry and chemistry, University of Wisconsin–Madison: Automated protein assembly to mine the human genome.
• Sumathi Ramaswamy, associate professor of history, University of Michigan: Maps and modernity in India.
• Amy G. Remensnyder,[2] associate professor of history, Brown University: Conquest, conversion, and the Virgin Mary in medieval Spain and Spanish colonial America.
• Joan L. Richards,[2] associate professor of history, Brown University: Mathematics and spirit in the world of Augustus and Sophia DeMorgan.
• John Richardson, contributing editor, Vanity Fair; International Consultant in 20th Century Art, Dickinson Roundell, New York: A life of Picasso, 1917–1939.
• Katherine Wentworth Rinne, associate fellow, Institute for Advanced Technology in the Humanities, University of Virginia and visiting professor of landscape architecture, The Iowa State University: The waters of the city of Rome.
• David Rivard, poet, Cambridge, Massachusetts; lecturer in English, Tufts University: Poetry.
• Anne Charlotte M. Robertson, film maker, Framingham, Massachusetts: Film making.
• George D. Rose, professor of biophysics and biophysical chemistry, Johns Hopkins University: The physical basis of protein structure.
• Jean-Laurent Rosenthal, professor of economics, University of California, Los Angeles: The role of crises in economic and financial development (in collaboration with Philip T. Hoffman).
• Cynthia Rosenzweig, senior research scientist, Earth Institute, Columbia University: The impacts of major systems of climate variability on world food security.
• Andrew Ross, professor of American studies, New York University: Work and play in the new economy.
• Janice L. Ross, lecturer in dance history, Stanford University: Anna Halprin and avant-garde dance.
• Margaret Russett, associate professor of English and director of undergraduate studies, University of Southern California: Literature and abstraction in early 19th-century Britain.
• Marie-Laure Ryan (email), independent scholar, Bellvue, Colorado: Literary cartography.
• Joe Sacco, comic-book journalist, Sunnyside, New York: Comic-book journalism.
• Frederick Schauer, Frank Stanton Professor of the First Amendment and Academic Dean, John F. Kennedy School of Government, Harvard University: Generality and justice.
• Paul L. Schechter, William A. M. Burden Professor of Astrophysics, Massachusetts Institute of Technology: Studies in the microlensing of quasar lightcurves.
• Stephen A. Scheer, photographer, Athens, Georgia; associate professor of photography, University of Georgia: Photography.
• Hilary M. Schor, professor of English and gender studies, University of Southern California: Women, fiction, and the subject of realism.
• Sarah Schulman, playwright, New York City; assistant professor of English, City University of New York, College of Staten Island: Play writing.
• Freydoon Shahidi, professor of mathematics, Purdue University: New instances of functoriality.
• William Sheehan, psychiatrist and Historian of Astronomy, Willmar, Minnesota: The structure and evolution of the galaxy.
• Shen Wei, choreographer, New York City; artistic director, Shen Wei Dance Arts: Choreography.
• Daniel J. Sherman, professor of French studies and history, Rice University: The French and their "Others", 1945–1975.
• Amy Sillman, artist, Brooklyn, New York; visiting assistant professor of painting, Bard College: Painting.
• Larry Silver, James and Nan Farquhar Professor of History of Art, University of Pennsylvania: The rise of visual genres in the Antwerp art market.
• Taryn Simon, photographer, New York City: Photography.
• Yuri Slezkine, professor of history, University of California, Berkeley: Moscow's house of government, 1928–1938.
• Bruce R. Smith, professor of English, Georgetown University: Essays in historical phenomenology.
• Mike Smith, photographer, Johnson City, Tennessee; professor of art, East Tennessee State University: Photography.
• Deborah Solomon, writer, New York City: A biography of Norman Rockwell.
• Abigail Solomon-Godeau, professor of history of art and architecture, University of California, Santa Barbara: Gender, genre, and the female nude in France.
• Lynette Spillman, professor of sociology, University of Notre Dame: Cultural dimensions of retail market exchange.
• Justin Spring, writer and scholar, New York City: A cultural history of Provincetown.
• Nancy Shatzman Steinhardt, professor of East Asian art and curator of Chinese art, University of Pennsylvania: Chinese architecture of the 4th to 6th centuries.
• Jeffrey Stock, composer, Dix Hills, New York: Music composition.
• Richard S. Street, photographer and historian, San Anselmo, California: Photography and the farm-worker experience in California, 1850–2000.
• Donald M. G. Sutherland, professor of history, University of Maryland, College Park: The French agricultural revolution, 1660–1914.
• Peter Temin, Elisha Gray II Professor of Economics, Massachusetts Institute of Technology: Market economy in the early Roman empire.
• Karen K. Uhlenbeck, professor and Sid W. Richardson Foundation Regents Chair in Mathematics, University of Texas at Austin: A geometric approach to soliton and wave equations.
• Gunther Uhlmann, professor of mathematics, University of Washington: Inverse boundary problems.
• Dale J. Van Harlingen, professor of physics, University of Illinois at Urbana-Champaign: Phase coherence and dynamics in superconducting circuits.
• David T. Van Zanten, professor of art history, Northwestern University: The architect's contribution to the shaping of European cities in the 1840s and 1850s.
• Paul E. Walker, visiting scholar, Center for Middle Eastern Studies, University of Chicago: A study of the caliph al-Hakim.
• Richard A. Walker, professor of geography and chairman, California Studies Center, University of California, Berkeley; chairman, California Studies Association: The urban experience of San Francisco, 1950–2000.
• Jim C. H. Wang, Mabel D. Clark Distinguished Professor of Chemistry, University of Nebraska-Lincoln: Laser spectroscopy of polymeric liquids.
• Charles Harper Webb, poet, Glendale, California; professor of English, California State University, Long Beach: Poetry.
• Michael V. Wedin, professor of philosophy, University of California, Davis: Perception, change, and noncontradiction in Aristotle's Metaphysics.
• Monte Westerfield, professor of biology, University of Oregon: Mechanisms that regulate patterning of the anterior central nervous system.
• Alan Wiener, artist, Brooklyn, New York: Sculpture.
• Ruth J. Williams, professor of mathematics, University of California, San Diego: Mathematical theory for stochastic networks.
• Kathleen Wilson, associate professor of history, State University of New York at Stony Brook: Theatre, culture, and modernity in the English provinces, 1720–1820.
• Leigh Witchel, choreographer, New York City; artistic director, Dance as Ever: Choreography.
• Kazuo Yamaguchi, professor of sociology and faculty research associate, Alfred P. Sloan Working Family Center, University of Chicago: Statistical and behavioral modeling of family processes.
• Susan Youens, professor of musicology, University of Notre Dame: The social history of the lied.
• Arlene Zallman, composer, Wellesley, Massachusetts; professor of music composition and theory, Wellesley College: Music composition.
• Nadine Zanow, artist, Boston; assistant professor of studio art, Brandeis University: Painting.

Latin American and Caribbean Fellows

• Ignacio Baca-Lobera, composer, Querétaro, Mexico; professor of music composition, Autonomous University of Querétaro: Music composition.
• Carlos L. Ballaré, senior research scientist, National Research Council of Argentina (CONICET); courtesy associate professor of agronomy, University of Buenos Aires: Functional aspects of the impacts of solar ultraviolet radiation on plant-insect interactions.
• Graciela Lina Boente Boente, professor of mathematics, University of Buenos Aires; independent researcher, National Research Council of Argentina (CONICET): Robust and nonparametric inference.
• Alicia Borinsky, writer, Newton, Massachusetts; professor of Latin American and comparative literature, Boston University: Fiction.
• Alfredo Cáceres, principal investigator, National Research Council of Argentina (CONICET): Kinesin-like protein functions during neuronal polarization.
• Sergio Chejfec, writer, Caracas, Venezuela; editor-in-chief, Nueva Sociedad, Caracas: Fiction.
• Eduardo Coutinho, film maker, Rio de Janeiro, Brazil; Consultant, Centro de Criação de Imagem Popular (CECIP), Rio de Janeiro: Film making.
• Christian Cravo, photographer, Salvador, Bahia, Brazil: Photography.
• Leticia Fernanda Cugliandolo, assistant professor of theoretical physics, École Normale Supérieure, Paris, France: Quantum disordered systems and optimization problems.
• Gerardo Deniz (Juan Almela), poet, Mexico City: Poetry.
• Javier A. Escobal, senior researcher, Grupo de Análisis para el Desarrollo (GRADE), Lima, Peru: The links between rural producers and markets.
• Alejandro Fainstein, staff researcher, Atomic Energy Commission and National Research Council of Argentina (CONICET); assistant professor of physics, Instituto Balseiro, Bariloche, Argentina: Optically confined spectroscopy of nanostructures.
• Ana Fernández Garay, associate researcher, National Research Council of Argentina (CONICET); professor of linguistics, National University of La Pampa, Argentina: An edition of the testimonies of the last Ranquels.
• Sérgio T. Ferreira, professor of biochemistry, Federal University of Rio de Janeiro: Protein misfolding and aggregation in human amyloid diseases.
• Alberto Carlos Frasch, researcher, National Research Council of Argentina (CONICET): Regulation of mucin expression in trypanosoma cruzi.
• Juan Eduardo García-Huidobro, consultant and professor, Ministry of Education, Santiago, Chile: Public policies to achieve equity in education.
• José Hernandez-Claire, photographer, Guadalajara, Mexico; curator, "Manuel Alvarez Bravo Gallery", University of Guadalajara: Photography.
• Hugo Hopenhayn, professor of economics, Universidad Torcuato Di Tella, Buenos Aires; associate professor of economics, University of Rochester: Topics in social insurance.
• Ricardo Lanzarini, artist, Montevideo, Uruguay: Drawing.
• Jorge Lauret, assistant professor of mathematics, National University of Córdoba; assistant researcher, National Research Council of Argentina (CONICET): Studies in differential geometry.
• Annette Leibing, anthropologist, Rio de Janeiro; professor of mental health, Federal University of Rio de Janeiro: Aging and homelessness in Rio de Janeiro.
• Jac Leirner, artist, São Paulo, Brazil: Visual art.
• Paula Luttringer, photographer, Buenos Aires, Argentina; assistant director, Galatée Films, Argentina, Chile, and Peru: Photography.
• Jorge Macchi, artist, Buenos Aires, Argentina: Visual art.
• Rachel Manley, writer, Toronto, Canada: A biography of Edna Manley.
• Claudio Mercado Muñoz, coordinator of audiovisual department, Chilean Museum of Pre-Columbian Art, Santiago: Bailes chinos and prehispanic memory in central Chile.
• Tomás Moulian Emparanza, director, Instituto Formación Social Paulo Freire, Santiago, Chile: Intellectuals and politics in Chile, 1958–1970.
• Pablo E. Navarro, professor of philosophy of law, Universidad Nacional del Sur, Bahía Blanca, Argentina; researcher, National Research Council of Argentina (CONICET): Normative relevance and justification of institutional decisions.
• Hans W. Niemeyer Fernandez, archaeologist, Santiago, Chile: The rock paintings of El Médano.
• Oscar Oiwa, artist, Tokyo, Japan: Visual art.
• Pedro L. Oliveira, associate professor of medical biochemistry, Federal University of Rio de Janeiro: Biological defenses against heme toxicity.
• Alejandro César Olivieri, professor of analytical chemistry, University of Rosario, Argentina; research fellow, National Research Council of Argentina (CONICET): The development of analytical methods for biomedical samples.
• Hilda Paredes, composer, Mexico City and London: Music composition.
• Eduardo Antonio Parra, writer, Mexico City: Fiction.
• Antonio Arnoni Prado, professor of literary theory, State University of Campinas, São Paulo, Brazil: A comparative study of the critical thought of Sérgio Buarque de Holanda and Manuel de Oliveira Lima.
• María Cristina Redondo, senior researcher, National Research Council of Argentina (CONICET): An inquiry into the practical authority of law.
• Silvia Rivas, Video Installation Artist, Buenos Aires, Argentina: Video installation art.
• Mercedes Roffé, poet, New York City: Poetry.
• Tulio Rojas Curieux, professor of anthropology and ethnolinguistics, and director, Colombian Center for the Study of Aborigenes Languages (CCELA), University of the Andes, Bogotá: Analysis of complex sentences in Nasa Yuwe.
• María Teresa Ruiz, professor of astronomy, University of Chile: The oldest stars.
• Guillermo Saavedra, poet, Buenos Aires, Argentina; Editor, La Nación, Buenos Aires: Poetry.
• Francisco V. Sepulveda, professor of physiology, Center for Scientific Studies, Valdivia, Chile: Molecular identification and regulation of the potassium channel in cell volume control.
• Sol Serrano, associate professor of history, Catholic University of Chile: Catholicism and secularization in 19th-century Chile.
• Jorge Daniel Tartarini, associate researcher, National Research Council of Argentina (CONICET): The architecture of the Argentine railroads.
• Ana Maria Tavares, artist, São Paulo: Visual art.
• Alejandro Tortolero Villaseñor, professor of history, Metropolitan Autonomous University, Iztapalapa, Mexico: Land, society, and ecology in the economy of Mexico, 1780–1940.
• Maurice Vaneau, theatre artist, São Paulo, Brazil: Theatre arts.
• Trajano Augusto Ricca Vieira, professor of Greek language and literature, State University of Campinas, São Paulo, Brazil: Translation of The Bacchantes by Euripides.

See also

• Guggenheim Fellowship

References

1. Three receive Guggenheim Fellowships, Princeton University, 2011, archived from the original on September 13, 2015, retrieved February 14, 2012.
2. Three faculty members win 2001 Guggenheim Fellowships, Brown University News Service, 2011, retrieved February 14, 2012.
3. "Eva Lundsager - John Simon Guggenheim Memorial Foundation". Retrieved July 12, 2014.
4. Marilyn Nelson Lands Guggenheim Fellowship, University of Connecticut, 2011, retrieved February 14, 2012.

External links

• John Simon Guggenheim Memorial Foundation home page