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Uladzimir Karatkievich
Uladzimir Karatkievich (Belarusian: Уладзімір Сямёнавіч Караткевіч; Russian: Владимир Семёнович Короткевич; 26 November 1930 – 25 July 1984) was a Belarusian Soviet writer, publicist, poet, translator, dramatist, and screenwriter, recognized as a classic of Belarusian literature[1]. He is considered one of the most prominent figures in 20th-century Belarusian literature and was the first Belarusian writer to explore the genre of historical mystery[2]. Karatkievich's works are characterized by a romantic focus, a high level of artistic sophistication, patriotic fervor, and a humanistic tone. He significantly enriched Belarusian literature with thematic and genre diversity, imbuing it with intellectual and philosophical depth. Among his most famous works are the novellas King Stakh's Wild Hunt (Belarusian: Дзікае паляванне караля Стаха) and The Grey Legend (Belarusian: Сівая легенда), the novels Ears of Rye Under Your Sickle (Belarusian: Каласы пад сярпом тваім), Christ Landed in Hrodna (Belarusian: Хрыстос прызямліўся ў Гародні), and The Black Castle Alshanski (Belarusian: Чорны замак Альшанскі), and the essay Land Beneath White Wings (Belarusian: Зямля пад белымі крыламу). Origins Uladzimir Karatkievich's mother, Nadzeia Vasileuna (Belarusian: Надзея Васілеўна), came from the noble Hryniewicz family (Belarusian: Грыневічы). The earliest known ancestors were brothers Ilya Chwiedarowicz and Panka Chwiedarowicz, who in 1551 received a confirmation privilege from Grand Duke of Lithuania Sigismund II Augustus to own estates within the Principality of Mstsislaw, then part of the Polish-Lithuanian Commonwealth. Panka's descendant, Tamasz Hryniewicz, was actively involved in the socio-political life of the Mstsislaw and Minsk Voivodeships in the second half of the 18th century, owning estates in the Mstsislaw and Babruisk powiats. The last verified landowner of the family was Tamasz (Fama Michajłowicz) Hryniewicz (Belarusian: Тамаш (Фама Міхайлавіч) Грыневіч, 1817–1863), who owned the estate Verkhnia Toshchytsa (Belarusian: Верхняя Тошчыца) in the Rahachow uyezd, Russian Empire. Tamash participated in the 1863–1864 uprising, during which his forces were defeated, and he was executed in Rahachow[3]. This story inspired Karatkievich to depict his ancestor in the epilogue of the Russian-language novella Prehistory (Russian: Предыстория) and the prologue of his novel Leonids Will Not Return to Earth (Belarusian: Леаніды не вернуцца да Зямлі). The protagonist of the latter, Andrei Hrynkevich, modeled after the author himself, is depicted as descending from the Hryniewicz family. Karatkievich strongly identified with his maternal lineage. The story of Karatkievich's noble paternal origins, known from his personal accounts, does not appear to align with historical evidence. His father, Siamion Timafeevich Karatkievich (Belarusian: Сямён Цімафеевіч Караткевіч), likely avoided discussing his modest peasant background, which contrasted sharply with his wife's noble heritage. The paternal ancestors were peasants from the village of Barsuki (Belarusian: Барсукі), located in what is now the Orsha District, Belarus. In official documents, they were recorded as "Karotki," though they referred to themselves as "Karatkievich." Siamion was enrolled in the Orsha School as "Karotki" but later joined the Orsha District Treasury under the surname "Karatkievich." BiographyEarly life and family Uladzimir Karatkievich was born on 26 November 1930 in Orsha into an educated family. His father, Siamion Timafeevich (1887–1959), worked as a budget inspector in the Orsha district financial department and had previously served as a scribe in the Imperial Russian Army. His mother, Nadzeia Vasileuna (1893–1977), was a graduate of the Mariinskaya Gymnasium in Mogilev and worked as a rural schoolteacher before dedicating herself to managing the household. Karatkievich had two siblings: Valery (1918–1941) and Natalia (1922–2003). During his childhood, Karatkievich was strongly influenced by his maternal grandfather, Vasily Hrynkevich (Belarusian: Васіль Грынкевіч, 1861–1945), a former provincial treasurer and a storyteller. One such story was the legend of Mother of the Wind (Belarusian: Маці Ветру), which described events of the Krychaw Uprising of 1743–1744 and later appeared in his writings. Vasily Hrynkevich also served as a model for the character Danila Zahorski-Vezha in Karatkievich’s novel Ears of Rye Under Your Sickle. Many of the stories and legends shared by his grandfather inspired Karatkievich's future literary works.  Karatkievich learned to read at the age of three and developed a fascination with history, particularly the history of Belarus. His creative talents manifested early, including writing, drawing, and music. By the age of six, he had written his first poems and later attempted short stories, which he illustrated himself. One of his favorite books as a child was Alfred Brehm’s Life of Animals. Karatkievich also showed an interest in theater and had some understanding of Yiddish. His sister, Natalia Kuchkouskaya, recalled:  "Occasionally, a Jewish theater would visit our town. Since the Yiddish language was heard daily on the streets of Orsha, we could easily follow the repertoire without a translator. The performances were based on famous works by Sholem Aleichem, such as 'Wandering Stars', ' Tevye the Dairyman', 'Motl the Cantor's Son' and we greatly enjoyed them." In 1938, Uladzimir Karatkievich began school in Orsha, completing three grades before the outbreak of World War II. During the summer of 1941, he traveled to Moscow to visit his sister, who was studying at a university there. The sudden onset of war interrupted his stay, forcing him to remain in the city. He was subsequently evacuated to the Ryazan region and later to the Ural area near Kungur. During this time, he made several attempts to escape from his boarding house to join the front. For a long period, he had no information about his parents' whereabouts. Eventually, through his maternal aunt Yauheniya Vasilieuna, who lived in the Far East, he discovered that they were in Orenburg. In August 1943, after significant challenges, Uladzimir and his sister reached Orenburg, where he resumed his studies and completed the sixth grade. Later, he and his mother moved to the recently liberated Kiev, where they briefly stayed with his aunt Yauheniya and her husband, who had also relocated to the city. Decades later, in the autumn of 1972, Karatkievich revisited these memories in his autobiographical novella The Chestnut Leaves (Belarusian: Лісце каштанаў), inspired by his wartime experiences. Student years and literary beginningsIn 1949, Uladzimir Karatkevich graduated from secondary school and enrolled in the Russian Department of the Faculty of Philology at Taras Shevchenko Kiev State University, graduating in 1954. He later completed postgraduate studies at the same university. During his student years, Karatkevich distinguished himself as one of the most talented students. He was an avid reader, exploring works by classic authors of world literature, as well as Ukrainian, Russian, Polish, and Belarusian writers. His interests extended beyond literature to history, particularly the history of Belarus. He became familiar with numerous publications on the national liberation uprising of 1863–1864.  In Kiev, Karatkevich continued writing poetry in Belarusian and Russian, attempting also to compose in Ukrainian and Polish. His student research papers delved into literary topics, including the works of Pushkin and Bahdanovich. During this time, he conceived a major historical work to depict the events of the 1863–1864 uprising. In the summer of 1950, after his first year of studies, Karatkevich drafted the initial version of his famous novella The Wild Hunt of King Stakh in his hometown of Orsha. In 1951, his poems There Will Be a Canal (in Russian) and To Yakub Kolas (in Belarusian) were published in the local newspaper Leninski Pryzyu in Orsha. The summer of 1952, inspired by a trip to Vyazynka—the birthplace of Yanka Kupala—he wrote an essay titled Vyazynka and sent it, along with a letter, to Kupala’s widow, Uladzislava Lutsevich. Around this time, he also submitted a selection of his early works, including fairy tales, poems, and short stories, to Yakub Kolas for feedback. One of Karatkevich's classmates and friends, Florian Nyauvazhny, noted that Karatkevich was the soul of their group and that his peers admired his courage and principles. Karatkevich reflected on his student years and his deep affection for Ukraine in works such as the novella Spring Awakens Under the Snow (1957), the essay The Chosen One (1982), and essays on Taras Shevchenko (And There Will Be People on Earth, 1964), Lesya Ukrainka (Saxifraga, 1971), and Kiev (My Fair City!, 1982). In 1954, Karatkevich completed his university studies. His diploma thesis, titled Fairy Tale, Legend, Tradition, sparked mixed reactions but earned the highest grade thanks to the efforts of Academician A. Bialetski and Professor A. Nazarouski. In spring 1955, he passed his candidate exams and began writing a dissertation on the 1863 uprising, which he never finished. Around the same time, the idea of a novel on this subject began to take shape. After graduating, from 1954 to 1956, Karatkevich worked as a teacher of Russian language and literature in a rural school in the village of Lisavychi in Kiev Oblast, Ukraine. From 1956 to 1958, he taught in Orsha. Later, he pursued studies at the Higher Literary Courses (1958–1960) and the Higher Screenwriting Courses (1962) at the Institute of Cinematography in Moscow (now the Gerasimov Institute of Cinematography). There, he transitioned to becoming a professional writer. CareerHis first published work (a poem) was in 1951, which was followed by three collections of verses. Later, he turned to prose and subsequently published a large number of short stories in collections entitled Chazenia, The Eye of the Typhoon, From Past Ages, and others. He also wrote the novels Unforgettable and The Dark Castle Olshansky. The novel King Stakh's Wild Hunt (Дзікае паляванне караля Стаха, 1964) is probably his most popular work. His novels deal predominantly with Belarus's historical past, including the January uprising of 1863 – 1865.[4] Karatkievich also wrote a number of plays, essays, articles, screenplays for short and feature films, and detective and adventure stories. Karatkievich's literary works are marked by romanticism, rich imagery, and emotionalism. A recipient of several national literary awards, he has strongly affected the further development of historical themes in Belarusian literature. BibliographyNovels
Novellas
Short Stories
Essays
Poetry Collections
Tales
Legends
References
Sources
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