Purge & Slouch
Purge & Slouch is an album by the American band Giant Sand, released in 1993 through the German label Brake Out Records.[1] It was released by Restless Records the following year.[2][3] The band supported the album with a UK tour.[4] Frontman Howe Gelb referred to the music as "smash jazz".[5] ProductionGiant Sand made the album in order to satisfy its contractual obligations to Restless.[6] It was recorded at a house in the Tucson area; Gelb allegedly taped his vocals and guitar playing while lounging on a couch.[7] The band improvised most of the music, which they had a difficult reproducing in a live setting.[4] Susan Cowsill and Vicki Peterson sang on "Corridor".[8] Rainer Ptacek played guitar on many of the tracks; Malcolm Burn contributed on bass.[9] "Dock of the Bay" is a cover of the Otis Redding song.[9] "Santana, Castanada & You" [sic] refers to two Carlos, Carlos Santana and Carlos Castaneda.[10] Gelb later acknowledged the informality and low stakes of the sessions, saying the he enjoyed what many journalists criticized.[11] Stromausfall, the band's next album, released in a press run of 2,000 copies, included music recorded during the same sessions.[12] Critical reception
USA Today called the album "charmingly tattered", noting that "Gelb mixes a half-dozen genres with his off-kilter sensibilities to produce addictive countrified folk-rock."[17] Rolling Stone advised: "The debate among cultists who've supported Gelb for more than a decade is whether such albums reveal a dismaying lack of craft or are works of disjointed brilliance. Make no mistake: Purge and Slouch is lazy."[8] The Press-Telegram said that "Gelb gets into some maddeningly introverted desert-jazz mumbling musings on occasion, but the disc's got some great high points scattered throughout".[19] The Arizona Daily Star praised the "slight country lopes, lazy blues shouts, unvarnished honky-tonk jams and the occasional bout of impatient guitar skronking."[9] Trouser Press opined that "much jam-session tomfoolery ensues, with the sole reward being a chance to hear Arizona legend Al Perry scrabble out some proto-garage licks on 'Slander'."[20] LA Weekly called the album "ragged-edged, tumultuous, inward and poetic".[21] The New York Daily News stated that "Gelb has given his rundown, dusty music an unrushed allure and made a sound as expansive as a desert sky."[15] Track listing
References
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