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On Green Dolphin Street (Bill Evans album)
On Green Dolphin Street is an album by jazz pianist Bill Evans, recorded with bassist Paul Chambers and drummer Philly Joe Jones in early 1959, shortly before the Kind of Blue sessions in which both Evans and Chambers participated, but not released until 1975 as part of the double LP Peace Piece and Other Pieces. In 1995, it was issued on CD by Milestone Records under the current title, which comes from the jazz standard "On Green Dolphin Street" by Bronislaw Kaper, which Evans had first recorded the previous year with Miles Davis.[1] The CD edition (MCD-9235-2) also includes the first take of "All of You" from the Village Vanguard engagement by the 1961 Bill Evans Trio with bassist Scott LaFaro and drummer Paul Motian. BackgroundThe album was recorded as part of an unusual evening session following a Chet Baker recording for which Evans, Chambers, and Jones had served as the rhythm section, as they had the previous year in the Miles Davis Sextet. Evans did not initially approve of the release of these trio recordings, as "he felt they were rhythmically very successful but that not enough was happening on other levels."[2] The tapes remained in the vaults of Riverside Records for about 15 years, at which point they finally came again to the attention of producer Orrin Keepnews. By this time, Chambers had passed away and Evans finally assented to their release, saying:[3]
Keepnews commented, "The recordings here represent to me essentially the culmination of a specific formative period when Bill was for the first time really getting his remarkable personal form of expression fully under control."[4] Reception
Writing for AllMusic, music critic Scott Yanow said of the album: "Although lacking the magic of Evans' regular bands, this CD reissue has its strong moments and the pianist's fans will be interested in getting the early sampling of his work."[5] Evans biographer Keith Shadwick expressed a similar view: "The trio came up with bright and spontaneously integrated performances of standards .... But there is little counterpoint between the players, giving the set a rather conventional sound compared with that which would soon evolve" in Evans's trio with LaFaro and Motian.[6] Track listing
Note
Personnel
References
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