English/Australian composer
Andrew Ford OAM composer , writer, and radio presenter , known for The Music Show Radio National .
Early life and education
Andrew Ford was born in 1957 in Liverpool , UK.[ 1] [ 2]
He attended St Olave's Grammar School in Orpington , Kent , then studied at Lancaster University with Edward Cowie and John Buller . As a student, a meeting with Sir Michael Tippett had a profound influence on him, when he told him "to forget about musical systems and trust his instincts".[ 2]
Career
Ford was a research fellow in music Bradford University from 1978 to 1982.[ 3]
After moving to Australia, he lectured at the School of Creative Arts at the University of Wollongong , NSW, from 1983 to 1995,[ 3] PhD for his thesis on musical word setting from Elvis Costello to Elliott Carter .[ 2]
Ford was composer-in-residence with the Australian Chamber Orchestra (1992–94),[ 2] Peggy Glanville-Hicks Composer Fellowship from 1998 to 2000 and was awarded a two-year fellowship by the Music Board of the Australia Council for the Arts for 2005 to 2006.[ 4] Australian National Academy of Music in 2009.[ 2]
Other activities
He has written widely on music and published or co-written eleven books. For the Australian Broadcasting Corporation , he wrote, presented and co-produced the radio series Illegal Harmonies , Dots on the Landscape , Music and Fashion , Earth Dances and Three Front Doors a Paddock (with painter Ben Quilty )[ 2]
Since 1995 he has presented The Music Show Radio National .[ 2]
Recognition and awards
1982: Yorkshire Arts Composers Award, joint winner (with Mark-Anthony Turnage ) for Portraits [ 2]
1998: Peggy Glanville-Hicks Composer Fellowship, a two-year fellowship during which he began work on The Waltz Book [ 2]
1998: Pascall Prize for critical writing[ 2]
1998: Sydney Spring Festival award, for Tattoo [ 2]
2002: Jean Bogan Prize, for The Waltz Book [ 2]
2004: Paul Lowin Song Cycle Prize, for Learning to Howl [ 2]
2007: shortlisted, Prix Italia, for his radiophonic work Elegy in a Country Graveyard
2010: Green Room Award , for the music for the opera Rembrandt's Wife [ 2]
2012: Albert H. Maggs Composition Award for his work Rauha [ 2]
2013: shortlisted, Paul Lowin Prize, for Blitz and Willow Songs
2014: Poynter Fellow and visiting composer at Yale University [ 2]
2015: visiting lecturer at the Shanghai Conservatory [ 2]
2016: shortlisted, Paul Lowin Prize, for Last Words [ 5]
2016: Order of Australia Medal [ 2]
2018: H. C. Coombs Creative Arts Fellow at the Australian National University [ 2]
2020: Sidney Myer Performing Arts Award , Facilitator's Prize (awarded 2021)[ 6]
The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA).[ 7] Art Music Awards (until 2009 Classical Music Awards) which are distributed by APRA and the Australian Music Centre (AMC).[ 8] [ 4]
Selected works
Stage works
Poe , opera (1983, premiered 1985, Sydney Opera House )[ 17] Whispers for tenor and chamber orchestra (1990)Casanova Confined for baritone and backing track (1995)Night and Dreams: The Death of Sigmund Freud for tenor and backing track (1999)Rembrandt's Wife [ 2] Peter Pan , children's opera (2017), for Gondwana Choirs
Orchestral
Concerto for Orchestra (1980)
The Big Parade (1986)Manhattan Epiphanies for string orchestra (1999)The Furry Dance (1999)Scenes from Bruegel for chamber orchestra (2006)Headlong (2006), for 75th birthday of Sydney Symphony OrchestraSymphony (2008)
Bright Shiners for string orchestra (2009)Blitz for orchestra, (optional) chorus and pre-recorded voices (2011)Big Bang for orchestra (2019)The Meaning of Trees for orchestra (2020), for Australian Youth Orchestra , premiered 2022[ 2]
Concertos
Piano Concerto: Imaginings (1991)
The Great Memory for cello and orchestra (1994)The Unquiet Grave for viola and chamber orchestra (1997–1998)Raga for electric guitar and orchestra (2015–2016)
Vocal and choral
A Martian Sends a Postcard Home for tenor, horn and piano (1986)Wassails and Lullabies for SATB choir and percussion (1989), recorded by ABC Classics Harbour for tenor and string orchestra (1992)The Past for counter-tenor, flute and string orchestra (with ad lib didgeridoo) (1997), a setting of Oodgeroo Noonuccal 's poem 'The Past' and excerpts from James Cook's ship's logLearning to Howl for soprano, clarinet/sax, harp and percussion (2001)Tales of the Supernatural for folk singer and string quartet (2002)An die Musik for SATB choir (2005)Elegy in a Country Graveyard for SATB choir, brass or concert band (flexible instrumentation) and pre-recorded voices and instruments (2007)Domestic Advice for soprano and piano (2007)A Singing Quilt for SATB choir, percussion ensemble and pre-recorded voices (2008)Willow Songs: six poems of Anne Stevenson for soprano, mezzo-soprano and mixed ensemble (2009)Waiting for the Barbarians for large chorus (2011), based on the poem by Constantine P. Cavafy Last Words , song cycle for piano trio and soprano (2013 premiered by Anna Goldsworthy , Seraphim Trio, Jane Sheldon )[ 18] The Drowners for baritone and chamber orchestra (2015)Missa brevis for SATB choir and organ (2015)Comeclose and Sleepnow for singer and jazz ensemble (2016), to words by Adrian Henri , Brian Patten and Roger McGough Nature for mezzo-soprano and ensemble (2019), to words by Jen Hadfield, R.S. Thomas , Robert Adamson , Tomas Tranströmer , Maria Takolander , Edward Thomas and W.B. Yeats The Blessing for mezzo-soprano and oboe (2021), libretto by J.M. Coetzee based on a scene from his novel Elizabeth Costello Red Dirt Hymns for voices and instruments (2020–24), lyrics by Jordie Albiston , David McCooey , John Kinsella , Ellen van Neerven , Judith Bishop , Judith Beveridge , Sarah Holland-Batt , Stephen Edgar , Kate Fagan , Merlinda Bobis , Mark Wakely, Felicity Plunkett , Philip Harvey, Erik Jensen , Jill Jones , Maria Takolander , Melanie Horsnell , Martha Marlow , Alison Flett and Lisa BrockwellI Sing the Birth for children's choir and electric guitar (2024)
Ensemble
Chamber Concerto No 3: In Constant Flight for solo violin and ensemble (1988)
Ringing the Changes for piccolo, bass clarinet and piano (1990)Pastoral for string octet (1991)Tattoo for 12 timpani (6 players) and 4 pianos (1998)Icarus Drowning (1998)Chamber Concerto No. 4 (2002)
Sad Jigs for string quintet (2005)A Reel, a Fling and a Ghostly Galliard (String Quartet No 2) (2006)Oma kodu for clarinet and string quartet (2006)Nine Fantasies about Brahms for piano trio (2009)On Winter's Traces for piccolo, bass clarinet, piano and string quartet (2009) for the 30th anniversary of the Australia EnsembleThe Rising (2010) for the Black Dyke Band The Scattering of Light for piano quartet (2010) commissioned to mark the centenary of the University of QueenslandString Quartet No 3 (2012) for the Brodsky Quartet
String Quartet No 4 (2012) for the NOISE String Quartet
String Quartet No 5 (2013) for the Australian String Quartet
Uproar for 11 trombones and four bass drums (2013)Common Ground for two string quartets (2014)Contradance for 11 players (2015)String Quartet No 6 (2014–17) for the Flinders Quartet
Scenes from Streeton (2019) for Arcadia WindsString Quartet No 7: Eden Ablaze (2020) for the Brodsky Quartet and William Barton
Instrumental
Like Icarus ascending for solo violin (1984)Swansong for solo viola (1987)Spinning for solo alto flute (1988)The Very End of Harvest for viola and piano (2000)The Waltz Book (60 one-minute waltzes for solo piano, 2002; commissioned by Ian Munro )[ 2] War and Peace for violin and percussion (2004)Chorales from an Ox Life for viola and double bass (2007)Folly for solo piano (2007)You Must Sleep, but I Must Dance for viola and percussion (2010)On Reflection for two pianos (2012)Once upon a time there were two brothers... for flute and voice (2013)Hook for solo vibraphone (2018)In My Solitude for solo viola (2020)
Radiophonic
Deirdre of the Sorrows (1989)Elegy in a Country Graveyard (2007)Untuning the Sky (2013)
Books
Composer to Composer: Conversations about Contemporary Music (paperback 1993, ISBN 1-86373-443-0 , hardback 1993, ISBN 0-7043-7061-1 , 2nd edition paperback 1997, ISBN 0-86806-631-1 )Illegal Harmonies: Music in the 20th Century (hardback 1997, ISBN 0-86806-635-4 ; 2nd ed. paperback 2002, ISBN 0-7333-1130-X , expanded 3rd ed. 2011, ISBN 978-1-86395-528-7 )Undue Noise: Words about Music (paperback). ABC Books . 2002. ISBN 0-7333-1057-5 Buzacott, Martin; with Andrew Ford (2005). Speaking in Tongues: The Songs of Van Morrison (paperback). ABC Books. ISBN 0-7333-1297-7 In Defence of Classical Music (hardback). ABC Books. 2005. ISBN 0-7333-1594-1 The Sound of Pictures: Listening to the Movies from Hitchcock to High Fidelity (paperback). Melbourne: Black Inc. 2010. ISBN 978-1-86395-510-2 Try Whistling This: Writings about Music (paperback). Melbourne: Black Inc. 2012. ISBN 978-1-86395-571-3 Earth Dances: Music in Search of the Primitive (paperback). Melbourne: Black Inc. 2015. ISBN 978-1-86395-712-0 The Memory of Music (paperback). Melbourne: Black Inc. 2017. ISBN 978-1-86395-949-0 with Anni Heino (2019). The Song Remains the Same: 800 Years of Love Songs, Laments and Lullabies (paperback). Melbourne: La Trobe University Press . ISBN 978-1-76064-011-8 The Shortest History of Music (paperback). Melbourne: Black Inc. 2024. ISBN 978-1-76064-408-6
References
Further reading
External links
International National Artists Other
