Mark-Anthony Turnage was born in Corringham, Essex on 10 June 1960.[1] He began composing at age nine and at fourteen began studying at the junior section of the Royal College of Music.[2]
Other works include Three Screaming Popes (after the paintings by Francis Bacon), Your Rockaby (a concerto for saxophone and orchestra), Yet Another Set To (a concerto for trombone and orchestra, dedicated to Christian Lindberg), and From the Wreckage (a concerto for trumpet and orchestra, written for Håkan Hardenberger). Blood on the Floor (1993–1996), for jazz quartet and large ensemble, contains nine sections with a shared theme of drug addiction, the section titled "Elegy for Andy" being a lament for the loss of his brother in a drug-related death.[2]
More recent Turnage scores have included the orchestral work Remembering, conducted by Simon Rattle in 2017 with the London Symphony Orchestra and Berlin Philharmonic; double violin concerto Shadow Walker for soloists Vadim Repin and Daniel Hope, performed by the Borusan Istanbul Philharmonic Orchestra in 2018; and Testament (2018), his setting of Ukrainian texts for soprano and orchestra.[4] He has composed song cycles for a number of celebrated singers including Sarah Connolly, Gerald Finley and Allan Clayton.
Turnage's work Blood on the Floor was choreographed by Wayne McGregor for Paris Opera Ballet in 2011 and in the same year he composed the score for Undance, collaborating with McGregor and visual artist Mark Wallinger. In 2012 Trespass, a ballet choreographed by Christopher Wheeldon and Alistair Marriott with score by Turnage, was first performed by The Royal Ballet. In 2017 he composed the score for Strapless, choreographed by Christopher Wheeldon for The Royal Ballet. Other choreographers that have made ballets to Turnage's works include Heinz Spoerli (Zurich Ballet 2007 and Staatsballet Berlin 2012), Ashley Page (Rambert Dance Company 2013), Jorma Elo (Hubbard Street Dance Chicago 2007) and Gregor Zollig (Tanztheater Bielefeld 2006).
About Time (1999–2000), for ensemble and chamber orchestra of period instruments
Another Set To (1999–2000), concerto for trombone and orchestra
A Quick Blast (2000), for orchestral winds, brass and percussion
Dark Crossing (2000), for chamber orchestra
Etudes and Elegies (2000–2002)
Four-Horned Fandango (2000), for four horns and orchestra
On Opened Ground (2000–2001), concerto for viola and orchestra
Uninterrupted Sorrow (2000–2001)
Fractured Lines (2001), double concerto for two percussion and orchestra
When I Woke (2001), for baritone and chamber orchestra
A Quiet Life (2002), for string orchestra
A Man Descending (2003), for tenor saxophone and chamber orchestra
Riffs and Refrains (2003), concerto for clarinet and orchestra
Scherzoid (2003–04)
A Soothing Interlude (2004), for trombone and orchestra
From the Wreckage (2004), concerto for trumpet and orchestra
Yet Another Set To (2004), concerto for trombone and orchestra
Ceres (2005)
Hidden Love Song (2005), for soprano saxophone and chamber orchestra
Juno (2005)
Lullaby for Hans (2005), for string orchestra
Three Asteroids (2005)
The Torino Scale (2005)
From All Sides (2005–06)
A Prayer Out of Stillness (2007), concertante for double bass (doubling bass guitar) and string orchestra
Chicago Remains (2007)
Five Views of a Mouth (2007), concerto for flute and orchestra
Mambo, Blues and Tarantella (2007), concerto for violin and orchestra
Texan Tenebrae (2009)
Hammered Out (2010)
Cello Concerto (2010)
Speranza (2011–12)
Canon Fever (2012), premiered at the opening night of the 2012 BBC Proms.
Frieze (2013) BBC co-commission with the Royal Philharmonic Society and the New York Philharmonic
Erskine (2013), concerto for drum set and orchestra
Passchendaele (2013)
Piano Concerto (2013)
Dialogue (2014), for violin and cello soloists, strings, percussion, harp and piano
Håkan (2014), for trumpet and orchestra
Martland Memorial (2014–15), for percussion and orchestra
Remembering (2016), for orchestra
Shadow Walker (2017), double concerto for two violins and orchestra
Symphonic Movements (2017), for orchestra
Towards Alba (2017–18), for horn and orchestra
Time Flies (2019), for orchestra
Go For It (2019), for orchestra
Last Song for Olly (reduced version) (2018 arr.2020), reduced version for orchestra
Up for Grabs (2020), for jazz trio and orchestra
Cortege for Bernard Haitink (2021), for orchestra
Choral
The Game Is Over (2001–2002), for S.A.T.B. choir and orchestra
A Relic of Memory (2003), for S.A.T.B. choir and orchestra
Calmo (2003), for a cappella S.A.T.B. choir and bells
Two Fanfares and a Lament (2003), for S.A.T.B. choir and large ensemble
Christmas Night (2006), for S.A.T.B. choir and piano
Claremont Carol (2006), for upper-voice choir and piano or organ
Miserere Nobis (2006), for a cappella S.A.T.B. choir
At Sixes and Sevens (2012), for soprano and baritone soloists, youth chorus and chamber orchestra
Hibiki (2014), for two solo voices, children's chorus and orchestra (world premiere: Tokyo, 11 December 2016; European premiere: London, BBC Proms, 14 August 2017)
Sing Out Loud (2017), two Welsh part songs for a cappella male chorus
Chamber
On All Fours (1985), for chamber ensemble
Sarabande (1986), for soprano saxophone and piano
Release (1987), for soprano saxophone, alto saxophone, bass clarinet, trumpet, trombone, percussion, piano and double bass
Kai (1989–1990), for cello solo and ensemble
Three Farewells (1989–1990), for flute, bass clarinet, harp and string quartet
Set To (1992–1993), for brass dectet
This Silence (1992–1993), for clarinet, bassoon, horn and string quintet