The Ambrosian Rite has risked suppression at various points in its history. It was reformed after the Second Vatican Council (Pope Paul VI belonged to the Ambrosian Rite, having previously been Archbishop of Milan). In the 20th century, it also gained prominence and prestige from the attentions of two other scholarly Archbishops of Milan: Achille Ratti, later Pope Pius XI, and the Blessed Ildefonso Schuster, both of whom were involved in studies and publications on the rite.
The Church of Milan's own liturgy is named Ambrosian after its patron saint Ambrose.[2] The Ambrosian Rite evolved and developed from the 4th century onwards.[2] There is no direct evidence that the rite was the composition of St. Ambrose, but his name has been associated with it since the 8th century. It is possible that Ambrose, who succeeded the Arian bishop Auxentius of Milan, may have removed material seen as unorthodox by the mainstream church and issued corrected service books which included the principal characteristics distinguishing it from other rites.[3]
According to St. Augustine (Confessiones, IX, vii) and Paulinus the Deacon (Vita S. Ambrosii, § 13), St. Ambrose introduced innovations, not indeed into the Mass, but into what would seem to be the Divine Office, at the time of his contest with the Empress Justina, for the Portian Basilica which she claimed for the Arians. St. Ambrose filled the church with Catholics and kept them there night and day until the peril was past. And he arranged Psalms and hymns for them to sing, as St. Augustine says, "after the manner of the Orientals, lest the people should languish in cheerless monotony"; and of this Paulinus the deacon says: "Now for the first time antiphons, hymns, and vigils began to be part of the observance of the Church in Milan, which devout observance lasts to our day not only in that church but in nearly every province of the West".[3]
From the time of St. Ambrose, whose hymns are well-known and whose liturgical allusions may certainly be explained as referring to a rite which possessed the characteristics of that which is called by his name, until the period of Charlemagne (circ AD 800), there is a gap in the history of the Milanese Rite. However, St. Simplician, the successor of St. Ambrose, added much to the rite and St. Lazarus (438-451) introduced the three days of the litanies (Cantù, Milano e il suo territorio, I, 116). The Church of Milan underwent various vicissitudes and for a period of some eighty years (570-649), during the Lombard conquests, the see was moved to Genoa in Liguria.[3]
In the eighth century, manuscript evidence begins. In a short treatise on the various cursus entitled "Ratio de Cursus qui fuerunt ex auctores" (sic in Cotton Manuscripts, Nero A. II, in the British Library), written about the middle of the eighth century, probably by an Irish monk in France, is found perhaps the earliest attribution of the Milan use to St. Ambrose, though it quotes the authority of St. Augustine, probably alluding to the passage already mentioned: "There is yet another Cursus which the blessed Bishop Augustine says that the blessed Ambrose composed because of the existence of a different use of the heretics, which previously used to be sung in Italy".[3]
According to a narrative of Landulphus Senior, the eleventh-century chronicler of Milan, Charlemagne attempted to abolish the Ambrosian Rite, as he or his father, Pepin the Short, had abolished the Gallican Rite in France, in favour of a Gallicanized Roman Rite. He sent to Milan and caused to be destroyed or sent beyond the mountain, quasi in exilium (as if into exile), all the Ambrosian books which could be found. Eugenius the Bishop, (transmontane bishop, as Landulf calls him), begged him to reconsider his decision. After the manner of the time, an ordeal, which reminds one of the celebrated trials by fire and by battle in the case of Alfonso VI and the Mozarabic Rite, was determined on. Two books, Ambrosian and Roman, were laid closed upon the altar of St. Peter's Church in Rome and left for three days, and the one which was found open was to win. They were both found open, and it was resolved that as God had shown that one was as acceptable as the other, the Ambrosian Rite should continue. But the destruction had been so far effective that no Ambrosian books could be found, save one missal which a faithful priest had hidden for six weeks in a cave in the mountains. Therefore the Manuale was written out from memory by certain priests and clerks (Landulph, Chron., 10-13). Walafridus Strabo, who died Abbot of Reichenau in 849, and must therefore have been nearly, if not quite, contemporary with this incident, says nothing about it, but (De Rebus Ecclesiasticis, xxii), speaking of various forms of the Mass, says: "Ambrose, Bishop of Milan, also arranged a ceremonial for the Mass and other offices for his own church and for other parts of Liguria, which is still observed in the Milanese Church".[3]
In the eleventh century Pope Nicholas II, who in 1060 had tried to abolish the Mozarabic Rite, wished also to attack the Ambrosian and was aided by St. Peter Damian but he was unsuccessful, and Pope Alexander II his successor, himself a Milanese, reversed his policy in this respect. St. Gregory VII made another attempt, and Le Brun (Explication de la Messe, III, art. I, § 8) conjectures that Landulf's miraculous narrative was written with a purpose about that time. Having weathered these storms, the Ambrosian Rite had peace for some three centuries and a half.[3]
In the first half of the fifteenth century Cardinal Branda da Castiglione, who died in 1448, was legate in Milan. As part of his plan for reconciling Filippo Maria Visconti, Duke of Milan, and the Holy See, he endeavoured to substitute the Roman Rite for the Ambrosian. The result was a serious riot, and the Cardinal's legateship came to an abrupt end. After that, the Ambrosian Rite was safe until the Council of Trent. The Rule of that Council, that local uses which could show a prescription of two centuries might be retained, saved Milan, not without a struggle, from the loss of its Rite, and St. Charles Borromeo though he made some alterations in a Roman direction, was most careful not to destroy its characteristics. A small attempt made against it by a Governor of Milan who had obtained permission from the Pope to have the Roman Mass said in any church which he might happen to attend, was defeated by St. Charles, and his own revisions were intended to do little more than was inevitable in a living rite.[3]
Since his time the temper of the Milan Church has been most conservative, and the only alterations in subsequent editions seem to have been slight improvements in the wording of rubrics and in the arrangement of the books. The district in which the Ambrosian Rite is used is nominally the old archepiscopal province of Milan before the changes of 1515 and 1819, but actually, it is not exclusively used even in the city of Milan itself. In parts of the Swiss Canton of Ticino, it is used; in other parts, the Roman Rite is so much preferred that it is said that when Cardinal Gaisruck tried to force the Ambrosian upon them the inhabitants declared that they would be either Roman or Lutheran. There are traces also of the use of the Ambrosian Rite beyond the limits of the Province of Milan. In 1132-34, two Augustinian canons of Ratisbon, Paul, said by Bäumer to be Paul of Bernried, and Gebehard, held a correspondence with Anselm, Archbishop of Milan, and Martin, treasurer of St. Ambrose, with a view of obtaining copies of the books of the Ambrosian Rite, so that they might introduce it into their church. In the fourteenth century, the Emperor Charles IV introduced the Rite into the Church of St. Ambrose at Prague. Traces of it, mixed with the Roman, are said by Hoeyinck (Geschichte der kirchl. Liturgie des Bisthums Augsburg) to have remained in the diocese of Augsburg down to its last breviary of 1584, and according to Catena (Cantù, Milano e il suo territorio, 118) the use of Capua in the time of St. Charles Borromeo had some resemblance to that of Milan.[3]
Following the guidelines of the Second Vatican Council and the preliminary revisions of the Ordinary of the Mass of the Roman Rite, a new bilingual (Latin and Italian) edition of the Ambrosian Missal was issued in 1966, simplifying the 1955 missal, mainly in the prayers the priest said inaudibly and in the genuflections, and adding the Prayer of the Faithful. The Eucharistic prayer continued to be said in Latin until 1967. The altars were moved to face the people.
When the Mass of Paul VI was issued in 1969, most Ambrosian-Rite priests began to use the new Roman Missal (only omitting the Agnus Dei), the RomanLectionary, and the General Roman Calendar (with its four-week Advent). The Ambrosian form of administering the other sacraments was for the most part already identical with the Roman. This made it uncertain whether the Ambrosian Rite would survive. But in promulgating the documents of the 46th diocesan synod (1966–1973), Cardinal Archbishop Giovanni Colombo, supported by Pope Paul VI (a former Archbishop of Milan), finally decreed that the Ambrosian Rite, brought into line with the directives of the Second Vatican Council, should be preserved.
Work, still in progress, began on all the Ambrosian liturgical texts. On 11 April 1976 Cardinal Colombo published the new Ambrosian Missal, covering the whole liturgical year. Later in the same year an experimental Lectionary appeared, covering only some liturgical seasons, and still following the Roman-Rite Lectionary for the rest. Minor modifications of the Ambrosian Missal were implemented in 1978, restoring for example the place of the Creed in the Mass, and the new Ambrosian rite for funerals was issued.
The Ambrosian Missal also restored two early-medieval Ambrosian Eucharistic prayers, unusual for placing the epiclesis after the Words of Institution, in line with Oriental use.
In 1984-1985 the new Ambrosian Liturgy of the Hours was published and in 2006 the new Ambrosian rite of marriage. On 20 March 2008 the new Ambrosian Lectionary, superseding the 1976 experimental edition, and covering the whole liturgical year, was promulgated, coming into effect from the First Sunday of Advent 2008 (16 November 2008).[4] It is based on the ancient Ambrosian liturgical tradition and contains in particular, a special rite of light ("lucernarium") and proclamation of the resurrection of Jesus, for use before the Saturday-evening celebration of the Mass of the Sunday, seen as the weekly Easter.[5]Pope John Paul II celebrated Mass in Milan using the Ambrosian Rite in 1983, as did Pope Francis in 2017.
Origin
The Catholic Encyclopedia of 1907 gives three theories of the ancient origin of the rite, none conclusive. The question resolves itself into whether the Ambrosian Rite is archaic Roman or a much-Romanized form of the Gallican Rite.
J. M. Neale and others from the Anglican tradition referred the Hispano-Gallican and Celtic family of liturgies to an original imported into Provence from Ephesus in Asia Minor by St. Irenæus, who had received it through St. Polycarp from St. John the Divine. The name Ephesine was applied to this liturgy, and it was sometimes called the Liturgy of St. John. In support of this theory, Colman, at the Synod of Whitby in 664, attributed the Celtic rule of Easter to St. John. But Neale greatly exaggerated the Romanizing effected by St. Charles Borromeo. W. C. Bishop, however, in his article on the Ambrosian Breviary, takes up the same line as Neale in claiming a Gallican origin for the Ambrosian Divine Office.[3]
Louis Duchesne in his "Origines du culte chrétien" theorizes that the rite was imported or modified from the East, perhaps by the Cappadocian Arian Bishop Auxentius (355-374), the predecessor of St. Ambrose, and gradually spread to Gaul, Spain, and Britain.[3]Jungmann later concluded that "Duchesne's thesis can be accepted in the sense that Milan was the centre from which a Gallican type liturgy took its origin."[6] Here, "Gallican" means a Latin (not Eastern) liturgy somewhat different from that of Rome.[7]
Antonio Maria Ceriani and Magistretti maintain that the Ambrosian Rite has preserved the pre-Gelasian and pre-Gregorian form of the Roman Rite.[3]
Differences from the Roman Rite
Some features of the Ambrosian Rite distinguish it from the Roman Riteliturgy.
The principal celebrant blesses all the readers, not only the deacon. The reader asks for the blessing saying to the priest: "Bless me, father". Then, while tracing the sign of the cross, the main celebrant tells the reader: "Read in the name of the Lord".
There are some differences between the First Eucharistic Prayer of the Ambrosian Missal and the Roman Canon, the first in the Roman Missal; but its Eucharistic Prayers II, III, and IV are the same as in the Roman Rite. In addition, the Ambrosian Rite has two proper Eucharistic Prayers, used mainly on Easter and Holy Thursday.
Before the final blessing, the people say Kyrie, eleison ("Lord, have mercy") three times.
At the end of the Mass, instead of saying "The Mass is ended, go in peace" the priest says simply "Go in peace", to which the people respond "In the name of Christ".
Lent starts four days later than in the Roman Rite, so that Ash Wednesday is postponed to a week later than in the Roman Rite, and Carnival continues until "sabato grasso" ("Fat Saturday" in Italian), corresponding to Shrove Tuesday (called "Mardi Gras", i.e. "Fat Tuesday", in French) in areas where the Roman Rite is used.
On Fridays in Lent, Mass is not celebrated and, with a few exceptions, Communion is not distributed.
Red, rather than the green used in the Roman Rite, is the standard colour of vestments from Pentecost to the third Sunday of October, and there are other differences in liturgical colours throughout the year.
Other
Other differences are that:
The Liturgy of the Hours (also known as the Divine Office or Breviary) is different in structure and in various features.[9][10]
The liturgical rites of Holy Week are quite different.
The "Psalter" contains the Psalms and Canticles. It is sometimes included with the "Manual".
The "Manual" is nearly the complement of the "Sacramentary" and the "Psalter" as regards both the Mass and the Divine Office. It contains for the Divine Office: the Lucernaria, Antiphons, Responsoria, Psallenda, Completoria, Capitula, Hymns, and other changeable parts, except the Lessons, which are found separately. And for the Mass, it contains the Ingressœ, Psalmellœ, Versus, Cantus, Antiphonœ ante and post Evangelium, Offertoria, Confractoria, and Transitoria. The "Manual" often also contains occasional services such as are now usually found in a Ritual.
The "Antiphoner" is a Manual with notes.
The "Rituale" and "Pontificale" have contents similar to those of Roman books of the same name, though the early Manuscripts are less ample.
Sacramentaries and missals
The following are some of the most noted Manuscripts of the rite:[3]
The "Biasca Sacramentary"; Bibl. Ambros., A. 24, bis inf., late ninth or early tenth century. Described by Delisle, "Anc. Sacr.", LXXI, edited by Ceriani in his "Monumenta Sacra et Profana", VIII, the Ordinary is analyzed and the Canon is given in full in Ceriani's "Notitia Lit. Ambr".
The "Lodrino Sacramentary"; Bibl. Ambr., A. 24, inf., eleventh century. Delisle, "Anc. Sacr.", LXXII.
The "Sacramentary of San Satiro", Milan; treasury of Milan Cathedral; eleventh century. Delisle, "Anc. Sacr.", LXXIII.
Sacramentary; treasury of Milan Cathedral; eleventh century. Delisle, "Anc. Sacr.", LXXIV.
The "Sacramentary of Armio", near the Lago Maggiore; treasury of Milan Cathedral; eleventh century. Delisle, 'Anc. Sacr.", LXXV.
Sacramentary belonging to the Marchese Trotti; eleventh century. Delisle, "Anc. Sacr.", LXXVI.
The "Bergamo Sacramentary"; library of Sant' Alessandro in Colonna, Bergamo; tenth or eleventh century. Published by the Benedictines of Solesmes, "Auctarium Solesmense" (to Migne's Patrologia), "Series Liturgica", I.
"Sacramentary of San Michele di Venegono inferiore" (near Varese); treasury of Monza Cathedral; eleventh century. Delisle, "Anc. Sacr.", LXVIII. These two of Monza Cathedral are more fully described in Frisi's "Memorie storiche di Monza", III,75-77, 82-84.
"Missale Ambrosianum", of Bedero (near Luino); Bibl. Ambr., D., 87 inf.; twelfth century. Noted by Magistretti in "Della nuova edizione tipica del messale Ambrosiano".
Antiphoner
Antiphoner: "Antiphonarium Ambrosianum"; British Museum, Add. Manuscripts, 34,209; twelfth century; published by the Benedictines of Solesmes, with a complete facsimile and 200 pages of introduction by Paul Cagin, in "Paléographie musicale", V, VI.
Manuals
"Manual of Lodrino;" Bibl. Ambr., SH. IV, 44; tenth or eleventh century. Imperfect. Described by Magistretti, "Mon. Vet. Lit. Amb.", II, 18.
"Manuale Ambrosianum" belonging to the Marchese Trotti; tenth or eleventh century. Imperfect. Magistretti, "Mon. Vet. Lit. Amb.", II, 19.
"Manuale Ambrosianum"; Bibl. Ambr., CIII, sup.; tenth or eleventh century. Imperfect. Magistretti, "Mon. Vet. Lit. Amb.", II, 20.
"Manuale Ambrosianum"; from the Church of Cernusco (between Monza and Lecco); Bibl. Ambr., I, 55, sup.; eleventh century. Magistretti, "Mon. Vet. Lit. Amb.", II, 28.
"Manuale Ambrosianum"; from the Church of San Vittore al Teatro, Milan; Bibl. Ambr., A, 1, inf.; twelfth century. Magistretti, "Mon. Vet. Lit. Amb.", II, 22.
"Manuale Ambrosianum"; from the Church of Brivio (near the Lecco end of the Lake of Como); Bibl. Ambr., I, 27, sup.; twelfth century. Magistretti, "Mon. Vet. Lit. Amb.", II, 30.
Rituals
"Liber Monachorum S. Ambrosii"; Bibl. Ambr., XCVI, sup.; eleventh century. Magistretti, "Mon. Vet. Lit. Amb.", II, 33, 79-93.
"Rituale Ambrosianum", from the Church of S. Laurentiolus in Porta Vercellina, Milan; Sacrar. Metrop., H. 62; thirteenth century. Magistretti, "Mon. Vet. Lit. Amb.", II, 37, 143-171.
"Asti Ritual"; Bibl, Mazarine, 525; tenth century. Described by Gastoué in "Rassegna Gregoriana", 1903. This, though from the old province of Milan, is not Ambrosian, but has bearings on the subject.
Ceremonial: "Calendarium et Ordines Ecclesiæ Ambrosianæ"; Beroldus; Bibl, Ambr., I, 158, inf. twelfth century. Published by Magistretti, 1894.
Pontificals
"Pontificale Mediolanensis Ecclesiæ"; Chapter Library, Milan; ninth century. Printed by Magistretti, "Mon. Vet. Lit. Amb.", I
"Ordo Ambrosianus ad Consecrandam Ecclesiam et Altare;" Chapter Library, Lucca; eleventh century. Printed by Mercati, "Studi e testi" (of the Vatican Library), 7.
Ambrosian service-books
Some editions of the printed Ambrosian service-books:
Breviaries: (Pre-Borromean) 1475, 1487, 1490, 1492, 1507, 1513, 1522, and many others; (St. Charles Borromeo), 1582, 1588; (Pozzobonelli) 1760; (Galsruck) 1841; (Romilli) 1857; (Ferrari) 1896, 1902. Rituals: n. d. circ., 1475 (a copy in Bodlwian), 1645, 1736, 1885.
Psalters: 1486, 1555.
Ceremonials: 1619, 1831.
Lectionary: 1660
Litanies: 1494, 1546, 1667.
The editions of the Missals, 1475, 1751, and 1902; Breviaries, 1582 and 1902; Ritual, 1645; both Psalters, both Ceremonials, the Lectionary, and Litanies are in the British Museum.[3]
English translations
We Give You Thanks and Praise. The Ambrosian Eucharistic Prefaces. translated by Alan Griffiths, first published by The Canterbury Press, Norwich, (a publishing imprint of Hymn Ancient & Modern Limited, a registered charity) St. Mary's Woods, St. Mary Plain, Norwich, Norfolk. This is an English translation of the two hundred proper prefaces at present used with the Eucharistic prayers of the Ambrosian Rite.
The Revised Divine Liturgy According to Our Holy Father Ambrose of Milan (Vols 1 and 2). by Bishop Michael Scotto-Daniello and published by Createspace/Amazon. This is a Missalette and a book of Prefaces for the Ambrosian Rite.
Navoni, Marco (1996). Dizionario di Liturgia Ambrosiana (Marco Navoni ed.). Milan. ISBN88-7023-219-0.{{cite book}}: CS1 maint: location missing publisher (link)
Griffiths, Alan (1999). We Give You Thanks and Praise. Canterbury Press. ISBN1-58051-069-8.
A. Ratti / M. Magistretti, Missale Ambrosianum Duplex, Mediolani 1913
Missale Ambrosianum iuxta ritum Sanctae Ecclesiae Mediolanensis, ex decreto Sacrosancto OEcumenici Concilii Vaticani II instauratum, auctoritate Ioannis Colombo Sanctae Romanae Ecclesiae Presbyter Cardinalis Archiepiscopi Mediolanensis promulgatum, Mediolani 1981
Messale Ambrosiano secondo il rito della santa Chiese di Milano. Riformato a norma dei decreti del Concilio Vaticano II. Promulgato dal Signor Cardinale Giovanno Colombo, arcivescovo di Milano, Milano 1976
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Proverville Proverville Vị trí trong vùng Champagne-Ardenne Proverville Hành chính Quốc gia Pháp Vùng Grand Est Tỉnh Aube Quận Bar-sur-Aube Tổng Bar-sur-Aube Liên xã Communauté de communes de la Région de Bar-sur-Aube Xã (thị) trưởng M. Daniel Tomasini(2001-2008) Thống kê Độ cao 60 m (200 ft) bình quân Diện tích đất1 6,98 km2 (2,69 dặm vuông Anh) INSEE/Mã bưu chính 10306/ 10200 Proverville là một xã ở tỉnh A…
British theatre director (born 1966) For another person, see Marianne Elliott (historian). Marianne ElliottOBEElliott in June 2022BornMarianne Phoebe Elliott (1966-12-27) 27 December 1966 (age 57)London, EnglandOccupation(s)Theatre director and producerSpouse Nick Sidi (m. 2002)Children1ParentsMichael Elliott (father)Rosalind Knight (mother)AwardsFull listWebsitehttp://elliottharper.com Marianne Phoebe Elliott OBE (born 27 December 1966) is a British theatre d…
Lega nazionale A 2018-2019 Competizione Lega Nazionale A Sport hockey su pista Edizione 87ª Organizzatore SRHV Luogo Svizzera Partecipanti 9 Risultati Vincitore Biasca(1º titolo) Retrocessioni Thunerstern Cronologia della competizione 2017-2018 2019-2020 Manuale La Lega nazionale A 2018-2019 è stata la 87ª edizione del torneo di primo livello del campionato svizzero di hockey su pista. Il torneo è stato vinto dal Biasca per la prima volta nella sua storia. Indice 1 Squadre…
Yellow-white hued star in the constellation Corona Borealis λ Coronae Borealis Location of λ Coronae Borealis (circled) Observation dataEpoch J2000 Equinox Constellation Corona Borealis Right ascension 15h 55m 47.58774s[1] Declination +37° 56′ 49.0397″[1] Apparent magnitude (V) 5.43[2] Characteristics Spectral type F2 IV-V[3] U−B color index +0.01[4] B−V color index +0.…