Jaar
|
Spreker
|
Coreferent
|
Titel
|
1983
|
Barbara Tuchman
|
Bart Tromp
|
An Inquiry into the Persistence of Folly in Government
|
1984
|
Leszek Kolakowski
|
Jan Sperna Weiland
|
Illusions of demythologisation
|
1985
|
Peter Gay
|
Hella S. Haasse
|
Psycho-analysis in History
|
1986
|
Iris Murdoch
|
Joop Doorman
|
How to prove the existence of God: some reflections on the ontological proof
|
1987
|
Amos Oz
|
Joop den Uyl
|
The Eyes of the Lord. Hebrew Literature: The Letter and the Spirit
|
1988
|
Ralf Dahrendorf
|
André Köbben
|
Citizenship: the new problem
|
1989
|
Simon Schama
|
Ernst H. Kossmann
|
Noah’s Ark or ‘The Unripe Nectarine’?: Visions of the Netherlands in the 19th Century
|
1990
|
György Konrád
|
Hans van Mierlo
|
The pleasure and discomfort of a political rebirth
|
1991
|
Eduardo Galeano
|
Aad Nuis
|
To be like them
|
1992
|
Hans Magnus Enzensberger
|
Cees Nooteboom
|
Die Grosse Wanderung
|
1993
|
Ian Buruma
|
Rudy Kousbroek
|
De boom van Herder
|
1994
|
André Brink
|
Adriaan van Dis
|
The changing function of the writer in the new South Africa
|
1995
|
Carlos Fuentes
|
Rudolf van Zantwijk
|
Literature and History: The Epic of the Conquest of México
|
1996
|
Ismail Kadare
|
Kees Fens
|
Littérature devant le troisième millénaire
|
1997
|
Ben Okri
|
Lolle Nauta en Anil Ramdas
|
Amongst the Silent Stones / A Moment in Timelessness
|
1998
|
Jonathan Israel
|
Nelleke Noordervliet
|
The Enlightenment, the Dutch and the Future of History
|
1999
|
Annie Proulx
|
Jan Donkers
|
Dangerous Ground: Landscape in American Fiction
|
2000
|
Daniel Cohn-Bendit
|
Stephan Sanders
|
Quo vadis, Europa?
|
2001
|
Isabel Allende
|
Barber van de Pol
|
The storyteller is someone else
|
2002
|
Ian McEwan
|
Douwe Draaisma
|
Literature, Science and Human Nature
|
2003
|
Tom Lanoye
|
Marjolijn Februari
|
Beschadigde beelden. Schrijven in het rijk van de iconodulen
|
2004
|
Noreena Hertz
|
Luuk van Middelaar
|
I.O.U. - How we can end the developing world's debt crisis once and for all
|
2005
|
Amitav Ghosh
|
Tijs Goldschmidt
|
Wild Fictions. Narratives of Nature and the Politics of Forests
|
2006
|
Antjie Krog
|
Lieve Joris
|
“I speak, holding up your heart...” Cosmopolitanism, Forgiveness and leaning towards Africa
|
2007
|
Seymour Hersh
|
Kader Abdolah en Joris Luyendijk
|
Van My Lai tot Abu Ghraib
|
2008
|
Karen Armstrong
|
Abdelkader Benali
|
Religie en de Gouden Regel
|
2009
|
Alain de Botton
|
Willem Vermeend
|
Markt en moraal
|
2010
|
Ilija Trojanow
|
Arnon Grunberg
|
Requiem for the Future
|
2011
|
Joshua Foer
|
Robbert Dijkgraaf
|
Education: internet or memory?
|
2012
|
Philipp Blom
|
Geert Mak
|
Verhalen waar we in geloven: markt, religie, wetenschap
|
2013
|
Guy Verhofstadt
|
Sheila Sitalsing
|
Europa en het nationalisme
|
2014
|
Tomáš Sedláček
|
Barbara Baarsma
|
Economics as an Unorchestrated Orchestrator
|
2015
|
Russell Shorto
|
Hans Renner
|
You Say You Want a Revolution: the elites and the masses in America's founding
|
2016
|
Daniel Kehlmann
|
Sunny Bergman
|
The Witch is Dead. Reflexions on „The Wizard of Oz“ and the Twentieth Century
|
2017
|
David Van Reybrouck
|
Marcia Luyten
|
Populisme en de dekolonisatie van Europa
|
2018
|
Hilary Mantel
|
Annejet van der Zijl
|
The mirror and the Light: New Reflections on Old Stories
|
2019
|
Rachel Cusk
|
Anna Enquist
|
Laat werk: de expressieve vrijheid van oudere vrouwelijke schrijvers en kunstenaars (Late Work: the Power of the Mature Female Writer and Artist)[1]
|
2020
|
Marion Bloem
|
Daan Roovers
|
Identiteit, vrijheid en nadenken in tijden van onzekerheid
|