Wild Run: The Legend
Wild Run: The Legend (French: Chasse-Galerie: La Légende) is a 2016 Canadian fantasy film directed by Jean-Philippe Duval and starring Caroline Dhavernas, Francis Ducharme and François Papineau. The film's screenplay is written by Guillaume Vigneault, based on the French Canadian legend of Chasse-galerie. PlotOn New Year's Eve, 1863, Theodore Gilbert meets Jack Murphy, a suave man, while Theodore fears his pregnant wife may die during delivery. Murphy offers a solution, and Theodore dies. In 1888 in L'Ascension, Quebec, lumberjack Jos Lebel is in a romantic relationship with Theodore's grown daughter Liza Gilbert. Jos and a group of lumberjacks then set out to work in the Quebec wilderness. The group is eager to spend the holiday with their loved ones, when they meet Murphy, who is really the Devil. The men make a Faustian deal with Murphy to return home, employing a flying canoe. Cast
ProductionThe legend of Chasse-galerie was an oral tradition in Quebec for years before Honoré Beaugrand wrote a book on the subject, with Guillaume Vigneault's screenplay marking the first feature film adaptation.[1] Jean-Philippe Duval became the director after agreeing to make a third film, following his Matroni and Me (Matroni et moi) and Through the Mist (Dédé, à travers les brumes).[2] The budget was $7 million.[3] With a fascination in history, Duval approached the production from a historically realistic perspective, encouraged by the success of the 2015 film The Revenant.[4] Challenges arose in post-production, one of the reasons the planned December 2015 release was cancelled.[5] ReceptionThe film was released in Quebec on 26 February 2016.[6] It debuted fourth at the Quebec box office, grossing $140,289 in its first weekend.[7] For Halloween 2016, Alliance Francaise screened Wild Run: The Legend in Toronto.[8] Les Films Séville also released it on DVD on 7 June 2016.[9] Reviews were generally positive.[5] Brendan Kelly, writing for The Montreal Gazette, gave it two and a half stars, comparing the realism to the TV series Les Pays d'en haut, but said that the depiction of the Devil subtracted from the seriousness.[1] In La Presse, Marc-André Lussier awarded it three and a half stars, saying the realism had great impact and made the winter setting feel real, and crediting Dhavernas and Ducharme for chemistry.[2] Quebec fantasy writer Bryan Perro championed the belated adaptation, saying it was important for contemporary Quebec to reconnect with its heritage.[10] Le Devoir's André Lavoie praised the film's visuals, aside from the fairy tale segments.[11] Isabelle Laramée gave it three stars in Journal Metro, citing the artistic direction and cinematography.[3] Accolades
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