White Corridors
White Corridors is a 1951 British drama film directed by Pat Jackson and starring Googie Withers, Godfrey Tearle, James Donald and Petula Clark.[1] It is based on the 1944 novel Yeoman's Hospital by Helen Ashton. The film is set in a hospital shortly after the establishment of the National Health Service.[2] PlotThe day-to-day life of the staff and patients at a city hospital.[3] The central story is that of doctors Sophie Dean and Neil Marriner, who are in love, and their fight to save the life of Tommy Briggs, a little boy with blood poisoning. Cast
ProductionThe film marked Googie Withers's return to acting after 13 months off following the birth of her child.[4] John Mills at one stage was announced to play the male lead.[5] Bombardier Billy Wells, the man who strikes the gong on the Rank trademark, had a small role.[6] The director, Pat Jackson, claims making the film was "a joy" and says it was shot in five weeks.[7] ReceptionBox officeWhite Corridors was the 8th most popular film at the British box office in 1951.[8][9] CriticalThe Monthly Film Bulletin wrote: "The material of White Corridors is not distinguished, and its episodic structure emphasises that the characterisation is mainly one-dimensional; the interweaving of a series of glimpsed characters needed a firmer conception if real depth were to be given to them and thus to the whole background of the hospital which the film sets out to explore. But on a surface level the film is remarkably successful, due to the persuasive talents of its director, Pat Jackson."[10] The Radio Times Guide to Films gave the film 3/5 stars, writing: "While it may sound like a hokey soap opera, it is actually a well-made British A-feature, realistically played by a large and excellent cast that includes a number of well-known faces."[11] Leslie Halliwell said: "Competent multi-drama which found a big audience."[12] In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "very good", writing: "Intelligently handled, episodic medical drama always carries energy at its core."[13] AccoladesAt the 1951 BAFTAS it was nominated for Best Film and Best British Film.[14] Petula Clark was nominated for Best Supporting Actress. References
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