Tony O'Connor (teacher)
Tony O'Connor (born 1921 or 1922) was a Jamaican teacher. His 1967 appointment as a headteacher in Smethwick England—he was the first black person to hold such a post—caused a racist backlash. Early lifeO'Connor was born in Jamaica in 1921 or 1922[a].[2] He joined the RAF in 1943, during World War II, achieving the rank of flight sergeant and moving to the United Kingdom.[2][3][4] CareerAfter the war, O'Connor took a teaching diploma at the University of Birmingham, then worked as a teacher, serving at two schools in Smethwick, including three years as deputy head at Albion School.[3] He specialised in the Nuffield method of teaching mathematics, and trained other teachers in its use.[3] In September 1967, he was appointed head teacher at Bearwood Road Junior and Infants School[b] in Smethwick,[2][4] a town which had recently experienced racial tensions.[5][6] He is widely held to have been the first black person to be a head teacher in the United Kingdom.[2][4][7] He was reported as saying that he did not care if he was the "first, second, third or 250th West Indian headmaster".[2] In December 1967, days after his appointment became public, racist slogans, 2 feet 6 inches (0.76 metres) high, and swastikas were painted on the walls of the school, and threats were made against him.[2][4][8] Personal lifeAt the time of his Bearwood appointment, O'Connor was living at Hall Green, Birmingham.[3] His wife Marjorie was also a teacher.[3] They had two daughters.[3] Because of the racist threats directed at him, their daughters had to stay with relatives.[4] He retired in 1983.[2] LegacyA quote by O'Connor featured in a calligraphic artwork by the artist Linett Kamala, which was included in her 2018-2019 "Excellence – A Celebration of Pioneering Headteachers" exhibition at the University of Roehampton, commemorating black head teachers.[9] Among O'Connor's pupils at Smethwick was Doreen Foster, subsequently director of Warwick Arts Centre.[10] Papers relating to O'Connor's headmastership are held by Sandwell Archives. Notes
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