Tommaso Ceva was born into a wealthy Milanese family in 1648. After studying at the Collegio di Brera, a Jesuit college in Milan, on 24 March 1663 he entered the Society of Jesus. He taught mathematics and rhetoric at the Jesuit College of Brera in Milan for thirty-eight years.[1] His most famous student was Giovanni Girolamo Saccheri. Under the tutelage of Ceva, Saccheri wrote his first work, titled Quaesita geometrica (Geometric Investigations, 1693). Ceva was one the main representatives of Clelia Grillo Borromeo's Academia Vigilantium.[2]Joseph I named him Caesarian Theologian early in the 18th century.[2]
His first scientific work, De natura gravium (The Nature of Gravity, 1699), dealt with physical subjects - such as gravity and free fall - in a philosophical way. His only mathematical work, published in 1699 was the Opuscula Mathematica (Mathematical Essays), which dealt with geometry, gravity and arithmetic. Ceva designed an instrument to divide a right angle into a specified number of equal parts.[3] His device, described in the Acta Eruditorum in 1695, won him the attention of Leibniz.[4] This same instrument was described in 1704 by the FrenchmathematicianGuillaume de l'Hôpital.[5]
In his Philosophia novo-antiqua (New-Ancient Philosophy, 1704) Ceva defended scholasticism against the systems Descartes and Gassendi and tried to reconcile the best of ancient and modern natural philosophy.[6] The work comprises six dissertations, dealing with topics ranging from mathematics to cosmology and mechanics, and engages with live issues for the science of the time (Copernican theory; Descartes's physics and denial of animal souls; Gassendi's atomism). Ceva accepted Galileo's theory of motion but not his cosmology. As far as Cartesian physics is concerned, he especially criticized the identification of the essence of matter with extension.[7] Ceva's Philosophia novo-antiqua was reissued in Wien in 1719, in Florence in 1723 and in Venice in 1732.
Ceva was also a noted poet and dedicated a significant amount of his time to this task. In the literary field Ceva shared the Arcadian reaction against marinism, and summed it up in his oft-quoted definition of poetry as ‘un sogno che si fa in presenza della ragione’ (“a dream made in the presence of reason”).[6] His Latin poem Jesus Puer, dedicated to the Holy Roman emperor Joseph I, was translated into many languages including German and Italian. Two other collections of Latin verses, Sylvae (1699; “Woods”) and Carmina (1704; “Poems”), range over philosophic, scientific, religious, and literary subjects. Ceva was made a fellow of the Arcadia in 1718 and was in correspondence with Vincenzo Viviani and Luigi Guido Grandi.[2] He was a close friend of the mathematician Pietro Paolo Caravaggio and his son Pietro Paolo Caravaggio junior.[8]
In his latter years, Ceva suffered from paralysis. He died in Milan on 3 February 1737.[2]
The Cycloid of Ceva
Prompted by the familiar "insertion" method of Archimedes, Ceva devised in 1699 a curve for trisection which was called the "Cycloidum anomalarum".[11] The principle involved is that of doubling angles. The cycloid of Ceva has the polar equation
To trisect the angle , construct a line parallel to the polar axis (the positive axis). Let be the point of intersection of the cycloid and the line. Then the angle is one-third of the angle .
Proof: let angle be and let the point on the axis be such that . Let be the orthogonal projection of on the line . The angle , so . Since , , . So angle equals , but .
^Belgioioso, Giulia (2019). ""Italy Did Not Want to Be Cartesian" And For Good Reason". The Oxford Handbook of Descartes and Cartesianism. New York: Oxford University Press. p. 527. ISBN978-0192517210.
Sommervogel, Carlos (1891). Bibliothèque de la Compagnie de Jésus. Vol. 2. Brusels: Oscar Schepens. pp. 1015–24.
Alberto Pascal, L'apparecchio polisettore di Tommaso Ceva e una lettera inedita di Guido Grandi, «Rendiconti dell'Istituto Lombardo di Scienze e Lettere», s. II, 48 (1915), pp. 173–181.
Ramat, Raffaello, "La critica del padre Ceva," Civiltà moderna, 10 (1938), 385-95, and 11 (1939), 139-66. (Reprinted in Sette contributi agli studi di storia della letteratura italiana, (Florence, 1947), pp. 5–44.
Luigi Tenca, La corrispondenza epistolare fra Tommaso Ceva e Guido Grandi, in Rendiconti dell'Istituto lombardo di scienze e lettere, classe di scienze matematiche e naturali, LXXXIV (1951), pp. 519–537.
Masiello, Vitilio (1959). "Critica e gusto di Tommaso Ceva". Convivium. XXVII (4): 288–313.
Masiello, Vitilio (1960). "Le idee estetiche di Tommaso Ceva". Convivium. XXVIII (3): 298–317.
Simonutti, Luisa (1989). "Guido Grandi, scienziato e polemista, e la sua controversia con Tommaso Ceva". Annali della Scuola Normale Superiore di Pisa. Classe di Lettere e Filosofia. 19 (3): 1001–1026. JSTOR24307638.
Ulivi, Elisabetta (1989). "Un tardo seguace di Viète, Pietro Paolo Caravaggio senior". Bollettino di Storia delle Scienze Matematiche. IX (1): 91–137. ISSN0392-4432.
Canziani, Guido (1997). "Descartes e Gassendi nella Philosophia Novo-antiqua di Tommaso Ceva". In Marco Beretta; Felice Mondella; Maria Teresa Monti (eds.). Per una storia critica della scienza. Bologna: Cisalpino. pp. 139–64.
Haskell, Yasmin (2008). "Sleeping with the Enemy: Tommaso Ceva's Use and Abuse of Lucretius in the Philosophia novo-antiqua (Milan, 1704)". What Nature Does Not Teach: Didactic Literature in the Medieval and Early-Modern Periods. Disputatio. 15. Turnhout: Brepols: 497–520. doi:10.1484/M.DISPUT-EB.3.3264. ISBN978-2-503-52596-9.
Colombo, Emanuele (2010). "Milano bilingue: il gesuita Tommaso Ceva (1648-1737)". Studia Borromaica: Saggi e documenti di storia religiosa e civile della prima età moderna. 24 (24): 77–97. doi:10.1400/252020.