Manderson-Galvin's distinctive theatre runs the gamut from docu-drama to black comedy, vaudeville to hyper-realism making him a notable Australian theatre maker. He's also distinguished by his increasingly large body of work.[4] Manderson-Galvin writes and appears in much of his theatre also directing the majority of it. For inspiration, Manderson-Galvin draws heavily on his training as a ballet dancer, philosophy, sociology, and his Jewish and Irish heritage. He's performed on stages diverse as the Melbourne Theatre Company,[5] Kings Cross Theatre,[6] a carpark,[7] and an old tip.[8]
His writing has appeared in academic publications, poetry anthologies, and briefly for Daily Review.[9]
Public Controversies
On Melbourne Cup Day, 2023, when at a Coalition for the Protection of Racehorses 'Nup to the Cup' event Manderson-Galvin performed a poem that called for racegoers to be murdered. According to The Age Newspaper this attracted a police investigation. Manderson-Galvin stated the poem was satirical and was disbelieving that any one could have thought otherwise.[10][11]
In December 2011 Manderson-Galvin's stage-thriller 'The Economist' [12][13] - a play responding to the 2011 Norway attacks - generated controversy in Australia when Manderson-Galvin repeated to media that the killer had cited former Australian Prime Minister John Howard and Treasurer Peter Costello in his manifesto. Writing for the Age critic John Bailey challenged the reactionary reporting noting that comments like sent shockwaves across the globe andcritics have savaged had been reported before the production had even opened.[14]
Selected stage works
Everybody Loses(2017-19), Writer/Deviser, Doppelgangster, Aberystwyth Arts Centre (Wales), La Générale (Paris), Vault Festival (London), Performance Lab (Sheffield), Tom Thumb (Margate), Alcalá de Henares (Madrid), The Projector (Singapore), Backbone Arts (Brisbane), MKA Theatre (Melbourne), Kings Cross Theatre (Sydney), Apparat Athen (Athens) [15]
A Public Reading of an Unproduced Screenplay about the Death of Disney (2016), Director/Performer, MKA: Theatre of New Writing, Provocare Festival [16]
Lucky (2015), Playwright, MKA: Theatre of New Writing in association with Melbourne Theatre Company's NEON Festival[19]
Please Don't Talk About Me When Im Gone (2015), Playwright, MKA: Theatre of New Writing + Les Foules, VAULT Festival (Winner, Outstanding New Production, Vault Awards)[20][21][22][23]
Thank You, Thank You Love (2014), Playwright, Director, Performer, MKA: Theatre of New Writing + HYPRTXT Festival[24][25][26][27]
The Economist[28] (2011), Playwright, MKA: Theatre of New Writing
Dogmeat (2010)+(2014), Playwright + Performer, MKA: Theatre of New Writing [29][30][31]
^"'Talent is Bravery in Disguise'". Daily Review: Film, stage and music reviews, interviews and more. Daily Review. 19 May 2015. Retrieved 19 May 2015.
