This Is Hardcore is the sixth studio album by English rock band Pulp, released on 30 March 1998. Following the success of Different Class (1995), friction grew in the band, culminating in the notable departure of guitarist and violinist Russell Senior; frontman Jarvis Cocker left for New York alone to decompress and write in isolation from the rest of the band. These new songs took a much more art rock approach and glam rock influence from its predecessor.[5] After reconciling with the band, work on the album began in November 1996 and finished in January 1998. Lead single "Help the Aged" was released on 11 November 1997, followed by the album's title track on 16 March 1998. After the album's release on 30 March, two more singles were released; "A Little Soul" on 8 June and "Party Hard" on 7 September.
As with the band's previous album, This is Hardcore received generally positive reviews from critics and debuted at No. 1 in the UK Albums Chart, but with far fewer sales,[6] and earned Pulp a third successive nomination for the 1998 Mercury Prize.[7] A deluxe edition of This Is Hardcore was released on 11 September 2006, containing a second disc of B-sides, demos and rarities.
Artwork
The cover photo was art directed by Peter Saville and the American painter John Currin who is known for his figurative paintings of exaggerated female forms. The model photographed is Ksenia Zlobina[5] and the images were further digitally manipulated by Howard Wakefield, who also designed the album.[6] Currin was also the art director for the "Help the Aged" video, based on his painting "The Never Ending Story". Advertising posters showing the album's cover that appeared on the London Underground system were defaced by graffiti artists with slogans like "This Offends Women"[7] and "This is Sexist" or "This is Demeaning".[8]
The music video for the title track was directed by Doug Nichol and was listed as the No. 47 best video of all time by NME.[9] A bonus live CD entitled "This Is Glastonbury" was added to the album later in 1998.
Commercial performance
The album had first-week sales of just over 50,000, 62% fewer than Different Class first-week sales of 133,000.[10] The album was certified gold by the BPI April 1998 for sales of 100,000.[11] As of 2008, sales in the United States have exceeded 86,000 copies, according to Nielsen SoundScan.[12]
Nick Hornby, writing in Spin, proclaimed that on the album "England's unofficial poet laureate Jarvis Cocker perfects his poetry of the prosaic".[21]Rolling Stone noted that This is Hardcore was "less bright and bouncy" than its era-defining predecessor, but praised it as being "even more daring and fully realized", noting that "it plays like a movie, a series of scenes from a life", and declared that it "is arguably the first pop album devoted entirely to the subject of the long, slow fade", which it heralded as "a bold move because it breaks one of rock's oldest songwriting taboos".[20] The review concluded, "In midlife oblivion, Pulp have found a strange kind of liberation. Desperation never sounded quite so entertaining." Reviews in the United States adopted a similar tone, with the Chicago Tribune, Los Angeles Times, and the Pittsburgh Post-Gazette all awarding three and a half stars out of four.[3][16][22] The Tribune hailed it as "a smashing album about midlife crisis" and found that "[the] music is sumptuous lounge-lizard rock augmented by strings and noisy disruptions – a clever, catchy '90s take on the Bowie/Mott/Roxyglam rock of the '70s."[3]
In a retrospective assessment of the album's impact, Matthew Horton wrote in NME that "in its sense of surrender, regret and flashes of panic, it captured the time to a tee." In an article entitled, "How Pulp's This Is Hardcore Brought Britpop to a Halt", Horton maintained that it was "a sloughing-off of fame’s skin, a rejection of the Britpop monster".[23] He concluded, "It's an end, a hard-wrought epitaph to a band's jaunt in the limelight and a suitable jump-off point for what had been a rare old few years – for us, at least." Another review found the song "A Little Soul" to be "Cocker's most disconsolately beautiful", drawing "from the musical blueprint of Smokey Robinson's 'Tracks of My Tears.'"[24]
^Kelly, Amanda; Clay, Alistair (19 April 1998). "'Sexist' Pulp ads attacked; Anything goes, say advertisers. Not so, say angry women with spraycans". The Independent. London.
^Dimery, Robert; Lydon, Michael (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN978-0-7893-2074-2.
