Adorno's Gesammelte Schriften [GS] are published by Suhrkamp Verlag. Edited by Rolf Tiedemann, with Gretel Adorno, Susan Buck-Morss and Klaus Schultz, the twenty volume edition of Adorno's writings were published from 1970 to 1986. Additionally, his Nachgelassene Schriften [NaS], edited by the Theodor W. Adorno Archive, includes his lecture courses, as well as incomplete works.
Writings
Year
Original German
English Translation
1933
Kierkegaard: Konstruktion des Ästhetischen, GS 2.
Kierkegaard: Construction of the Aesthetic, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1989)
1944/1947
with Max Horkheimer, Dialektik der Aufklärung: Philosophische Fragmente, GS 3
In Search of Wagner, trans. R. Livingstone, London: NLB, 1981
1955
Prismen. Kulturkritik und Gesellschaft, GS 10.1
Prisms, trans. S. Weber and S. Weber (Cambridge, Massachusetts: MIT Press, 1981)
1956
Zur Metakritik der Erkenntnistheorie. Studien über Husserl und die phänomenologischen Antinomien, GS 5
Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies, trans. W. Domingo (Cambridge, Massachusetts: MIT Press, 1982)
1956
Dissonanzen. Musik in der verwalteten Welt
1958
Noten zur Literatur I GS 11
Notes to Literature I, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1991)
1959
Klangfiguren. Musikalische Schriften I, GS 16
Sound Figures, trans. Rodney Livingstone (Stanford: Stanford University Press, 1999)
1960
Mahler. Eine musikalische Physiognomie, GS 13
Mahler: A Musical Physiognomy, trans. S. Weber Nicholsen (Cambridge, Massachusetts: MIT Press, 1993)
1961
Noten zur Literatur II GS 11
Notes to Literature II, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1992)
1962
Einleitung in die Musiksoziologie. Zwölf theoretische Vorlesungen.
Introduction to the Sociology of Music
1963
Drei Studien zu Hegel GS 5
Hegel: Three Studies, trans. S. Weber Nicholsen (Cambridge, Massachusetts: MIT Press, 1993)
1963
Eingriffe. Neun kritische Modelle, GS 10.2
Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998)
1963
Quasi una fantasia. Musikalische Schriften II, GS 16
Quasi una Fantasia, trans. Rodney Livingstone (London: Verso, 1992)
1964
Jargon der Eigentlichkeit. Zur deutschen Ideologie, GS 6
The Jargon of Authenticity, trans. K. Tarnowski and F. Will (London: Routledge & Kegan Paul, 1973)
1964
Moments musicaux. Neu gedruckte Aufsätze 1928–1962, GS 17
In Night Music: Essays on Music 1928-1962, trans. Wieland Hoban (New York: Seagull Books, 2009)