The Lateness of the Hour (Eric Matthews album)
The Lateness of the Hour is the second album by the American musician Eric Matthews, released in 1997.[2][3] "My Morning Parade" was originally included as a 7" single with the vinyl version of the album.[4] The album was part of the ork pop trend of the 1990s.[5] ProductionThe Lateness of the Hour was produced by Tony Lash and Matthews, who also played flugelhorn and harpsichord, among other instruments.[6][7] Jason Falkner played guitar on the album; Matthews's younger brother Wes also contributed.[8][9] Three songs, "Gilded Cages", "To Clear the Air", and "Festival Fun", do not include drums, bass, or guitar.[10] Matthews recorded the vocals and acoustic guitars with Manley microphones.[11] Critical reception
Salon wrote that "it's ironic that the album's best moments are those when he tears down his Brill Building façade and turns the guitars up a bit, as on 'Everything So Real' and especially 'The Pleasant Kind', the one song where Matthews' melodic sensibility doesn't sound grave-robbed."[13] Entertainment Weekly noted that "this smooth, lovely set of melancholia is never overwhelmed by its ambitions."[7] The Boston Globe stated that "Matthews' exceptional music is lovely and strange; if only his opaque lyrics were equally evocative."[14] Rolling Stone determined that "the piano, bass and spare percussion on 'No Gnashing Teeth' serve an arrangement that would make Brian Wilson proud."[15] The Dayton Daily News opined that Matthews "sings in a hushed whisper reminiscent of the late folkie Nick Drake."[16] The St. Catharines Standard listed it among the best 20 albums of 1997.[17] The Philadelphia Inquirer also considered it to be one of 1997's best, deeming it a "florid masterwork."[18] AllMusic wrote that "the best songs have an effortless grace, while even the weaker moments are enjoyable because of the lavish arrangements."[12] Track listing
References
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