Coffey's work investigates normative values of beauty and gender asking questions like "What is a beautiful appearance? Why do conventionally gendered images involve caricature? Can inchoate feeling-states be adequately portrayed?"[3]
Coffey is best known for her paintings of heads―often self-portraits, such as her Self Portrait, Versace (Canal) Scarf in the collection of the Honolulu Museum of Art. Like many of her paintings, this 1996 self-portrait is a frontal view, lit from behind. Hearne Pardee describes her practice in the Brooklyn Rail:
The sort of self-examination Susanna Coffey has practiced over the past three decades is far from the passive self-absorption often criticized in contemporary media. Her long practice of self-portraiture is an active investigation of cultural forms related to the self. Coffey’s art is one of empirical observation, constantly varied based on the subject she contemplates. Like a teller of tales, she’s assumed varied guises, sometimes under dramatic lighting or extreme points of view, sometimes in flamboyant costumes or exaggerated make-up; she finds constant sources of invention in her own person and in the roles our society asks us to play.[4]
Book, Night Painting, Susanna Coffey MAB Books, editor Brice Brown, a selection of landscape paintings with writings by Dr. Carol Becker, Brice Brown, Jane Coffey, Jane Kenyon, Jennifer Samet and Mark Strand 2019
Book, 50 Contemporary Women Artists, editors John Goslee and Heather Zises, Schiffer Publishing, Ltd., 2018
Review of Nocturne by John Goodrich, City Arts April 3, 2012
Review of Pavers, City Arts, John Goodrich, January 12, 2011
Book, ″Selected Contemporary American Figurative Painters″, Editor, Qimin Liu, Tianjin Peoples Fine Arts Publishing House, China, 2010
Review of Night Paintings 1995-2010, Jeremy Bliss, New City, Chicago, April 22, 2010
Catalog, ″Artist’s Response: Portraits and Self-Portraits″, from exhibition, Unexpected Reflections: The Portrait Reconsidered at Meridian Gallery, 2009, San Francisco CA, by Terri Cohn
Review of Reconfiguring the Body in American Art, 1820-2009, The New York Times, Ken Johnson, July 22, 2009
Article, “Looking at Herself” Kathleen Edgecomb, The New London Day, December 8, 05
Review of Alpha Gallery show, Cate McQuaid, The Boston Globe, November 19, 2004