Super Graphic Ultra Modern Girl
“Super Graphic Ultra Modern Girl” is a song by American singer-songwriter Chappell Roan. It was released by Amusement and Island Records on September 22, 2023, as the sixth track from Roan’s debut studio album, The Rise and Fall of a Midwest Princess (2023). A 1980s-styled pop, hi-NRG, dance, electro, electropop, electroclash, and house tune, it narrates Roan's dislike for dating men and want for a "super graphic ultra modern girl" like her. Background and compositionKayleigh Amstutz, performing under the stage name Chappell Roan, signed to Atlantic Records in 2017. While under the label, she released her debut EP, School Nights, and three standalone singles: "Pink Pony Club", "Love Me Anyway", and "California". She was dropped by Atlantic in 2020 following the release of the singles and moved back to her home state of Missouri following this. Roan would eventually sign to Island Records and release her debut album, The Rise and Fall of a Midwest Princess, and its singles under the label. While still signed with Atlantic, Roan worked with producer Dan Nigro, with whom she worked on her debut album. She, Nigro, Annika Bennett, and Jonah Shy wrote "Super Graphic Ultra Modern Girl", with Nigro and Mike Wise producing the track. It has been described as a pop,[1] Hi-NRG,[2] dance,[3] electro,[4] electropop,[5] electroclash, and house[6] track that takes inspiration from 1980s music.[2] Release and reception"Super Graphic Ultra Modern Girl" was released concurrently with Roan's debut album, but did not chart until almost a year after its release. The song debuted at number 24[7] on the Billboard Bubbling Under Hot 100 chart and peaked at number 16. Illustrate Magazine gave the track a positive review, calling it a "breath of fresh air in the music world".[8] Many comparisons were made between the song and other pop culture icons, such as Kitty Empire's comparison of "Super Graphic Ultra Modern Girl" to Lady Gaga singing Footloose in an article for The Guardian.[2] The Line of Best Fit's Sam Frazini compared it to the Barbie movie, with lyrics that discuss a boy not meeting the same level of "star-quality" as the singer.[9] Vogue also gave the track a positive review, stating that it was a "banger that's made for strutting to work."[4] AllMusic's review of The Rise and Fall of a Midwest Princess declared that the song had one of the best choruses throughout the entire album.[10] Writing for DIY, Otis Robinson says that a track like "Super Graphic Ultra Modern Girl" blends "teen melodrama with queer euphoria."[11] Charts
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