Sonya Monosoff (born June 11, 1927)[1] is a violinist, a pioneer of the Baroque violin and one of the first American performers to use the Baroque violin in performance.
Monosoff has given recitals of chamber music in the US, Canada, Europe, Israel, Australia, New Zealand and Hong Kong.
After 1991 she taught violin and chamber music and gave concerts outside the United States, including the Czech Republic and where she was at the Prague Spring International Music Festival in 1993. She taught and gave master classes in many American and Canadian universities, and was invited to the Bar-Ilan University in Tel Aviv and Ferrara.
Partial discography
Monosoff's discography is currently lacking in CD format reissues, though LP and tape cassette formats are available at many university libraries. In the vein of Baroque performance, she recorded Biber, Arcangelo Corelli, Francesco Geminiani and J. S. Bach. With piano accompaniment, she made recordings of the violin sonatas of Mozart.
Cornell University also keeps archival recordings of Monosoff's many performances at Barnes Hall. For example, her performance on October 7, 1962, of J. S. Bach's trio sonatas, BWV 1038 and from BWV 1079, and her October 29, 1974, performance of Charles Ives' Dialogues for violin and piano (1958)[clarification needed] are both available in Cornell's archives.
1962: Biber Rosary Sonatas – János Scholz, viola da gamba; John Miller, baroque bassoon; Melville Smith, organ and harpsichord (3 LP Records Cambridge CRS 18113 / LP Pleiades Records 2P107) OCLC3696813 Performed on instruments from the collection of the Smithsonian Institution (Washington).
1962: Mozart Violin Sonatas K 379 and K 454 – Lonny Epstein, fortepiano (Cambridge LP Records) OCLC53914609
1964: Biber, 8 Sonatas for solo violin and continuo (1681) – János Scholz, viola da gamba; Melville Smith, harpsichord (LP Cambridge SRC Records, 1812)
1967: Vivaldi, The Four Seasons – Sonya Monosoff, Helen Kwalwasser, Nadia Koutzen, solo violins; Eugenia Earle, harpsichord; New York Sinfonietta Dir. Max Goberman (LP Odyssey 32 16 0131) OCLC8864104
1972: Stephen Foster, Melodies [for Jeannie with the light brown hair and Some folks] – Jan DeGaetani, mezzo-soprano; Leslie Guinn, baritone; Gilbert Kalish, piano and melodeon; Robert Sheldon, flute & keyed bugle; Douglas Koeppe, & piccolo flute; James Weaver, piano; The Camerata Chorus of Washington (LP LP Nonesuch H-71268 / Electra / Nonesuch 9 7915802)[4]OCLC16575779. Played on instruments from the collection of the Smithsonian Institution (Washington).
1973: Corelli, 12 Sonatas, Op. 5 – Judith Davidoff, viola da gamba and cello; James Weaver, harpsichord and organ (3LP Musical Heritage Society MHS 1690/1/2) OCLC1139307
1976: Haydn, Trios, Hob. xv: 19, 27 and 29 – The Trio Amade: Malcolm Bilson, fortepiano; John Hsu, cello (LP Titanic Records Ti-12[5])
1970: Leclair Sonatas for two violins – Sonya Monosoff & Carol Lieberman, baroque violins (LP Titanic Records Ti-45) OCLC3410651
1977: Mozart Violin Sonata K 304, 376, 380 – Malcolm Bilson, fortepiano (ed Southern Illinois University Press – LP Pleiades Records P 104.) OCLC3027827. Performed on a 1692 Stradivarius from the Metropolitan Museum of Art (New York).
1978: Geminiani, Sonatas II and X, opus 1; Sonatas I and XI, opus 4 – James Weaver, harpsichord; Judith Davidoff, baroque cello (LP Musical Heritage Society) OCLC4652368
1978: Bach Sonatas for Violin and Harpsichord BWV 1014–1019, 1021, 1023 – James Weaver, harpsichord; Judith Davidoff, viola da gamba (4–12 April 1978 CRS Records 3LP Cambridge 2822B / LP Columbia Special Products P3-14830) OCLC5512187. Played on instruments from the collection of the Smithsonian Institution (Washington).
Publications
Articles
Monosoff, Sonya (1977). "Viva the Early Violin". The Journal of the Violin Society of America (3/1): 17–21.
with Salchow, William; Joseph Siegelman; Sergiu Luca (1977). "Symposium: The Performer and the Bow". Journal of the Violin Society of America (3): 11–34.
— (1977). "Symposium: The Past and Present Baroque Bow". The Journal of the Violin Society of America (3/4): 35–86.
— (February 1985). "Violin Fingering [Review Violin fingering in the 18th century by Peter Walls]". Early Music (13): 76–79. doi:10.1093/earlyj/13.1.76.
Articles "Arco (i)", "Pizzicato", "Position", "Shift", "Fingering" in Grove Music Online
Collaboration
David Dodge Boyden; Malcolm Boyd; Sonya Monosoff; et al. (1989). "Violoncello: evolution, technology, interpreters and repertoire of the cello". The Violin Family. New York: W. W. Norton. p. 315. ISBN039302556X. OCLC21598139.