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Sonja Mejcher-Atassi
Sonja Mejcher-Atassi (born 8 August 1972 in Tübingen, Germany) is a German writer, cultural historian, and professor of Arabic Studies and Comparative Literature at the American University of Beirut. She is mainly known for her scholarship on Middle Eastern literatures and their intersections with art. BiographyEducation and careerMejcher-Atassi received her MA from the Free University of Berlin in 2000, and her DPhil from the University of Oxford in 2005. She joined the American University of Beirut's Faculty of Arts and Sciences in 2005.[1] During the academic year 2017–2018, she was an invited resident fellow at the Institute for Advanced Study in Berlin.[2] She is the recipient of the 2021 Alexander von Humboldt Foundation's Reimar Lüst Research Award for International Scholarly and Cultural Exchange and the 2008 Annemarie Schimmel Research Award.[3][4] ResearchMejcher-Atassi's research focuses on modern Arabic literature in a global perspective and closely intersects with cultural and intellectual history. Interdisciplinary in scope, it engages with memory studies, life writing/(auto)biography, literature archives and writers’ libraries, gender studies, global modernism, interrelations of word and image, book culture/art, and aesthetics and politics.[citation needed] An Impossible Friendship: Group Portrait, Jerusalem Before and After 1948This work brings to life an extraordinary circle of young men and women who came together across religious lines in Palestine under the British Mandate, among them Wolfgang Hildesheimer, Jabra Ibrahim Jabra, Sally Kassab, Walid Khalidi, and Rasha Salam. "In exploring this ecumenical friendship and its artistic, literary, and intellectual legacies, Mejcher-Atassi demonstrates how social biography can provide a picture of the past that is at once more inclusive and more plural. This group portrait, she argues, allows us to glimpse alternative possibilities that exist within and alongside the fraught history of Israel/Palestine."[5] Reading across Modern Arabic Literature and ArtThis work draws on interarts studies to chart new approaches to the study of modern Arabic literature. It focuses on three literary writers and their rapport with visual art: Jabra Ibrahim Jabra, ‘Abd al-Rahman Munif, and Etel Adnan.[6] Geschichten über Geschichten: Erinnerung im Romanwerk von Elias KhouryThis work explores the role of literature and memory in times of political crisis, focusing on Elias Khoury's novels written during the Lebanese Civil War (1975–1990).[7] The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public IntellectualThis is the first English-language book about the significance and complexity of Saadallah Wannous’ life and work. The book exemplifies “the role of cultural production—especially dramatic literature—in providing a portrait of and shaping a culture in the throes of profound transformation.”[8] Rafa Nasiri: Artist BooksThis work traces Rafa Nasiri's trajectory as a graphic artist, his journey from Baghdad to Beijing in the late 1950s, as well as his artistic engagement with different traditions of works on paper from across the Arab world, China, and Europe. Archives, Museums and Collecting Practices in the Modern Arab World“is a pioneering book that sheds light on a wide-ranging view of collecting practices in the Arab world,” writes the Palestinian artist and critic Kamal Boullata, providing a vital source for “readers interested in the cultural history of the region, the origins of modernity and the making of a national identity.”[9] Writing a ‘Tool for Change’: ‘Abd al-Rahman Munif RememberedDescribed by Sabry Hafez as “an Arabian master”[10] in the art of the novel, Munif was also a distinguished intellectual and an expert in petroleum economics. The volume includes a newly translated essay Munif wrote on the Iraqi artist Jewad Selim and his Monument of Freedom.[citation needed] PublicationsAuthored books
Edited volumes
See alsoReferences
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