The earliest part of the building is a tower of fourteenth or fifteenth century date.[1]
Woodwork
Some of the early furnishings date from the time of Walter Strickland (1516–1569) who married Alice Tempest in 1560. She made inventories of the house after her husband's death. These mention three oak armchairs and three chests still in the house.[3]
There are oak-panelled interiors, including the Inlaid Chamber, where the panelling is inlaid with floral and geometric patterns in pale
poplar and dark bog-oak. The contents of the Inlaid Chamber were sold to the Victoria and Albert Museum in the 1890s and it was displayed as a reconstructed period room.
The return of the panelling to its original location at Sizergh was advocated by among others Mark Girouard, an authority on England's country houses. The panelling returned in 1999 under a long-term loan.[4] In 2017 it was reported that transfer of ownership to the National Trust had been made formal.[5]
The bargeboards probably date from the seventeenth century.
Paintings
The Castle contains a variety of paintings, including the following:
a portrait of Mrs Anne Strickland (the artist's mother) by Harriet Strickland (1816–1903),[9] and a portrait of Lady Edeline Sackville.[10]
Portraits gallery
Mary Matthews (1823–1890), Mrs Julien-Francois-Bertrand de La Chère
Marie Louise Geneviève Alice de La Chère (1856–1943), wife of Alfred Joseph Gandolfi-Hornyold (1850–1922)
Thomas Strickland Standish (1763–1813), Lord of Standish Hall
Henriette Rose Peronne de Sercey (1770–1849) by François Gérard
Thomas Strickland Standish of Sizergh (1792–1835)
Ursule Ida de Finguerlin de Bischingen (1805–1846), Mrs Thomas Strickland Standish of Sizergh
History
The Deincourt family owned this land from the 1170s. On the marriage of Elizabeth Deincourt to Sir William de Stirkeland in 1239, the estate passed into the hands of what became the Strickland family, who owned it until it was gifted to the National Trust in 1950 by Lt. Cdr. Thomas Hornyold-Strickland, 7th Count della Catena, a grandson of Gerald Strickland, 1st Baron Strickland.[11]
Around 1770, the great hall was again expanded in the Georgian style.
Gardens
The gardens are registered Grade II.[14] There is a lake, a kitchen garden and a rock garden. The rock garden, constructed in the 1920s, is the largest limestone rock garden belonging to the National Trust.
There are various types of habitat on the estate. For example, in 2014 it was reported that 35 ha of wetland habitat was being created in the Lyth Valley on the western edge of the estate. The project received funding from Natural England as part of a higher level stewardship scheme. It is hoped to attract bittern and other wildlife.[16]
Sizergh has received support from the Morecambe Bay Nature Improvement Area which was launched in 2012. It received three years of government grant funding (2012–15). Projects continue under the auspices of the Morecambe Bay Partnership, a registered charity.[17]
Birds
The Sizergh estate is a good place to see birds. For example, hawfinches are attracted to hornbeam trees around the main car park, and despite being a shy species can often be seen there in the spring.[18][17]
Sizergh Fell is a hill of 123 m (404 ft), about 1 km (0.62 mi) south-west of the castle. It is classified by the Database of British and Irish Hills as a Tump (Thirty and Upwards Metres Prominence).[19] It has been suggested that a group of stones on the fell form the remains of a stone circle.[20]
Literary and media interest
The castle was featured in the ITV documentary Inside the National Trust.[21]
The room known as the Inlaid Chamber is the subject of Letitia Elizabeth Landon's poetical illustration The Queen’s Room, Sizergh Hall, Westmorland to an engraving of a painting by Thomas Allom, published in Fisher's Drawing Room Scrap Book, 1836.[22]
Wikisource has original text related to this article:
Taylor, Michael Waistell (1892). "Sizergh Castle". The Old Manorial Halls of Westmorland & Cumberland (Publications of the Cumberland and Westmorland Antiquarian and Archaeological Society, Extra Series, volume 8). Kendal: Cumberland and Westmorland Antiquarian and Archaeological Society. pp. 182–198.
Taylor, Michael Waistell (1889). Sizergh, No. 1. 10 Transactions of the Cumberland and Westmorland Antiquarian & Archaeological Society. p. 48. doi:10.5284/1064162.
Curwen, John F (1889). Sizergh, No. 2. 10 Transactions of the Cumberland and Westmorland Antiquarian & Archaeological Society. p. 66. doi:10.5284/1064161.
Goodall, Ian (September 2002). "Privacy, Display and Over Extension: Walter Strickland's Rebuilding of Sizergh". The Antiquaries Journal. 82. The Society of Antiquaries of London: 197–245. doi:10.1017/S0003581500073789. S2CID162616633.
"Helsington: Sizergh Castle, Sizergh" (2007) 7 Transactions of the Cumberland & Westmorland Antiquarian & Archeological Society (Third Series) 257 doi:10.5284/1064350
Emery, Anthony (1996). "Sizergh Castle". Greater Medieval Houses of England and Wales, 1300–1500. Vol. 1 (Northern England). Cambridge University Press. pp. 248–250. ISBN978-0521497237.
Fry, Plantagenet Somerset (1996). "Sizergh". Castles of Britain and Ireland. BCA by arrangement with David & Charles. p. 181. ISBN978-0789202789.