Silk painting

Silk painting refers to paintings on silk. They are a traditional way of painting in Asia. Methods vary, but using traditional supplies of 100% silk fabric, stretched in a frame, and applying textile paints or dyes are the beginnings of the process of making textile art.

National styles

China

One of the earliest surviving Chinese silk paintings is a 2-metre long T-shaped painting, dated from around 165 BCE, from the Mawangdui.^[1]^[2] However, painting on silk quickly gave way to painting on other supports.

Silk painting employs gutta as a resist, allowing fine patterns to be achieved.

Vietnam

Ancient period

Silk painting (Tranh lụa) was a traditional artisanry in Vietnam. There have been some old silk paintings, e.g. portraits of Nguyễn Trãi, Phùng Khắc Khoan, Trịnh Đình Kiên, Phan Huy Cẩn, Phan Huy Ích, Phan Huy Thực, and Phan Huy Vịnh dated from Lê and Nguyễn dynasty.^[3]

Modern period

Silk paintings of the modern period in Vietnam were taken up by some of the students and French teachers at the EBAI in Hanoi during the 1930s.^[4] The earliest representative of the new interest in silk painting at a 1931 Paris exhibition of silk paintings was Nguyễn Phan Chánh, a student of EBAI who had originally trained in calligraphy, and who struggled with French oil techniques, and so whom the school director Victor Tardieu encouraged to use traditional media.^[5]

Tibet and Nepal

References

^ The art of Chinese painting - Page 17 (2006) "Another important silk painting was unearthed from the Mawangdui Han tombs near Chanshan. It is estimated to belong to the period around 165 BC. The painting is in a T-shape. Archaeologists call it "non-dress" painting as it looks like a dress but..."
^ The legend of Mawangdui - Page 57 Dongxia Zhang - 2007 "This huge, 2-meter-long, intact silk painting was the first discovery of its kind in Chinese archaeological history. "
^ Painter Phan Cẩm Thượng (2010-09-27). "Tranh lụa từ truyền thống đến hiện đại". Thông tin Thể thao Văn hóa. Retrieved 2015-12-14.
^ Painters in Hanoi: an ethnography of Vietnamese art - Page 35 Nora A. Taylor - 2009 "Thus, the myth that silk painting was "discovered" by teachers and students at the EBAI is perpetuated because ... Unlike lacquer, silk painting was never considered at the EBAI a craft, but it was categorized as an indigenous form of artisanry."
^ Caroline Turner Tradition and change: contemporary art of Asia and the Pacific - 1993 "Tardieu also encouraged experimentation with such traditional media as lacquer and silk. Although a poor student in anatomy and oil, Nguyen Phan Chanh (1892-1984) excelled in silk. In 1931, he exhibited his first silk paintings in Paris ."