Samuel N. Mitchell (1846–1905) was an American song lyricist and newspaperman who wrote lyrics for a number of popular songs in the 1870s.[1][2][3]
Songwriter
Mitchell wrote lyrics for many hundreds of songs, and collaborated with a number of composers. One of his most popular songs during his life was Just Touch the Harp Gently, My Pretty Louise, first published in 1870. An 1890 profile of Mitchell in the Boston Globe reported that an astounding (and surely exaggerated) four million copies of the song had been sold.[4] Mitchell claimed to never have received any payment for the song, however, as the lyrics were "stolen bodily" from him and brought to London, where Charles Blamphin set them to music. It became popular in England, and eventually theatrical producer Lydia Thompson brought it back to America in the play Bluebeard, and it became popular in the United States as well. Not making a living on his creations, Mitchell was toiling in a newspaper mailroom despite his lyrical successes.[4][5][6]
Perhaps Mitchell's most enduring song is Put My Little Shoes Away, which he wrote with Charles E. Pratt in 1873.[7] A mournful ballad where a dying child tells her mother to put her shoes away to save for her infant brother, it reportedly sold over 100,000 sheet music copies.[8] But its popularity long survived in rural America and became a staple among bluegrass performers. It was first recorded by Riley Puckett in 1926,[7] and later by the "Father of Bluegrass" Bill Monroe (1956),[9]the Everly Brothers (1958),[10]Girls of the Golden West,[11]Woody Guthrie, Dolly Parton, and others.[12]
When silver locks replace the gold. Words by Samuel N. Mitchell, music Harry Leighton.[28]
Songs with William A. Huntley
Many of Mitchell's songs were set to music by William A. Huntley, a fellow citizen of Providence, Rhode Island his own age. LOC are scores preserved at the Library of Congress.
1871 LOC Addie Alleen. Words by Samuel N. Mitchell, music by William A. Huntley.[29]
1871 LOC Come sing to me Addie again". Words by Sam N. Mitchell, music by William A. Huntley.[30]
1871 LOC Down the meadow, 'neath the clover. Words by Sam N. Mitchell, music by William A. Huntley.[31]
1871 LOC Goodbye, dear Mother! Words by Sam N. Mitchell, music by William A. Huntley.[32]
1871 LOC Oh Nixie, that's too thin. Words by Sam N. Mitchell, music by William A. Huntley.[33]
1871 LOC Our sweet little rosebud has flown. Words by Sam N. Mitchell, music by William A. Huntley.[34]
1871 LOC The angels are calling me, Mother. Words by Samuel N. Mitchell, music by William A. Huntley.[35]
1871 LOC They are calling me to join them. Words by Samuel N. Mitchell, music by William A. Huntley.[36]
1871 LOC When the moon is rising, Allie. Words by Samuel N. Mitchell, music by William A. Huntley.[37]
1872 LOC Bring the absent back to me. Words by Samuel N. Mitchell, music by William A. Huntley.[38]
1872 LOC Mother and I have been waiting. Words by Samuel N. Mitchell, music by William A. Huntley.[39]
1872 When the song bird says good night. Words by Samuel N. Mitchell, music by William A. Huntley.[40]
1873 LOC Close the door softly, for mother's asleep. Words by Samuel N. Mitchell, music by William A. Huntley.[41]
1873 LOC Down beside the crimson meadow. Words by Samuel N. Mitchell, music by William A. Huntley.[42]
1873 LOC Down the vale where Lillie sleeps. Words by Samuel N. Mitchell, music by William A. Huntley.[43]
1873 LOC Just try it once for luck. Words by Samuel N. Mitchell, music by William A. Huntley.[44]
1873 LOC Let me kiss him ere I go. Words by Samuel N. Mitchell, music by William A. Huntley.[45]
1873 Mamma, come sing me to sleep. Words by Samuel N. Mitchell, music by William A. Huntley.[46]
1873 LOC My button hole boquet. Words by Samuel N. Mitchell, music by William A. Huntley.[47]
1873 LOC 'Neath the rose leaves on the hillside. Words by Samuel N. Mitchell, music by William A. Huntley.[48]
1873 LOC Under the buttercups. Words by Samuel N. Mitchell, music by William A. Huntley.[49]
1873 LOC Where have the dear children gone?. Words by Samuel N. Mitchell, music by William A. Huntley.[50]
1874 IMSLP Hush, My Little Darling. Words by Samuel N. Mitchell, music by William A. Huntley.[51]
1874 LOC Oh just you wait and see. Words by Samuel N. Mitchell, music by William A. Huntley.[52]
1874 LOC We met by chance, sweet Jenny. Words by Samuel N. Mitchell, music by William A. Huntley.[53]
1875 LOC When the purple lilacs blossom. Words by Samuel N. Mitchell, music by William A. Huntley.[54]
1878 LOC Our Willie died this morning. Words by Samuel N. Mitchell, music by William A. Huntley.[55]
1879 LOC LSMC I'm going home to Clo. Words by Samuel N. Mitchell, music by William A. Huntley.[56][57]
1880 LOC Come and meet me, Rosa darling. Words by Samuel N. Mitchell, music by William A. Huntley.[58]
Gallery
Waltz honoring Mitchell by William A. Huntley, who put music to some of Mitchell's lyrics.
References
^Americana, Volume 7, Part 1, p. 536 (1912) ("One of the best known men in the profession forty years ago was Samuel N. Mitchell, a bard of no small note, the writer of hundreds of songs, and associated with the newspapers for many years and the only one who could be found to ...")
^Story on Mitchell, Skaneateles Democrat (November 1905?) (reprinted story in column 5 from New Bedford Standard, lists many of Mitchell's popular songs, but noting that many are rarely song today, such being the nature of popular music)
^(28 November 1905). Songs and Their Writers, Boston Evening Transcript (New Bedford Standard article, more readable copy)
^Leavitt, Michael Bennett. Fifty years in theatrical management, p. 178 (1912) ("Samuel N. Mitchell, the writer of hundreds of songs sung on both continents, now dead, was one of my life-long friends. He and William A. Huntley could put a song together — Mitchell the words, Huntley the music — in thirty minutes.")