Romance with a Double Bass
Romance with a Double Bass is a 1974 British short comedy film directed by Robert Young and starring John Cleese and Connie Booth.[1] It was adapted by Young, Cleese and Booth (uncredited)[2] from a screenplay by Bill Owen based on the short story of the same name by Anton Chekhov. PlotSmychkov, a bassist, shows up too early for the ball of a beautiful princess, and decides to spend his extra time skinny dipping in the nearby lake. The princess, meanwhile, has gone fishing at the lake. Smychkov fastens a bouquet of flowers to her line, but unfortunately, this causes the line to get caught, so she strips off her clothes to untangle it. A thief absconds with both Smychkov's and the Princess's clothes, and while the Princess is wandering around stark naked, she stumbles on the hut where Smychkov is hiding. After their initially embarrassing encounter, he tries to help her return to the villa by hiding her in his bass case. Cast
ProductionThe movie marked John Cleese's first collaboration with the director Robert Young (they would later work on Splitting Heirs (1993) and Fierce Creatures (1997)).[2] The cast also included Andrew Sachs who would work with Cleese and Booth in Fawlty Towers the following year. Romance with a Double Bass was filmed during October 1974 and took ten days to shoot. Filming took place at Wiltshire, England, with scenes shot in the Double Cube Room of the Wilton House and the Somerley estate.[2][3] ReleaseThe movie was shown in theatres in 1975 along with The Eiger Sanction by Clint Eastwood.[2] It was released on video in 1995.[4] Critical responseThe Monthly Film Bulletin wrote:
Time Out described the movie as a "very funny, innocent and tastefully filmed nudist romp".[6] David Sterritt wrote that while "the plot is slender, it makes very funny jokes at the expense of class and gender hierarchies".[4] David Cornelius of DVD Talk praised the movie as a "wonderful, sweet, and often riotous celebration of life" that combines "playful physical comedy and whimsical nature of the love story that unfolds with a smile".[7] Paul Shrimpton of The Spinning Image also called it "surprisingly innocent and naive" despite Cleese and Booth spending most of the time naked; he also praised their performances "scattered with typical Cleese lunacy here and there".[8] References
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