After several years of regional theater and Broadway National tours, in 1987 Fisher was enlisted to prepare the musical artists for the international Gershwin Celebration at the Brooklyn Academy of Music, which featured performers such as Leonard Bernstein, Mikhail Baryshnikov, Bob Dylan.[10] This led to his conducting concert productions the Gershwins' Of Thee I Sing and Let ‘Em Eat Cake under the guidance of noted conductor Michael Tilson Thomas, who was the music director of the entire three-week celebration.[1] These productions continued a professional association with the works of George Gershwin,[11] one further cemented in the late 1990s when Fisher served as the artistic advisor of Carnegie Hall's two-year Gershwin Centennial Celebration,[12][13] and most recently when he supervised the creation of the score for the Broadway musical An American in Paris.[14]
Encores! Great American Musicals in Concert
An aficionado of the Great American Songbook and the Golden Age of musical theater,[15] Fisher was pivotal in the 1994 founding of New York City Center's Encores! Great American Musicals in Concert, an annual series dedicated to presenting the complete scores of rarely-heard musicals.[16] The series was praised widely and was awarded the Lucille Lortel Award for Off-Broadway Special Achievement in 1995, the Jujamcyn Theater Award in 1997, several Outer Critics Circle Awards, and a Tony Honor for Excellence in Theatre in 2000.[17] For his contributions to Encores!, Fisher himself received the 1997 Lucille Lortel Award for Outstanding Special Achievement.[18] Fisher has made numerous recordings for Encores!, including the Grammy Award-winning Chicago cast recording.[19]
Fisher served as music director and conductor of Encores! from 1994 through 2005.[20][21] He continues to be a regular guest music director for the series.
Several Encores! productions conducted by Fisher eventually transferred to Broadway for commercial productions. Most notable of these is Chicago, which has gone on to become Broadway's second longest running show as well as Broadway's longest running revival.[22][23] Fisher remains supervising music director for Chicago productions worldwide.[24]
Concert and recording work
In addition to Fisher's work for theatrical productions, he is a frequent guest of orchestras across the United States, both as a conductor and as a piano soloist. With the New York Philharmonic, he conducted concert versions of Carousel (for which he received an Emmy nomination for Outstanding Musical Director)[25] and My Fair Lady.[26] With the Orchestra of St. Luke's, he led gala performances of Candide,[27]Guys and Dolls,[28] and The Sound of Music[29] at Carnegie Hall. In 2001, he conducted the San Francisco Symphony in the Emmy-winning concert production of Sweeney Todd starring Patti LuPone and George Hearn, which was subsequently released on DVD.[30]
Fisher conducted the New York Pops frequently between 2004 and 2008, frequently sharing concerts with Skitch Henderson as well as leading the orchestra for many holiday concerts and special events.[31] Additionally, he has appeared with the Boston and Chicago Symphonies, the Philadelphia and Cleveland orchestras, the Los Angeles Philharmonic, and the San Francisco, Atlanta, Pittsburgh, Baltimore, and National symphonies. As a pianist, Fisher has been soloist for Gershwin's Rhapsody in Blue and Concerto in F with multiple orchestras across the country.[32]
He has recorded dozens of albums as conductor and music director, serving as producer of several of them—including the recent Original Broadway Cast Recording of An American in Paris, for which he received a Grammy-nomination as Producer.[33] Most recently, Fisher was the music supervisor, conductor, and an arranger for Renée Fleming's 2018 album Broadway, produced by multiple Grammy-winning David Frost.
As an arranger, he has had choral arrangements published by Hal Leonard and has contributed vocal arrangements to numerous shows and recordings. For the opening night of Carnegie Hall's 2018-2019 season, he arranged a duet for Audra McDonald and Renée Fleming with the San Francisco Symphony and Michael Tilson Thomas.
From 1989 to 1993, Fisher was music director for Garrison Keillor's “American Radio Company,” leading the program's house band, the Coffee Club Orchestra. He remained a frequent guest on Keillor's “A Prairie Home Companion” until Keillor's retirement.[1][34]
Theater credits
Broadway
Living on Love (2015) — music consultant and arranger
^Simpson, David. "NORFOLK SON HELPS CELEBRATE GERSHWIN GALA IN THE PROGRAM'S 2ND HALF, ROB FISHER'S WORK WITH THE VIRGINIA SYMPHONY DAZZLES." Virginian Pilot 20 Sept. 1998: B1.
