Red Hot & Blue (Lee Atwater recording project)
Red Hot & Blue is an album released in 1990 by Lee Atwater, a Republican political consultant in the United States.[1][2] Atwater wanted to bring to a wider audience the sounds of 1960s Stax Records and southern R&B and blues.[3] "Bad Boy" was released as a single.[4] The title track was nominated for a Grammy Award.[5] Atwater donated his portion of the album royalties to charity.[3] He was hospitalized for treatment for his brain tumor at the time of Red Hot & Blue's release.[6] ProductionThe album was recorded in 1989 at Treasure Isle Recorders in Nashville, with Atwater flying in for weekend sessions.[7][8] Isaac Hayes produced six of its songs; he praised Atwater's guitar playing.[6][9] The album features over a dozen rhythm and blues performers, including Hayes, Chuck Jackson, Carla Thomas, B.B. King, Sam Moore, the Memphis Horns, and Billy Preston.[10] Atwater chose the performers and the songs; he asked Mike Curb to release the album on his label.[11][12] Lee Greenwood played saxophone on Red Hot & Blue.[13] Atwater forced a Washington, D.C., YMCA to play work-in-progress cuts over its sound system while he exercised.[14] Atwater reported that the highlight of the album was the chance to play with his idol, B.B. King.[15] "Just a Little Bit/Treat Her Right" is a duet between Atwater and Arletta Nightingale.[16] Critical reception
Due to his politics, Atwater expected the album to receive negative reviews.[8] The Los Angeles Times concluded that Atwater's "not any better than a singer in an average bar band, but he is more convincing than such other celebrity pop figures as, say, the Blues Brothers and Bruce Willis."[19] USA Today opined that, "even able assists from B.B. King and Isaac Hayes can't mask the utter amateurism of Atwater's soulless chirping and clumsy guitar picking."[20] The Buffalo News wrote that, "as novelties like these go, it's a decent party album."[21] The Austin American-Statesman determined that "it's a harmless, if less than exciting, album that uses a star-studded cast of Memphis greats to recreate a sort of soulful frat party rock based in the Stax sound."[22] Spin deemed the album "quality nostalgia, appealing to the sort of sensibility that only appreciates black culture at a suitable historical distance... Call it the Paul Shaffer syndrome."[23] The Baltimore Sun considered Atwater's guitar solos to be "stiff and unswinging."[24] AllMusic wrote that "guitarist/vocalist and arch Republican Lee Atwater, along with a star-studded list of soul artists, ignite on 13 blue chip live performances of great R&B songs."[17] Mother Jones stated: "In his horn-laced, slick-voiced rendition of 'Bad Boy', the late Republican icon got to live out his down-home musical fantasies in stereo LP format."[25] Track listing
References
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