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Ranajit Malla
Ranajita Malla (Nepal Bhasa: रणजित मल्ल) was the last king of the Malla dynasty who ruled Bhaktapur from 1722 to 1769. He is widely known for his contribution to Nepal Bhasa literature, in particular his plays are generally praised by modern scholars.[3] He has been generally described as a peace loving, simple and pious monarch who allowed his citizens to advise and criticize him.[3][2] However, his reign was characterized by constant disputes with Kantipur and Gorkha. He is also known for the crisis of succession during his reign when he favored his concubine's issue over his queen consort's, who was more generally liked, which caused a lot of mutiny in the kingdom especially in cities like Thimi and Banepa.[4] Ranajit Malla was described very positively by Capuchin missionaries, particularly due to his friendly attitude towards them and he allowed them to preach Christianity without persecution.[5] During the later parts of his reign, he ruled Lalitpur briefly, after being invited by the city's nobles. He was also, during his later years, generally respected by people in the valley due to him being of old age and the only direct descendant of Yaksha Malla.[6] After his defeat by the Gorkhali forces of Prithivi Narayan Shah in 1769, he was per his choice sent into exile in Varanasi, and on its way composed a Newar language Dapha song from the hills of Chandragiri, which is regarded as an important literary work of the Newar Language.[7] Early life Ranajit Malla was born to Vishva Lakshmi and Bhupatindra Malla on 18 November 1702.[1][8] Similarly, his annaprashana ceremony (Newar: macā janko) was held on 27 August 1703 in the town of Thimi.[1] Physical contributionsRanajit Malla like many other Malla Kings of Bhaktapur contributed in beautifying Bhaktapur by building many heritages. As Ranajit Malla reign was in a politically unstable period, his contributions are few compared to his forefathers.[9] Lūn DhwākhāKnown among tourists as the Golden gate, Lūn Dhwākhā (Nepal bhasa: 𑐮𑐸𑑃 𑐢𑑂𑐰𑐵𑐏𑐵) is the entrance to the Mulā Chwōkā containing the shrine of Taleju.[10] As per the gilt copper inscription on the gate, it was installed on the year 874 of the Nepalese era(=1753AD) by King Ranajit Malla and his Queen Jay(Buddhi) Lakshmi Malla.[9][10] Although it is said that a golden gate on the entrance to the shrine of Taleju was originally planned to be built four generations before Ranajit by King Naresha Malla but none of the kings before him could build it due to the lack of gold.[11] Ranajit however used the profits that he gained from trading with the Tibetans on building the golden gate.[11] The bell of TalejuRight in the front of the Golden gate on a tall platform is a giant bell that is played while doing the Puja of Taleju.[12] This kind of bell is present on the Durbar Square of both Patan and Kathmandu. Locally known as Tagoun Gān(𑐟𑐐𑑂𑐰𑑃𑑅 𑐐𑐵𑑄 lit. 'Big bell' ), its sound was once said to be heard anywhere in the town. This bell was installed by Ranajit Malla on 6 January 1737AD.[12] SāfukuthiSāfukuthi (Nepal Bhasa: 𑐳𑐦𑐸𑐎𑐸𑐠𑐶 lit. 'Library') also sometimes referred as Sākothā was said to be a big library presently located at Sākothā tole in Bhaktapur.[13][14][15] Ranajit Malla is said to have loved collecting old and antique things which were kept in the Sāfukuthi along with various books relating to religion, science and medicine.[14] Most of the books and manuscript present in the library were destroyed by fire during the Battle of Bhaktapur[14][15] and the building itself was completely destroyed during the earthquake of 1833 and 2015.[14] Literary contributionAmong all the kings of Bhaktapur, Ranajit Malla is considered a pioneer in Nepal bhasa literature. Most of the songs in old songbooks of Bhaktapur bear his signature.[16][17] He himself was a prolific singer himself and was said to have spent more time reciting poems and songs than the politics of the kingdom.[17][18] Besides songs, he also wrote various plays like Indrābijaya, Ushāharan, Krishnacharitra. He also authored many books like Rukmaniharan, Pshatdarshana etc.[9] Most of his works were written in the Newari script in a Newari-cum-Sanskrit language.[16]  Mohar silver coin of king Ranajit Malla, struck in Nepal Sambat 842 (=AD 1722). Reverse  Mohar silver coin of King Ranajit Malla, struck in Nepal Sambat 842 (=AD 1722). Obverse Many of Ranajit Malla's creations are devotional Dāphā and Rāga songs. His works still quite popular among the singers of Bhaktapur.[18] One of his most popular work is a Newari song he wrote for the annual Biska Jatra titled 'Thō thēn jāgū rasan'.[19] This song written in the seasonal Pahan Charhe tune is still sung as a seasonal song during Biska Jatra in Bhaktapur.[19] Hé Síva Bhairava is another song sung before the chariot procession of Biska Jatra and is also written by Ranajit Malla in the Bhairava Rāga.[17][18][20] As Ranajit Malla aged, his interest in singing started to increase. By the time of the Battle of Bhaktapur, the old Ranajit had almost given up on politics and spent most of his time on singing devotional songs.[18] As he was singing hymns and ragas while waiting for Yama to take him, Bhaktapur was mostly in the hands of his sons who were supportive of the Gorkha King.[18] The invading king took advantage of Ranajit's political weakness and bribed his illegitimate sons who secretly helped the invaders during the Battle and even opened the city gates of Bhaktapur during the Battle to allow the invaders in the city.[18] After being defeated in the Battle of Bhaktapur by the Gorkhalis, Ranajit Malla was sent to Kashi under his own choice by the Gorkhali King.[9] Deeply saddened by having to leave his kingdom, he composed a Rāga song, expressing his sorrows in the hills of Chandragiri where he looked at his kingdom for the last time before leaving for Kashi.[21] He is said to have recited this song while crying uncontrollably.[21][22] The first lines of the song appear below.[22]
Ranajit Malla has 30 dramas credited to his name and was a prolific writer like his father Bhupatindramalla. So far, only one of these dramas has been published and was written in the Maithili language. This was titled the Mādhavānala-Kāmakandalā-nātaka.[23] Marriage and ChildrenRanajit Malla had along with his queen, Briddhi Lakshmi, five other concubines, Jaya Lakshmi, Riddhi Lakshmi, Buddhi Lakshmi and Manamaiju.[2] Among them, Jaya Lakshmi was his favourite as her name appears in many of his songs and inscriptions.[2] Jaya Lakshmi is also mentioned as his wife in the gold plate inscription on the Golden Gate of the royal palace that he consecrated.[24]: appendix 9 From his legitimate queen, Briddhi Lakshmi, he had a son named Vira Narasimha Malla, who was also known as Devendra Malla.[2] From his concubines he had six children and gave each of them a house to live outside of the palace.[25] His seven children were:
He was born from Briddhi Lakshmi in Thimi on July 1738.[26] He was also the heir apparent of the kingdom until his assassination.[25]: 16
Born from Jaya Lakshmi, he was the eldest of Ranajit Malla's children and before the birth of Vira Narasimha in 1738, was the heir presumptive of the kingdom.[2]
Relations with other kingdomsRanajit Malla's reign was the most politically messy period in Bhaktapur. The internal conflict among his sons and his queens weakened Bhaktapur form the inside.[11] On top of that Bhaktapur was frequently attacked by both Kantipur and Yela.[11] In order to get military strengthen Bhaktapur Ranajit hoped an alliance with the Kingdom of Gorkha by allowing the Gorkha Prince Prithvi Narayan Shah, who had been rejected by Jaya Prakash Malla of Kantipur, to study in Bhaktapur and also established a Miteri relation between his eldest son Birnarasimha Malla and the Gorkha Prince.[11][9] Prithivi Narayan Shah, seeing the prosperity of the Malla kingdoms developed an ambition to conquer the kingdoms and become the king of these prosperous kingdoms.[27] Battle of BhaktapurWhen both Kantipur and Yela fell to the Gorkha kingdom, the kings of both these kingdoms came to Bhaktapur seeking refuge. Gallery
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