Petrit Halilaj (born 1986) is a Kosovarvisual artist[3][4] living and working among Germany, Kosovo, and Italy.[5] The name "Petrit" literally means "Falcon".[6] His work is based on documents, stories, and memories related to the history of Kosovo.[7][8]
With his husband Alvaro Urbano, Halilaj is a joint tutor at Beaux-Arts de Paris, in Paris, France.[9][10]
Early life
Born in SFR Yugoslavia, now Kosovo, Halilaj left the country at the age of 13 with his family during the Yugoslav Wars of 1991–2001.[11] At a refugee camp in Albania, a team of Italian psychologists, hoping to help the children process the trauma of the war, gave Halilaj felt-tip markers, with which he began to make drawings about his experiences.[10]
During the 6th Berlin Biennale in 2010, Halilaj exhibited a sculptural reconstruction of a house built by his parents, to replace the family home that was levelled by bombing during the 1998–1999 Kosovo war.[13][14]
Halilaj had several solo exhibitions, including one at the New Museum in New York in 2017–2018[8] and one at the Hammer Museum in Los Angeles in 2018–2019.[16]
Halilaj created a large site-specific installation of giant sculptural flowers in 2020 for Madrid's Palacio de Cristal.[2][17]
In July 2021, Halilaj and Urbano collaborated on an installation of "huge fabric flowers" at the Kosovo National Library to celebrate the 5th annual Kosovo Pride Week.[10][19] According to the New York Times:
[The flowers] included a replica of a lily that had been part of [Urbano and Halilaj's] engagement bouquet. Kosovo is still a macho society, Halilaj said, yet no one had "thrown tomatoes" or protested against the artists’ celebration of gay love. "When this happened, under the flowers, I felt home for the first time in my life." [10]
In October 2021, an exhibit opened at Tate St Ives of an installation by Halilaj inspired by his youthful marker drawings done in the refugee camp.
He revisited the pictures [in 2020] and was surprised by what he’d drawn. Among the violence, he said, “I saw all these birds — peacocks and doves — and they were as big as the soldiers, as happy and proud. ... It was like I was saying, ‘Yes, it was awful, but I can dream and love, too.’” [10]
In the exhibit, visitors walk among hanging cutouts of images from the drawings blown up to a huge scale. Approached from the entrance, the cutouts show "a fantasy landscape of exotic birds and palm trees," but when the visitors turn back to the entrance, "they find that some of the suspended forms have been printed on the reverse with a more macabre selection of Halilaj’s doodles: soldiers, tanks, wailing figures, burning houses."[10]
2018–2019 – Hammer Projects: Petrit Halilaj, organised by adjunct curator Ali Subotnick and curatorial associate MacKenzie Stevens, at Hammer Museum, Los Angeles, CA, USA[11][16]
2018–2019 – Shkrepëtima, curated by Leonardo Bigazzi, at Fondazione Merz, Turin, Italy[11][20]
2023 – Runik, Museo Tamayo, Mexico City, Mexico[21]
2024 – The Roof Garden Commission: Abetare, at Metropolitan Museum of Art, New York, USA[22]
