Eddie Owens Martin was born on July 4, 1908, in the village of Glen Alta in Marion County, Georgia to a sharecropper family of nine.[5] He suffered abuse from his father that caused him to leave home for New York City at 14 years old and become a sex worker.[6] His early adult years of skirting the law led to a one-year prison term in 1942. He became a fortune teller after his release from Federal Narcotics Prison on March 17, 1943.[7] He died by suicide on April 16, 1986.[8]
Origins
Martin was inspired by a spirit to create a religion called Pasaquoyanism. Its members are called Pasaquoyans. The spirit also named Martin "Saint EOM."[9] Pasaquoyanism emphasizes connection to the natural world and the use of hair. "Pasaquan" is a name coined from Spanish and Chinese meaning roughly "the past coming together."[10] He inherited the house and four acres of land from his mother after she died in 1950; Martin moved his fortune-telling business to the site in 1957 after a dispute with his brother Julius.[11] He transformed the property over many years using proceeds earned from fortune telling.[12]
Construction
Martin collected local natural materials to construct his first wall and hired D. W. Milner to assist him.[13] His original decorated fence decayed because it was made out of wood.[14] Edwin Stephens provided Martin with technical construction skills and a romantic relationship.[15] After 10 years of construction, Martin began painting his structures with images inspired by his own personal acquaintances.[16]
Ownership transition
The Marion County Historical Society assumed ownership of Pasaquan in 1986. A special committee was formed in order to facilitate care of the site and Martin's various other works. The committee later purged various materials in order to focus on the compound itself. The Pasaquan Preservation Society was born out of the committee and operated Pasaquan until 2014.[17] The Pasaquan Preservation Society deeded Pasaquan to the Kohler Foundation in 2014 in order to finance its restoration.[18][19][20] The Kohler Foundation transferred ownership of Pasaquan to Columbus State University after it reopened in 2016.[21]
Restoration
In 2004, the Pasaquan Preservation Society solicited the Kohler Foundation for help in maintaining Pasaquan. The project was accepted in 2014.[22] The Kohler Foundation collaborated with Columbus State University to restore Pasaquan's art. After two years of work, the site was re-opened to the public on October 22, 2016.[23][24]
In 2013, Jason McCoy visited Pasaquan for his show Jason McCoy Eats America.[30] In 2017, James Ogburn and Scott Wilkerson created an opera called "Eddie’s Stone Song: Odyssey of the First Pasaquoyan" that celebrated Martin's life.[31][32] In 2022, the Tedeschi Trucks Band released a track titled "Pasaquan", in homage of the site, on their album "I am the Moon".[33]
Pasaquan gallery
Pasaquan as seen from Eddie Martin Road in 2012.
Entrance to Pasaquan
Pasaquan gate with recreation of Eddie Martin's Infamous Beware of Dog sign
^Hyatt, Richard. "Richard Hyatt: St. EOM would be pleased". Columbus Ledger-Enquirer. No. June 03, 2014. Columbus Ledger-Enquirer. Columbus Ledger-Enquirer. Retrieved July 24, 2019.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 29, 31, 97, 99. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 31, 100. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 12, 189. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 32, 251. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. p. 29. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 169–171. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 204–205. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. p. 207. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. p. 208. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. p. 211. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. pp. 213, 215. ISBN0-912330-61-9.
^Patterson, Tom (1987). St. EOM in the land of Pasaquan : the life and times and art of Eddie Owens Martin ([1st.] ed.). Jargon Society. p. 230. ISBN0-912330-61-9.