Origin Suite is the second jazz album by Michael Waldrop, produced by award-winning Seattle, Washington-based label Origin Records and released January 3, 2018.[1] The CD idea is a high level, eclectic mix of works showcasing Michael Waldrop. Specifically, the Origin Suite was composed for this CD as a tour de force to showcase Waldrop. Most notably the CD received 4 of 5 stars by music critic and author Brian Morton in the April 2018 edition of Jazz Journal from London.[2]
Background
The Origin Suite is inspired by three paintings of Cuban artist Wifredo Lam
After the success of Michael Waldrop's Time Within Itself CD, he decided to approach Origin Records to do a second CD. They agreed and this time a wider set of music was used though still employing Jack Cooper as the primary writer and arranger for the new project. Another substantial grant ($10,000) was obtained by Waldrop from Eastern Washington University to doing a CD.
The Origin Suite (title work) is inspired by three paintings by artist Wifredo Lam: La Jungla, Nativité, Al Final De La Noche. Lam's paintings are primitive and earthy in approach and draw on Caribbean and Central African themes related to Santería and Cuban Vodú culture.
Promotion
The Origin Suite CD got its first promotion with the "Track of The Day" feature with All About Jazz. The track La Jungla was given 3.5 of 5 stars by reviewer Fiona Ord-Shrimpton.
Reviewing for Cadence, Bob Rausch said: "Michael Waldrop [drm/vib] is another artist with past ties to North Texas State and his big band is not traditional as displayed on ORIGIN SUITE. Recorded at various times from August 2010 though July 2017 presented here are a dozen originals mostly by Waldrop. There are also moments for small groupings. Purists will be set off by the lack of continuity in style and manner of the CD, that said, the various styles employed work well. The main influence seems to be Weather Report with its high energy rhythm and electrified pinning. Waldrop picks from a pool of over 25 musicians, uses overdubbing and there is an occasionally use of voice as sweetening to the compositions."[8]
Tom Hull was less impressed, saying Waldrop "runs a big band here, with various bits recorded elsewhere and tacked together. The title suite is rather short, but the album goes on and on, alternately richly expressive and overblown."[6]
