Saunders composed the track with Lawrence in order to replace a record which had been stolen from Saunders's collection, the "On & On" bootleg disco megamix by Mach (1980). That megamix, a pastiche of loops from several disco records, particularly the bassline from Player One's "Space Invaders" (1979) and Lipps Inc's "Funkytown" (1980), had been Saunders's "signature" tune as a DJ; it was one that other DJs in the city didn't have or didn't play. Saunders & Lawrence added hypnotic lyrics and electronic instruments, utilizing a Roland TR-808drum machine as electronic percussion as well as a Korg Poly-61synthesizer and Roland TB-303bass synthesizer.[9][10]
^Harris, Arielle Castillo,Geeta Dayal,Keith; Castillo, Arielle; Dayal, Geeta; Harris, Keith (2 April 2014). "20 Best Chicago House Records". Rolling Stone. Retrieved 14 June 2024.{{cite news}}: CS1 maint: multiple names: authors list (link)