Nahum Tschacbasov (1899–1984; Russian: Наум Степанович Чакбасов,[2]Georgian: ნაუმ ჩაჩბასოვი)[3] also known as Nahum Lichter, and NahumTschakbassoff, was a Russian-born American painter, printmaker, graphic artist, poet, businessperson, and educator.[4][5] He used many names including Nahum Lichter, Nathan Richter, H. H. Richter, Hanathan Richter, and Nathan Lichterman.[3] Tschacbasov was a member of "The Ten", a group of expressionist artists.[6]
Early life
He was born on August 31, 1899, in Baku, Russian Empire,[7] into a Georgian Jewish family.[3] In 1905, when he was a young child, his family moved to Chicago because of pogroms.[3] There are varying stories as to why he used different names either due to a forged passport used for immigration; to avoid paying child support; and/or because he was a con-man.[3] He served in the United States Navy from 1917 to 1919.[8]
Career
In the 1920s and 1930s, he worked as a businessman in Chicago where he made a fortune.[3] His second marriage was to his secretary Esther.[3] Tschacbasov moved to France in 1932 to 1933, where he studied painting with Adolph Gottlieb, Marcel Gromaire, and Fernand Léger.[3][9]
In 2013, he had a posthumous solo exhibition curated by Marina Kovalyov at the National Arts Club, as part of the 11th Annual Russian Heritage Month.[9]
His second wife was Esther Sorokin, who died in 1961;[3] his third wife was painter and his former student, Irene Zevon.[10][15] He had two children.[10] His daughter was Alexandra (or Sasha, Sondra), she was the second wife of writer Saul Bellows; together they had son Adam Bellow.[3] Bellows book Herzog (1964) was influenced by his divorce to Alexandra.[16][17] According to Alexandra in 2011, her father sexually abused her starting around age 11.[3][18]
Gallery
Publications
Tschacbasov, Nahum (1982). The Machinery of Fright. Southampton College Press. ISBN9780943052007.