Mischief in the Air
Mischief in the Air is a comedy mystery play from Max Afford. The story takes place in a radio station.[1] It was one of the few Australian plays of the 1940s to receive a professional production, being produced by J.C. Williamsons Ltd.[2] They produced it in association with radio station 2GB and production company Macquarie, who presented a radio version. PlotThe action takes place in a Rex Broadcasting Studios, a station owned by Larry Carlson, a former Australian soldier, and Clay Tuttle, an American serviceman. Larry manages the business while Clay writes scripts. Larry is engaged to Fern, a doctor. Larry and Clay need the interest of sponsors Mc McGuinness, a Scotsman and Mr Mandelberg, a Jewish new Australian, but problems arise when the former falls dead. Fern figures out it was due to poison. Other characters include novelist Mrs Van Leydon, studio supervisor Arnold Vickery, actor Clarence Parsons and his wife Muriel. Fern, Larry and Clay decide to hide McGuinness' corpse until Mandelberg signs the deal. But it turns out the dead person isn't McGuinness. It's McGuinness' brother a Commonwealth Investigations officer investigating foreign spies working at Woomera and broadcasting in code. The trio decide to solve the case themselves. While they are figuring out who poisoned Charles McGuinness (the killer used poisoned darks bought by Van Leydon a New Guinea expert), the real McGuiness wants to arrive. Mandleberg loses his diamond ring. They think the agent is Vickery. Fern persuades Mandleberg to sign the contract. Then Charles McGunnis comes back to life. He was paralysed. They realise Vicket is innocent (Fern tells them they read the note in his pocket wrongly). Fern, who becomes the lead, realises the killer is Van Leydon - she used a lipstick device as a blow pipe. Van Leydon is about to kill Fern but is disrupted by a murder mystery play that is on. Production historyReading a copy of the script, Sydney Morning Herald drama critic called it:
The play debuted in 1944 under the direction of John Alden with the cast including a young John McCallum. It was given a five week time limit. The same Herald critic reviewed the production saying:
The Daily Telegraph called it "an ingenious, plausible tale, with smart, up-to-the-minute dialogue, suspense, continual surprise; a moment of horror."[5] Leslie Rees later wrote "Afford’s exuberant delight in ways of killing again had scope, and there was also some good character-writing—the Jewish sponsor, for instance—and quick-answering lines, though these merits hardly compensated for an invertebrate plot."[6] Original cast1944 radio versionThe same cast as the theatre version appeared in a radio version of the play that aired in 1944.[7] The play was subsequently given a number of amateur productions.[8] References
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