Mikhail Romadin
Mikhail Nikolayevich Romadin (Russian: Михаил Николаевич Ромадин) (12 April 1940 – 3 January 2012) was a Russian painter, book illustrator, movie art designer and theater artist.[1] He graduated from the All-Union State University of Cinematography. He is a third generation artist; his grandfather Mikhail was an artist and his father Nikolay, was a landscape artist and Academician Life and careerChildhoodMikhail Romadin was born on 12 April 1940 in Moscow. His father, the landscape painter Nikolai Romadin, was a student of Falk, Mashkov and Konchalovsky. When Romadin was thirteen he took lessons with Pavel Dmitrievich Korin, and it was at this point that he became attracted to less traditional types of art. He showed his experiments to Altman and Tyshler, and for a long time he was strongly influenced by the works of Picasso, Braque, Legér and other modernists, that he saw at the exhibition of French art that took place in Moscow in 1961. CareerMikhail Romadin went on as a young man to attend the Gerasimov University of Cinematography, which he considered to be the higher education institute that offered the most creative freedom to its students. There his best friends and fellow students were the poet Gennady Shpalikov and the director Andrei Tarkovsky. They met every day and between them were overflowing with creative ideas. Romadin thought up the flying machine made out of a sack that figures in Tarkovsky's film Andrei Rublev (1969), and in 1964 he worked as an artist on the film I am Twenty 1965, which was directed by Marlen Khutsiev and written by Marlen Khutsiev and Gennady Shpalikov. He was then the production designer and creator of the style of Tarkovsky's Solaris (1972), after which he went on to work as production designer on three of his friend Andrei Konchalovsky's films, The First Teacher (1964), The Story of Asya Klyachina (1967), and A Nest of Gentlefolk (1969).
Book illustrationMikhail Romadin created illustrations from an early age, and over his life illustrated more than 200 books, including Ray Bradbury's R is for Rocket and The Magic Ring by Andrei Platonov, Tales by Leo Tolstoy, Lion with a white beard by Tonino Guerra – M.Romadin's close friend, and more.
The intricacy of dense detail in Romadin's work is striking, and the viewer feels drawn to examine each detail individually; but Romadin's realism is deceptive, and what we see is really closer to surrealism. He achieves this through a cinematic approach, employing close-ups, expressive angles, montage, and a cinematic compositional dynamism. As Romadin said, “A good painting is done from corner to corner, with equal ten-sion in every square centimetre.” Romadin's works have been exhibited in over 300 solo exhibitions worldwide, from Paris, Geneva and Berlin, to Dallas and Beijing. While taking part in these exhibitions Romadin used to cover entire rolls of paper measuring several metres each with drawings. One critic called him a “drawing machine”. The works of Mikhail Romadin are in the collections of museums and private collections worldwide. Personal lifeParents Father – Nikolai Mikhailovich Romadin (1903–1987) – famous Russian landscape artist and Academician. Mother – Nina Gerasimovna Romadina (Shpileva) Wife Ekaterina Shein-Romadina, ballet dancer (Moscow State Academy of Choreography- The Bolshoi Ballet Academy), actress (Russian Academy of Theatre Arts), curator of exhibitions on the theme of ballet. Сhildren Daughter Aleksandra Shein-Romadina, curator of exhibitions of contemporary art Stepdaughter Anna Högl, founder of Studio Naegeli Gallery in Gstaad and art space Dreiviertel in Bern (Switzerland) Museums and collections
Solo exhibitionsRomadin's works have been exhibited in over 300 solo exhibitions worldwide, from Paris, Geneva and Berlin to Dallas New-York and Beijing. Filmography
ReferencesBiography of Michael Romadina site biogs.redban.ru[permanent dead link ] (Russian) Michael Romadin site of Andrei Konchalovsky (Russian)
|
Portal di Ensiklopedia Dunia