Mohabeer started her film-making career working for the National Film Board in Studio D.[4] She created her first short film Exposure (1990) for the series Five Feminist Minutes. This film was a huge success, not only for its content, but for the fact that this was "the first up-front lesbian film from the NFB" and the fact that the film was made by, in the words of Film Critic Thomas Waugh, a "lesbian artist of colour in the Canadian canon."[1] Following the release of her film she had a brief employment with CKLNradio.[4] Four years later, she released her second film Coconut/Cane & Cutlass (1994); due to the great success of her first film, the budget for her second feature was almost nine times larger allowing her to shoot in Canada and Guyana. In 1996, she created two more films Two/Doh and Child-play (1997); Two/Doh was noted for being produced at very low cost, while Child-play was Mohabeer's first attempt at a drama film.[6] During the nineteen-nineties she was active on several arts community boards in Toronto, frequently serving as administrator.[4]
In the new millennium, Michelle Mohabeer directed several more films. In 2001, she created the film Tracing Soul. In 2003, she wrote and directed the film Echoes. Finally, in 2008, she made the film Blu In You.[5][7]
Throughout her career as a filmmaker Professor Mohabeer has also taught the next generation of filmmakers. She has appeared as a guest lecturer or hosted workshops at several post-secondary institutions. She has also taught classes, namely Film Studies at Innis College, Cinema Studies at the University of Toronto, and York University and Film Production at Ryerson University.[4] Currently, Professor Mohabeer teaches in the Communication Studies and Humanities departments at York University.[5][8]
Cinematic style and influence
Many critics have noted that Mohabeer's films frequently explore the themes of "the diversity of cultural identity and the politics of gender, sexuality and colonialism."[6] Film Scholar Tara Atluri, has argued that Mohabeer's films also feature several links to the Indo-Caribbean film tradition.[9]
Poetic thoughts on exile, displacement and nationhood from an Indo-Caribbean lesbian immigrant; "raising many questions about the confluence of culture and sexuality."[6][9] This film contains elements of an autobiography, a historical documentary and an experimental film; represented with the use of landscape, histories, archived images, voices, theatrical dances and movement scenes, all of which are poetically fragmented.[1][12] Film critic Thomas Waugh has described this film as a "lush and complex first-person essay on lesbian desire and genealogy in the context of postcolonial exile."[1]
1996
Two/Doh
Poetic pastiche about the intersection of cultural and erotic connections between women of different cultural origins.[1][13]
1997
Child-play
Director, producer, scriptwriter, production designer,[7] researcher[10]
Allegorical dream tale about past youth superimposing on the present.[14]
2001
Tracing Soul
Artistic poetry about the female form using lines, shadows, music, text, fragments and gestures.[15]
The film covers the old and modern representations of the black queer female body, sexuality and subjectivity.[17] To cover both, the film jumps between distant points of history in the story.[9]
Awards and nominations
Several of Mohabeer's film have earned international awards and honorable mentions at film festivals across the globe; these films include Child-play, Coconut/Cane & Cutlass and Exposure. Exposure in particular has received much recognition, including the NFB's Five Feminist Minutes Award.[4][5][18][19]
Honourable Mention Certificate for Best Direction[19][20]
Child-Play
References
^ abcdefghWaugh, Thomas (2006). The Romance of Transgression in Canada: Queering Sexualities. Montreal, QU: McGill-Queen's University Press. pp. 127, 155, 172, 472. ISBN9780773530690 – via Print.
^ abArmstrong, Mary; Hubert, Nicole; National Film Board of Canada; NFB:Studio D; NFB:Regards de femmes (1990-01-01), Five feminist minutes, National Film Board of Canada ; Moving Images [distributor], OCLC606938904, retrieved 2016-10-14