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Mary Augusta WakefieldMary Augusta Wakefield (19 August 1853 – 16 September 1910) was a British composer, contralto, festival organiser, and writer.[1] BiographyEarly lifeWakefield was born in Kendal, where her paternal ancestors had been members of the Quaker community before converting to Anglicanism. Her mother was from an Irish-American background. In the 1860s her father took over the family business, which included a bank and a gunpowder mill. He built Sedgwick House near the gunpowder mill a few miles outside Kendal. Her parents William Henry Wakefield and Augusta Hagarty Wakefield had four sons (including the cricketer William Wakefield) and two other daughters. As a child, Wakefield learned traditional border folksongs from her nurses, which she later included in her collection Northern Songs. As a teenager she was sent to a finishing school in Brighton. She studied in London with Alberto Randegger and George Henschel, and in Rome with Giovanni Sgambati. Later lifeWakefield corresponded with and visited many musicians and writers, including Lucy Broadwood,[2] J. A. Fuller Maitland, Herbert Oakeley, John Ruskin, John Stainer, and Maude Valérie White.[3] Author Vernon Lee dedicated her short ghost story A Wicked Voice to Wakefield in 1887.[4] MusicWakefield was an early member of the Folk Song Society (now the English Folk Dance and Song Society).[2] She presented recitals throughout England, sometimes with Maude Valerie White. While in Rome in the 1880s, she socialised with composers Theo Marzials and Edvard Grieg. Grieg coached her on singing his songs and gave her an album of his compositions with this inscription: "Mary Wakefield with my best thanks for her beautiful songs. Edward Grieg. Roma. 1887."[3] Wakefield's musical compositions included:[3][5] Vocal music
Writing and lecturesWakefield knew John Ruskin, whose many interests included music. Towards the end of his life she edited a collection of his observations on the subject, Ruskin on Music (1894).[7] She presented lectures and wrote articles about various musical topics. Several of her articles were published in Murray's Magazine from July to December, 1889, under the title Foundation Stones of English Music .[3] The topics of her lectures and articles included:
FestivalsWakefield started several choirs in villages around Kendal, near her family home. In 1885, with her sister Agnes, she brought the choirs together for an outdoor festival to raise money for her local parish church St Thomas', Crosscrake,[8] which had been built with support from her father. In addition to raising money for the church, Wakefield wanted to encourage local, amateur music and make music more important in English life.[citation needed] LegacyHer festival continues today as the Mary Wakefield Westmorland Festival, and has inspired similar music festivals in other English towns. When Wakefield died in 1910, the Association of Musical Competition Festivals created a Mary Wakefield medal to be awarded at English music festivals. The medal included an image of Wakefield and Martin Luther's quotation "Music is a fair and glorious gift from God."[4] In 2003, a plaque was erected at Wakefield Bank House, Stricklandgate, Kendal, to celebrate the 150th anniversary of Wakefield's birth and commemorate her pioneering work developing English music festivals.[9] References
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