Marcos Cipac de Aquino

Marcos Cipac de Aquino (?–1572), informally known as Marcos the Indian, was a Nahuatl artist in sixteenth-century Mexico, who may have been the painter of the image of the Virgin of Guadalupe.

Art historian Jeanette Favrot Peterson has ventured, "Marcos Cipac (de Aquino) was the artist of the Mexican Guadalupe, capable of executing a large Marian painting on cloth within a professional milieu that was abundantly stock to stimulate his innate artistry."[1] The basis of her conjecture is evidence in the Anales de Juan Bautista, a manuscript housed in the Biblioteca Boturini of the Basilica of Guadalupe, translated and published in 2001.[2][3]

Mexican scholars of the nineteenth century posited the painting's artist as Marcos Cipac de Aquino, including Joaquín García Icazbalceta in his Carta acerca del Origen de la Imagen de Nuestra Sra. de Guadalupe (1883) and Francisco del Paso y Troncoso's Noticia del indio Marcos y de otros pintores del siglo XVI (1891).[4]

In the 1576 book Historia verdadera de la conquista de la Nueva España by Bernal Díaz del Castillo, a contemporary of Marcos Cipac de Aquino, the author writes on page 233:

Even at this day there are living in Mexico three Indian artists, named Marcos de Aquino, Juan de la Cruz, and El Crespello, who have severally reached to such great proficiency in the art of painting and sculpture, that they may be compared to an Apelles, or our contemporaries Michael Angelo and Berruguete.

Marcos de Aquino is credited with the painting also by Leoncio Garza-Valdés[5] on the basis of a scientific investigation.

However, there is some skepticism about the identification of the painting with Cipac Aquino.[6][7][8][9] A document called "Informaciones 1556" and published in 1888 states that on September 8, 1556, the feast of the Nativity of Mary, at the end of the sermon that Bustamante gave in the chapel of San José in the convent of San Francisco in Mexico, Bustamante attacked Archbishop Montúfar for having, according to the former, encouraged a devotion that had arisen around an image “painted yesterday by the Indian Marcos.” .^[citation needed]

Further reading

• Peterson, Jeanette Favrot. Visualizing Guadalupe: From Black Madonna to Queen of the Americas. Austin: University of Texas Press 2014.
• Poole, Stafford. Our Lady of Guadalupe: The Origins and Sources of a Mexican National Symbol, 1531-1797. Tucson: University of Arizona Press 1995
• Reyes García, Luis Reyes. Anales de Juan Bautista. Mexico City: Biblioteca Lorenzo Boturini, Insigne y Nacional Basílica de Guadalupe 2001.

References

1. Jeanette Favrot Peterson, Visualizing Guadalupe: From Black Madonna to Queen of the Americas. Austin: University of Texas Press 2014, pp. 115-16, 118.
2. Peterson, Visualizing Guadalupe, p. 287, fn. 25.
3. Luis Reyes García, Anales de Juan Bautista. Mexico City: Biblioteca Lorenzo Boturini, Insigne y Nacional Basílica de Guadalupe 2001.
4. Peterson, Visualizing Guadalupe, p. 289, fn. 73.
5. "La Guadalupana: Tres imágenes en una". Archived from the original on 2016-03-03. Retrieved 2016-03-04.
6. Stafford Poole, Our Lady of Guadalupe: The Origins and Sources of a Mexican National Symbol, 1531-1797. Tucson: University of Arizona Press 1995, p. 63.
7. Mariano Cuevas, S.J., Historia de la iglesia en México, Mexico City: Patria S.A., vol. 4, p.21.
8. Primo Feliciano Velázquez, La aparición de Sta. Ma. de Guadalupe. Mexico City: Patricio Sanz 1931, pp. 51-55m 402, 109.
9. Dunning, Brian (April 13, 2010). "Skeptoid #201: The Virgin of Guadalupe". Skeptoid. Retrieved June 19, 2017.