María Flora Yáñez's father was Eliodoro Yáñez, the Chilean politician and founder of La Nación.[7] Her children were also writers, Alfonso Echevarría (1922–1969) and Mónica Echeverría (1920-2020).[4][8]
Her literary work is part of the trend in women's literature of her time, "which is ascribed to the autobiographical and personal form," among which are the works of Marta Brunet (1901), María Luisa Bombal (1910) and María Carolina Geel [es] (1911).[2][9][10][11] She is included in a group of students assigned to the "Subjectivist School" present not only in Chilean women's literature,[9] but also in the women's contemporary novel.[12]
Some of her texts such as Espejo sin imagen (1936), Icha (1945), Aguas obsuras (1945), Juan Estrella (1954), and Gertrudis (1954) are cataloged as a kind of "autobiographical fiction in the first person".[2] Regarding one of her first publications, El abrazo de la tierra (1933), Lucía Guerra-Cunningham [es] includes it within those texts referring to the women's liberation movement, because it treats marriage as synonymous with "mortal boredom", a sacrament that at the beginning of the 20th century was associated with the conservative ideology of Chilean society.[13]
^ abSzmulewicz, Efraín. Diccionario de la Literatura Chilena [Dictionary of Chilean Literature]. Andrés Bello. pp. 419–420. Retrieved 30 January 2018 – via Google Books.
^Rojas Piña, Benjamín; Pinto Villarroel, Patricia; Rubio de Lértora, Patricia (1994). "María Flora Yáñez". Escritoras chilenas [Chilean Women Writers] (in Spanish). Editorial Cuarto Propio. p. 122. ISBN9789562601627. Retrieved 3 February 2018 – via Google Books.
^Peña Muñoz, Manuel (1982). Historia de la literatura infantil chilena [History of Chilean Children's Literature] (in Spanish). Ándres Bello. p. 82. Retrieved 30 January 2018 – via Google Books.