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Lyre-guitar  A musical instrument of the chordophone family, the lyre-guitar was a type of guitar shaped to look like a lyre, popular as a fad-instrument in the late 1800s. It had six single courses, with a fretboard located between two curved arms recalling the shape of the ancient Greek kithara. It was tuned and played like the conventional guitar. The lyre-guitar nearly always had a built-in pedestal allowing it to stand upright when not in use. History Pierre Charles Mareschal claimed to have invented it in 1780, what he called the Lira Anacreòntica. Mareschal was a prominent French luthier, and accused the French musician Phillis Pleyel of stealing his design.[1] The lyre-guitar enjoyed great popularity as a salon instrument, especially in Paris between 1780 and 1820. It became very much in vogue and pervaded the highest levels of society; Marie Antoinette played one[2] and the great guitarists of the day such as Ferdinando Carulli, Fernando Sor, Matteo Carcassi, Mauro Giuliani, and Pierre Jean Porro wrote music and method books for it.  Its decline coincided with the waning of the popularity of the guitar as a salon instrument, increasingly supplanted by the piano which benefited from ongoing improvements to its keyboard action. The lyre-guitar persisted, but not so much as a musical instrument, instead it persisted as a common symbol of classicist ideals, and appeared in numerous allegorical paintings (e.g. Mähler's portrait of Beethoven). Later on it was used in photographs as a prop for evoking ancient Greek and Roman themes.
Although the lyre-guitar is rarely heard or recorded it is not extinct. A body of nearly forgotten repertoire exists often by highly notable guitarists of the golden age of the guitar. Today lyre-guitars can be made to order by luthiers and authentic examples exist in museums and private collections. Lyre-guitar luthiers
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External linksHistorical sources
Sheet musicWebsites
RecordingsMuseums
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