Love Not Money is Everything but the Girl’s "most overtly politicised" album. Besides Thorn and Watt, notable performers on the album include June Miles-Kingston, Phil Moxham, Neil Scott and B.J. Cole. The tracks "When All's Well" and "Angel" were released as singles in the UK. Love Not Money was reissued in 2012 as a remastered two-disc deluxe set by Edsel Records.
Love Not Money spent nine weeks on the UK Albums Chart. It debuted and peaked at number 10 on 27 April 1985 and slowly declined, falling to number 69 on 22 June, its final week on the chart.[5]
Singles
In the UK, two tracks from Love Not Money were released as singles. "When All's Well" entered the UK Singles Chart on 23 March 1985 at number 88; it peaked at number 77 the following week, its last week on the chart.[6] "Angel" charted on 8 June 1985 at number 97 and peaked at number 93 the following week then left the chart.[6]
Ben Watt and Tracey Thorn as photographed in the 1990s.
Reviewing the 2012 reissue, Jess Harvell of Pitchfork called Love Not Money "a near-total reinvention [of Everything but the Girl] and a complete stylistic mish-mash".[7] She said its guitars are covered with "about nine pounds of agreeably dated glitz" and compared their sound with that of Icicle Works' music.[7] Harvell also said, "it's the most soporific and studiously 'serious' album EBTG ever made, and parts of it are a real drag"; that the title track "Love Not Money" "plays the dreaminess of 80s soft-focus indie against the stark [political] reality that so much 80s pop was rushing to avoid"; and called "Sean" and its tin flute instrumentation "Celtic kitsch" that is "so ham-fisted you'll cringe".[7]
Also reviewing the reissue, the BBC's Ian Wade compared the album with the music of Lloyd Cole and the Commotions and The Smiths, and wrote that "it sounded a desire for EBTG to be heard above the bigger crowds [Everything but the Girl] were beginning to play to".[14]
In 2015, Emily Barker of NME rated Love Not Money in 16th place on her list of "50 Albums Released In 1985 That Still Sound Great Today", saying it "confirmed the duo as one of our nation's little treasures ..."[15]