Composition Year
|
Title
|
Premiere Date
|
Premiere Performers
|
Notes
|
1969
|
Concerto for Flute and Orchestra
|
1981
|
Leonard Slatkin/St. Louis Symphony Orchestra – Peter Lloyd, flute – St. Louis
|
|
1976
|
Concerto for Violin and Orchestra
|
1981-01-29
|
Leonard Slatkin/St. Louis Symphony Orchestra – Mark Peskanov, violin – St. Louis
|
Composed at the suggestion of Barbara Ruick, first wife of the composer. Begun in 1974, shortly after Ruick's death, and completed in 1976
|
1985
|
Concerto for Tuba and Orchestra
|
1985-05-08
|
John Williams/Boston Pops Orchestra – Chester Schmitz, tuba – Boston
|
Composed in 1985 for the Centennial of the Boston Pops
|
1991
|
Concerto for Clarinet and Orchestra
|
1991-04-13
|
John Williams/Riverside County Philharmonic – Michele Zukovsky, clarinet – Los Angeles
|
Composed in 1991 for Michele Zukovsky, principal clarinet of the LA Philharmonic[8]
|
1993
|
Concerto for Bassoon and Orchestra (The Five Sacred Trees)
|
1995-04-15
|
Kurt Masur/New York Philharmonic – Judith LeClair, bassoon
|
Composed in 1993 for the 150th celebration of the New York Philharmonic
|
1994
|
Concerto for Cello and Orchestra
|
1994-07-07
|
John Williams/Boston Symphony Orchestra – Yo-Yo Ma, cello – Tanglewood
|
Composed in 1994 for the opening of the Seiji Ozawa Hall in Tanglewood
|
1996
|
Concerto for Trumpet and Orchestra
|
1996-10
|
Christoph von Dohnányi/Cleveland Orchestra – Michael Sachs, trumpet
|
Composed in 1996 for Michael Sachs, first trumpet of the Cleveland Orchestra
|
1997 rev. 2002
|
Elegy for Cello and Orchestra
|
|
Premiered by John Williams, piano, and John Waltz, cello. Later arranged for cello and orchestra
|
Composed in 1997 for a memorial service in Los Angeles. Based on a secondary theme from Seven Years in Tibet
|
2000
|
TreeSong for Violin and Orchestra
|
2000-07-08
|
John Williams/Boston Symphony Orchestra – Gil Shaham, violin
|
Composed in 2000 for Gil Shaham
|
2001
|
Heartwood: Lyric Sketches for Cello and Orchestra
|
2002-08-04
|
John Williams/Boston Symphony Orchestra – Yo-Yo Ma, cello – Boston
|
Composed in 2001 for Yo-Yo Ma
|
2003
|
Concerto for Horn and Orchestra
|
2003-11-29
|
John Williams/Chicago Symphony Orchestra – Dale Clevenger, horn – Chicago
|
Composed for the Chicago Symphony Orchestra's principal horn Dale Clevenger
|
2007
|
Duo Concertante for Violin and Viola
|
2007-08-17
|
John Williams/Boston Pops Orchestra – Victor Romanul, violin – Michael Zaretsky, viola – Tanglewood
|
Composed for Michael Zaretsky
|
2009
|
Concerto for Viola and Orchestra
|
2009-05-26
|
John Williams/Boston Symphony Orchestra – Boston
|
Composed for Cathy Basrak. Unreleased
|
2009
|
On Willows and Birches (Concerto for Harp and Orchestra)
|
2009-09-23
|
John Williams/Boston Symphony Orchestra – Boston
|
Composed for Ann Hobson Pilot
|
2011
|
Concerto for Oboe and Orchestra
|
2011-05-25
|
John Williams/Boston Pops Orchestra – Keisuke Wakao, oboe – Boston
|
Composed for Keisuke Wakao
|
2014
|
Scherzo for Piano and Orchestra
|
2014-07-03
|
China Philharmonic Orchestra – Lang Lang, piano – Beijing
|
Composed for the Music in the Summer Air Festival
|
2017
|
Markings for solo violin, strings, and harp
|
2017-07-16
|
Andris Nelsons/Boston Symphony Orchestra – Anne-Sophie Mutter, violin – Tanglewood
|
Composed for Anne-Sophie Mutter
|
2018
|
Highwood's Ghost, An Encounter for Cello, Harp and Orchestra
|
2018-08-19
|
Andris Nelsons/Boston Symphony Orchestra – Yo-Yo Ma, cello – Jessica Zhou, harp – Tanglewood
|
Composed for Yo-Yo Ma and Jessica Zhou
|
2021
|
Violin Concerto No. 2
|
2021-07-24
|
John Williams/Boston Symphony Orchestra – Anne-Sophie Mutter, violin – Tanglewood
|
Composed for Anne-Sophie Mutter
|