Keith Laws
Keith R. Laws is a British academic who serves as professor of neuropsychology at the School of Psychology at the University of Hertfordshire.[1] Laws' research centres on how cognitive functions and processes relate to brain structure and function; notably for research on cognitive functioning in people suffering from neurological and psychiatric disorders. CareerLaws completed a PhD at the Department of Experimental Psychology, University of Cambridge. He is the author of over 100 papers and a recent book entitled 'Category-Specificity: Evidence for Modularity of Mind'.[2] He is a Chartered Psychologist, Associate Fellow of the British Psychological Society (AFBPsS),[3] Fellow of the Higher Education Academy (FHEA),[4] a Fellow of the Royal Society of Arts (FRSA) and various academic organisations including the British Neuropsychological Society,[5] British Neuropsychiatric Association,[6] Experimental Psychology Society.[7] and an editor at PLOS ONE.[8] Laws, with his colleagues, created one of the first research groups to investigate impairment of everyday knowledge in patients with schizophrenia and to demonstrate worse cognitive outcomes in women suffering from Alzheimer's disease. Laws' work on the link between MDMA (also known as ecstasy) drug use and poor memory is the principal analysis of its kind to date, and has been broadly cited in both national and international media. In 2013 he published a study showing that women are better at multitasking than men.[9] Cognitive Behavioural Therapy for Psychosis (CBTp)Laws has been a strong critic of the use of CBT for treating the psychotic symptoms associated with schizophrenia.[10] Music careerLaws was a former exponent of experimental music, and was a founding member of the post-punk band The The.[11][12] Laws is credited by fellow the The founder Matt Johnson as being the originator of the band name. Laws answered an advertisement placed by Johnson in NME in 1978, seeking musicians to form a band. The The as a duo, recorded the 7" 45rpm single for 4AD, "Controversial Subject"/"Black and White". Produced by Bruce Gilbert and Graham Lewis of Wire, Laws played synthesiser and sang, and Matt Johnson played guitar and also contributed vocals. The record sleeve mentions both Tom Johnston and Triash (Peter Ashworth) as having contributed, although the recordings featured only Laws and Johnson. Laws and Johnson played as the The at gigs with Wire, Cabaret Voltaire, DAF, This Heat, the Birthday Party and Scritti Politti.[citation needed] In early 1981, the The also contributed the composition "Untitled" for The Some Bizzare Album. In September of that year, the duo of Johnson and Laws signed a deal with Some Bizzare Records, and released the 7" single "Cold Spell Ahead". Following final demo recordings for Phonogram – "Three Orange Kisses for Kazan", "Waiting for the Upturn" – Laws left to pursue his studies, leaving Johnson as a solo artist using a group moniker.[citation needed] BibliographyBooks
Journal articles
References
External links |