Julian Rosefeldt (born 1965 in Munich) is a German artist and film-maker. Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations, often shown as panoramic multi-channel projections. His installations range in style from documentary to theatrical narrative.
Life and work
Julian Rosefeldt studied architecture in Munich and Barcelona.[1][2] After receiving his diploma in 1994, he began working in collaboration with fellow Munich graduate Piero Steinle.[3]
Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations. In most cases, these installations are shown as panoramic multi-channel projections. They range in style from documentary to theatrical narrative.[4] In Lonely Planet (2006), for example, the artist portrays a hippie-ish Western backpacker on a trip through India; as he moves through a series of clichéd sequences, including a frenetic Bollywood-inspired dance number, the camera periodically pulls back to reveal spotlights, dressing rooms and other filmmaking necessities.[5] Rosefeldt primarily uses 16-mm and 35-mm film and has often worked in close cooperation with the cinematographer Christoph Krauss.[6][7]
Rosefeldt has lived and worked in Berlin since 1999, when he relocated as Artist-in-residence at the Sammlung Hoffmann.[8]
In addition to his art production, Rosefeldt also works with the Schaubühne am Lehniner Platz, often collaborating with its head and creative director Thomas Ostermeier. In 2009, Rosefeldt was invited as a guest professor by the Media Art and Media Design faculty at the Bauhaus University Weimar. Since 2010, Rosefeldt has been a member of the Bayerische Akademie der Schönen Künste in the division of Film and Media Art. Since 2011, he has been professor at the Akademie der Bildenden Künste in Munich.[9] Since 2013, he has also been serving on the board of trustees of the Kino der Kunst festival in Munich.[10]
Ingvild Goetz and Stephan Urbaschek, eds. fast forward 2: The Power of Motion. Exh. cat., ZKM Museum für Neue Kunst Karlsruhe, 2010. Ostfildern: Hatje Cantz, 2010, ISBN978-3-7757-2604-7
Julian Rosefeldt: Living in Oblivion. Exh. cat., Berlinische Galerie, Berlin, 2010. Bielefeld: Kerber Verlag, 2010, ISBN978-3-86678-414-7
Stephan Berg, et al., eds. Julian Rosefeldt: American Night. Exh. cat., EX3 Centro per l'Arte Contemporanea, 2009, and Kunstmuseum Bonn, 2010. Berlin: The Green Box Kunst Editionen, 2009, ISBN978-3-941644-15-1
Stephan Berg, et al. eds. Julian Rosefeldt: Film Works. Ostfildern: Hatje Cantz, 2008, ISBN978-3-7757-2171-4
News: Eine Videoinstallation von Julian Rosefeldt und Piero Steinle. Exh. cat., Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1998. Heidelberg: Kehrer Verlag, 1998, ISBN3-933257-02-6 / Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1998, ISBN3-926154-36-5
Julian Rosefeldt and Piero Steinle, eds. Paris – Les Cathédrales Inconnues – Espaces vides dans l'ombre de la ville. Exh. cat., Espace des Blancs Manteaux. Paris, 1997
Julian Rosefeldt and Piero Steinle, eds., Detonation Deutschland – Sprengbilder einer Nation. Exh. cat., Orangerie. Munich, 1996