Allende-Blin composed instrumental music, two ballets, chansons and music for tape. He reconstructed and orchestrated Debussy's unfinished opera La Chute de la Maison Usher. As a music publicist, he wrote about musicians and exile. His compositions were published by Edition Gravis [de].
Selected works
Transformationen for brass, percussion, celesta and piano
Profils for clarinet, trumpet, trombone, cello and percussion
Magnetfelder for piano, clarinet, double bass and tape
Transformations III for percussion, 1952
Transformations IV for Klavier, 1960
Echelons for organ, 1962–68
Silences interrompus for clarinet, double bass and piano, 1969/1970
Mein blaues Klavier for organ, Drehorgel and Maultrommel, 1970
Zeitspanne for piano, 1971–74
Souffle for two choirs and projections, 1972
Perspectives : pour clarinette en si b, 1977
Des Landes verwiesen / konzertante und szenische Aktionen, 1978, libretto: Jean-Pierre Faye
Rapport sonore / Relato sonoro / Klangbericht, musical radio feature, Karl-Sczuka-Preis 1983
Dialogue for piano and two Interpreters, 1983
Coral de caracola for organ, 1985
Transformations V for organ and chamber ensemble, 1987
Tagebuchgesänge after Franz Kafka and Lautréamont for two baritones and chamber orchestra, premiere 1987
Streichquartett, 1995
Walter Mehring – ein Wintermärchen / Imaginäre Szene für Bariton und Kammerensemble, 1998
Le Voyage, cantata for baritone and ten instruments, 2001
Kirchenmusik unter Hitler. In Hanns-Werner Heister, Hans-Günther Klein (Hg.): Musik und Musikpolitik im faschistischen Deutschland, Fischer Taschenbuch Verlag, Frankfurt a.M. 1984, ISBN3-596-26902-4.
