Jordan Bonel, sometimes also de Confolens[1] (fl. late 12th century), was a troubadour from western Aquitaine about whom very little is definitively known except that he was associated with the court of Alfonso II of Aragon.[2] His vida states that he was from Saintonge and he appears to have been contemporary with Bertran de Born.[3] His surviving corpus probably consists of three cansos, wherein only one is attributed to him, though its melody survives:[3]
The melody has similar to those of Arnaut de Maruelh, but is rather conservative when compared with his more illustrious contemporaries.[2] It is in AAB form with musical rhymes at the cadences.[2]
One of Jordan's cansos is said to refer to the Holy Land by Linda Paterson, though neither she nor Kurt Lewent classifies it as a "crusading song".[5] The poem actually refers to Edessa as representing the far reaches of the earth. The same song celebrates Guiborc de Montausier, the "viscountess" of Chalais (Chales or Chaletz):
Paterson, Linda M. "Occitan Literature and the Holy Land." The World of Eleanor of Aquitaine: Literature and Society in Southern France between the Eleventh and Twelfth Centuries, edd. Marcus Bull and Catherine Léglu. Woodbridge: Boydell Press, 2005. ISBN1-84383-114-7.
Notes
^Also spelled "Confolent" or "Cofolen". There is some confusion regarding the identification of Jordan (de) Bonel (modern Occitan Bonèl) and Jordan de Confolens. Alfred Jeanroy rejected the identification.
^ abAubrey, 10. His vida is less than completely reliable because it suffers some of the serious errors found in a razo for one of Bertran de Born's works.