He is co-curator, with the composer Tim Parkinson, of the concert series Music We'd Like to Hear, which has run since 2005[3] and co-author with fellow composer James Saunders of the book Word Events: Perspectives on Verbal Notation, a study of text scores, which was published by Continuum/Bloomsbury in 2012.[4]
Lely's music is influenced by an older generation of British experimental composers, such as John White and Michael Parsons, with both of whom he is friends. Lely's music uses both acoustic and electronic objects and instruments, and is concerned with simplicity and use of systems and processes.[6] He has also regularly performed in improvising groups in London, notably with the drummer Eddie Prévost,[7][8] the violinist Angharad Davies, Sebastian Lexer and others.
Notable works by Lely include The Harmonics of Real Strings (2006), in which a very slow glissando is performed on one string of a bowed instrument, using light finger pressure to activate natural harmonics. The piece was recorded by the cellist Anton Lukoszevieze for the record label Another Timbre, in four separate realisations (one for each of the cello's strings).[1][7][9]
All About The Piano (2006) is an open-form piece, in which the pianist plays fragments from the score in an order of their choosing. Simultaneously, the music is recorded and played back, so the music becomes increasingly dense.[10]
Other works and improvisations by Lely have been released on the record labels Matchless Recordings and Another Timbre, while his electronic album, Launch of the Red Bird (2005), was self-released on Bandcamp.[11]
Selected works
E (2003) for piano, cello, harp, electric guitar and xylophone. Commissioned by MaerzMusik, Berliner Festspiele for Apartment House.
Cycling in [county/region of performance] (2004) for harp. Commissioned by and dedicated to Rhodri Davies.
Launch of the Red Bird (2005) electronic album.
All About the Piano (2006) for pianist with one or more roaming assistants. Commissioned by the Huddersfield Contemporary Music Festival for Philip Thomas and James Saunders.
The Harmonics of Real Strings (2006) for solo bowed string instrument.
During (2013) for three cellos. Commissioned by Tre Voci and nu:nord, with support from the Britten-Pears Foundation.