Joan Benson (October 9, 1925 – January 1, 2020) was an American keyboard player who specialized in the clavichord and fortepiano.[1]
Biography
Benson was of Swedish descent. Born in Saint Paul, Minnesota, she spent her childhood in New Orleans, where she attended Metairie Park Country Day School, one of the first progressive schools in the South. Its emphasis on creativity encouraged her talents in music, painting and poetry.
At sixteen, she studied with pianist-composer Percy Grainger at Interlochen's Summer Music Camp. At seventeen, she attended Longy School of Music in Cambridge, Massachusetts, studying with Boris Godowsky and Melville Smith. It was here she first heard a clavichord, where Erwin Bodky, a faculty member, played several preludes and fugues by J. S. Bach.
Transcription of a clavichord record, by Joan Benson (Bridge S 2250). It was a "recommended recording of the year" (1973) by the Saturday Review. This recording is on clavichords by Thomas Goff of England and Jacobus Verwolf of the Netherlands. The music was composed by Dietrich Ewald von Grotthuß [de] (1751–1786)
Clavichord Music of Johann Kuhnau and C. P. E. Bach (Focus Recordings, Peter Nothnagel, Early Music Institute, Indiana University School of Music, cassette, 1987[7] and CD, 1996)[8]
The Clavichord, Vision and Voice of Joan Benson, Early Music Institute; issued with Clavichord for Beginners, Indiana University Press, DVD (2014)[9]
Publications
Books
Clavichord for Beginners, Indiana University Press, 2014[10]
Articles in books
"The Effect of Clavichord Technique on the Fortepiano", Internationaler Joseph Haydn Kongress, Wien, 1982, G. Henle Publishing House, Munich (1986)[11]
"The Clavichord in 20th-Century America", in Livro de Homenagem a Macario Santiago Kastner, Calouste Gulbenkian Foundation, Lisbon (1992)[11]
"Clavichord Technique in the Mid-Twentieth Century", Proceedings of the International Clavichord Symposium, Magnano, 9–11 September 1993, Istituto per I Beni Musicali in Piemonte, Turin (1994)[12]
"Clavichord Perspectives from Goethe to Pound", De Clavicordio VI, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2004)[13]
"Studying with Macario Santiago Kastner a Half-Century Ago", De Clavicordio VIII, The Clavichord on the Iberian Peninsula, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2008)[14]
"The Interplay of Clavichord and Piano", De Clavicordio XI, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2014)[15]
"Teaching the Clavichord in Our Electronic World", De Clavicordio XII, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2015), published 2017.
Articles in magazines
"Recollections of Edwin Fischer" (T. Tikker), Journal of the American Liszt Society, vol. 21, January−June 1987.
"Bach and the Clavier", Clavier Magazine, vol. 29, no. 2, February 1990.
"Qigong for Pianists", Piano and Keyboard, no. 194, September–October 1998
"Piano to Clavichord (1925–1962)", Clavichord International, Het Nederlands Clavichord Genootschap, vol. 10, no. 2, November 2006
"An Interview with Joan Benson" Clavichord International, Het Nederlands Clavichord Genootschap, vol. 18, no. 2, November 2014
"Getting Started: Clavichord", Early Music Today, Rhinegold Publishing, London, United Kingdom, (June–August 2017)
"När fingret träffar tangenten", Tidig Music, Stockholm, Sweden, (October 2017)