Rose is best known for her critical study on the life and work of American poet Sylvia Plath, The Haunting of Sylvia Plath, published in 1991.[4] In the book, Rose offers a postmodernist feminist interpretation of Plath's work, and criticises Plath's husband Ted Hughes and other editors of Plath's writing. Rose describes the hostility she experienced from Hughes and his sister (who acts as literary executor to Plath's estate) including threats received from Hughes about some of Rose's analysis of Plath's poem "The Rabbit Catcher". The Haunting of Sylvia Plath was critically acclaimed, and itself subject to a famous critique by Janet Malcolm in her book The Silent Woman: Sylvia Plath and Ted Hughes.[citation needed]
Rose is highly critical of Zionism, describing it as "[having] been traumatic for the Jews as well as the Palestinians".[8] In the same interview, Rose points to the internal critique of Zionism expressed by Martin Buber and Ahad Ha'am.
Rose's claim in The Question of Zion[9] that Israel is responsible for "some of the worst cruelties of the modern nation-state" has been questioned as disconnected from historical reality and been characterised instead as "moralizing" by the Israeli historian Alexander Yakobson in the Hebrew periodical Katharsis.[10]
— (2013) [1991]. The Haunting of Sylvia Plath. London: Virago. ISBN9780349004358.
— (1993). The Case of Peter Pan, or, The Impossibility of Children's Fiction. Philadelphia: University of Pennsylvania Press. ISBN9780812214352.
Rose, Jcqueline, ed. (1993). Why War? Psychoanalysis, Politics, and the Return to Melanie Klein. Oxford, UK; Cambridge, Massachusetts: B. Blackwell. ISBN9780631189244.
— (1996). "Feminine sexuality". In Jackson, Stevi; Scott, Sue (eds.). Feminism and Sexuality: A Reader. New York: Columbia University Press. pp. 74–78. ISBN9780231107082.
— (1996). States of Fantasy. The Clarendon Lectures in English Literature. Oxford England; New York: Clarendon Press Oxford University Press. ISBN9780198182801.