Jack Schiff (1909[1] – April 30, 1999)[2] was an American comic book writer and editor best known for his work editing various Batman comic book series for DC Comics from 1942 to 1964. He was the co-creator of Starman, Tommy Tomorrow, and the Wyoming Kid.
^"Deaths: Schiff, Jack". The New York Times. May 1, 1999. Archived from the original on May 27, 2015. Schiff, Jack. 89. Of New Rochelle, NY, died on April 30, 1999. He had been a managing editor for DC Comics, including Superman and Batman.
^Daniels, Les (1995). DC Comics: Sixty Years of the World's Favorite Comic Book Heroes. New York, New York: Bulfinch Press. p. 28. ISBN0821220764. Mort Weisinger and Jack Schiff were recruited from the pulp magazines, Weisinger...was soon called away by World War II, leaving Schiff as managing editor for the duration.
^Pasko, Martin (2008). The DC Vault: A Museum-in-a-Book with Rare Collectibles from the DC Universe. Philadelphia, Pennsylvania: Running Press. p. 48. ISBN978-0762432578. Weisinger's idea was that Schiff would act as a benchwarmer, and after the war, Weisinger would return to his old job.
^Manning, Matthew K. (2014). "1940s". In Dougall, Alastair (ed.). Batman: A Visual History. London, United Kingdom: Dorling Kindersley. p. 26. ISBN978-1465424563. In this issue by artist Bob Kane and writer Jack Schiff...the police introduced the Bat-Signal, a giant spotlight that displayed the bat-symbol on the night sky in order to summon the hero.
^Daniels, p. 92: "Jack Schiff enjoyed more success, however, with an even more idealistic experiment. This was a series of single-page public service announcements that he created and wrote for publication in all DC titles."
^Levitz, Paul (2010). "The Silver Age 1956–1970". 75 Years of DC Comics The Art of Modern Mythmaking. Cologne, Germany: Taschen. p. 422. ISBN9783836519816. In cooperation with several social welfare agencies, editor Jack Schiff routinely prepared public service ads...for all the DC titles, beginning in 1949 and continuing through the mid-1960s.
^Bingaman, Brian (March 31, 2016). "Comic Books Unmasked uncovers Pearl S. Buck's role in changing the comics industry". 21st Century Media. Archived from the original on December 28, 2016. Buck introduced the non-mask-wearing superhero Johnny Everyman, who fought racism with the power of persuasion and intellect in adventures set in China, India, the Philippines, Belgium, Germany and the U.S. Scripted by Jack Schiff and illustrated by John Daly, Johnny Everyman appeared in DC's World's Finest Comics and Comic Cavalcade in the mid-'40s.
^Wallace, Daniel (2010). "1940s". In Dolan, Hannah (ed.). DC Comics Year By Year A Visual Chronicle. London, United Kingdom: Dorling Kindersley. p. 56. ISBN978-0-7566-6742-9. Jack Schiff edited the stories, with Graham Place providing the art.
^Wallace "1940s" in Dolan, p. 57: "Edited by Jack Schiff, the Gang Busters comic focused on FBI cases and standalone crime stories."
^Pasko, p. 88: "For extra insurance that it would be done in good taste, the book [Gang Busters] was assigned to public service page writer Jack Schiff. Other crime-related titles from radio quickly followed, including Mr. District Attorney."
^Markstein, Don (2010). "Tommy Tomorrow". Don Markstein's Toonopedia. Archived from the original on October 14, 2013. The script had a lot of writers for something so short — Jack Schiff, George Kashdan and Bernie Breslauer (all of whom edited for DC) shared the credit, tho Breslauer (a very minor writer otherwise) is generally given most of it.
^Wallace "1940s" in Dolan, p. 54: "Tomorrow's inaugural tale...was a fanciful dramatization of what writer Jack Schiff claimed to be a future vision of human space travel."
^Markstein, Don (2009). "The Wyoming Kid". Don Markstein's Toonopedia. Archived from the original on May 27, 2024.
^Greenberger, Robert; Manning, Matthew K. (2009). The Batman Vault: A Museum-in-a-Book with Rare Collectibles from the Batcave. Philadelphia, Pennsylvania: Running Press. p. 19. ISBN978-0762436637. Schiff attempted to force this new genre into the Caped Crusader's world. But the square peg of time travel, giant alien monsters, and flying saucers didn't quite fit into the round hole of Gotham City.
^Smith, Colin (August 7, 2012). "On the Batman of Three Worlds, by Bill Finger and Sheldon Moldoff (1963)". Edwardsville, Illinois: Sequart Organization. Archived from the original on May 3, 2016. This process of searching for reader-enticing hooks meant an obsessional reliance upon thin, well-worn, and tacky sci-fi tropes: weird alien planets, weird alien creatures, and weird alien technology. It was a desperate attempt to combat constantly falling sales.
^Irvine, Alex "1950s" in Dolan, p. 92: "With Blackhawk #133, the Blackhawk Squadron finally welcomed a woman to their ranks – Zinda Blake – courtesy of editor Jack Schiff and artist Dick Dillin."
^McAvennie, Michael "1960s" in Dolan, p. 110: "The Dark Knight received a much-needed face lift from new Batman editor Julius Schwartz, writer John Broome, and artist Carmine Infantino. With sales at an all-time low and threatening the cancellation of one of DC's flagship titles, their overhaul was a lifesaving success for DC and its beloved Batman."
^Ro, Ronin (2004). Tales To Astonish: Jack Kirby, Stan Lee, And The American Comic Book Revolution. London, United Kingdom: Bloomsbury Publishing. pp. 89–90. ISBN1582343454. There was a point when DC actually gave thought to canceling Batman...in his spacious office, facing [Julius] Schwartz and [Carmine] Infantino, [Irwin] Donenfeld told them, 'Gentlemen, you two guys are going to take over Batman. The book is dying. I'll give you six months. If you don't bring it back, we'll kill it off.